726

(3 replies, posted in Off Topic)

You make some good points; how would you compare this season with the last? Did you have similar criticisms about season 2? I've seen a fair amount of praise for this new one, and I imagine a lot of that is due to the marked improvement in pacing and writing compared to season 2. It's not perfect, Michonne indeed hasn't really been developed and her muteness seems to exist to prevent the plot from moving forwards at times. But still, what an improvement over the wreck that was season 2! Where we had characters engaging in contrived conflicts and playing with the idiot ball, mirred in a dragged out and uninteresting search for a lost member of their group.

I can't say I agree with you about Rick. He had a breakdown, born of guilt and grief, it happens and he's recovered (somewhat). I think it makes him more interesting, rather than the typical unflappable leader.

What I dislike most about this season, and one that started in season 2, has been Andrea. She's thoroughly unlikeable and her storylines are unconvincing. It feels like early in the show's development the actress suggested playing her sassy, but instead she just looks pissed and bitchy; maybe it's sort of snowballed from there. Given what she does in this third series, her character's so far removed from the comic she can never can get back there.

Most of my complaints about the show stem from the divergences from the comic and a sense that, with few exceptions, it's an inferior telling of the story. I find The Walking Dead to be probably one of the most surprising and well written comics out there.

727

(359 replies, posted in Off Topic)

It's certainly a teaser! I'm quite impressed that they managed to show me all this footage and restrain themselves from revealing any of the story (I've not read anything about it so can't also put it into any context).

I have no feelings about it at the moment, it does look quite action-y, but no doubt I'll be there in line when it gets released.

AshDigital wrote:

However If you could show me where I went off the rails myself and where the others with agenda distorted his views I would be the happiest camper on this forum. Nothing would make me happier than having being fooled by the bad people on the internet who just wanted to hurt O.S.C.

I don't know enough about OSC (or care) to say where you're off the rails, and that's the key here. I don't have all the information. I've given the relevant bits of Wikipedia article a cursory look over but that doesn't  qualify me to make any sort of judgement on the accuracy of the quotes or attitudes attributed to him. You may know more and be justified in your opinion, but Jimmy? Less than 1 hour of internet research isn't enough time to justify, in my mind, going from 'never heard of him' to "sad, vile, putrid human being". That's pretty strong language!

What's more, the internet is so shock full of rumour and gossip, Google automatically comes up with "orson scott card homophobe", that I'm mindful of basing any opinions (let alone such vehement ones) based on knee-jerk reactions to what people have said someone else said or thinks. If you look at the articles that pop up it's mainly the same stuff passed around in much the same way as it did in this thread. Somone talking shit about another person they don't know and have never met, perhaps some quote-mining, and another person picking up that ball and throwing it along with added editorial. It's chinese whispers more becoming of the school playground than the DiF community.

Jimmy B wrote:

I had no idea who Orson Scott Card was until you said that and I looked him up. What a sad, vile, putrid human being he is.

Was this based on an internet search then? I'd be cautious of believing everything you read. I'm saddened that we're so quick to form judgements on people we've never met, which is all the more tragic given that we tend to latch onto a first impression we've borrowed from someone else (who often has an agenda) and that it's much harder to change this preconceived notion when we do read wider. Must we really in our minds make enemies of people we never knew existed and will likely never cross paths with? Can't we exercise restraint too in our rhetoric?

The internet's filled with so much vitriol, and it seems to me that most of it stems from people hating other people's hate.

Jimmy B wrote:

Empire magazine have given it four stars out of five while Total Film have went all the way and gave it the full five.

I think Hobbit is pretty critic proof at this stage. It would take a rash of terrible reviews to put this down. What it's interesting to me is that since it's the first part of the trilogy, i.e., an incomplete story, it'll be hard to really qualify it.

731

(316 replies, posted in Episodes)

Mr. Pointy wrote:

I liked Transformers 1 & 3 (2 was shit though).

I've never understood this sentiment at all, since the flaws of part 2 are painfully evident in the other 2 installments. What makes 2 shit also makes 1 and 3 shit as well.

Mr. Pointy wrote:

Babylon 5 was terrible.

I used to think that too until I actually watched it.  smile

I hope to see it as 'normally' as possible. But on a side note, I can't believe we're here already, the release of the film a mere week away. Seems like only the other day this was mirred in legal action hell.

733

(165 replies, posted in Off Topic)

Dorkman wrote:
redxavier wrote:

Sounds precariously like intolerance to me

I am completely intolerant of racism, sexism, and other forms of prejudice.

Intolerance of ideas =/= intolerance of people.

The distinction isn't anywhere near as clear as you're making it out to be. Prejudice towards the person can stem from prejudice of the ideas that he or she holds and, further, a person's prejudices derive mostly from their own ideas about the target. You can't really separate the two like that. So yeah, you're intolerant of racists (who last time I checked are people too). Your intolerance is morally superior, but it's still intolerance. [And this is the part where I make sure everyone understands that I'm not FOR racism etc. because apparently on the internet being against A means you have to be for B]

Besides, the point was that nowadays people tend to knee jerk even potentially racist comments or such that could be racist when looked at in a way not intended. We're moving/have moved to being an over-sensitive society, as if that would solve the underlying and deep set attitudes. Such that a white person couldn't comment that he wasn't a slave to his boss, who happens to be black, without that being labelled as racist (true story for a friend of mine, which is really tragic when you think about it). Some overreact so much to perceived slights that when a person says something truly and intentionally despicable, they're not really able to express the outrage reflective of their hurt, so accustomed are they to crying wolf.

Not to say that there aren't racists and terrible people out there who say awful things. Personally, I'm far more concerned with what people do rather than the words they say.

Anyhow, more on topic, how do people feel about George Lucas? I felt that Leia was a pretty good female character, and she's possibly one of the first actiony females in Western cinema (just pre-dating Ripley by a couple of years). She rather intelligent hides the plans in R2, talks back to Vader, insults Tarkin, and even treats her captors with exasperation and aids in her own rescue. But then Padme came long, who I think is possibly one of the worst female characters ever written - essentially a walking and talking baby-maker.

734

(165 replies, posted in Off Topic)

Dorkman wrote:

Except that they do, because every instance of sexism, racism, homophobia, etc. is another drop in the bucket creating a culture where people think that these things are okay. Big things only happen after enough tiny things accrue. The most effective solution is not to let any of it slide.

Sounds precariously like intolerance to me, which is ironic given your ultimate aim. What happens to imagined or misunderstood instances? Not everything is as cut and dry as you make it out to seem.

735

(473 replies, posted in Episodes)

I would love to see a series of animated films based on the various popular existing EU stories, imagine Shadows of the Empire or the Thrawn Trilogy fully animated with the voices of the actual actors?

736

(165 replies, posted in Off Topic)

I can't really envision a joke with rape as the punchline, let alone imagine it to be a funny. Oh well, I guess I just don't know 'funny' like Pactrice O'Neal (who I'd never heard of before).

And of course being offended is exhausting and you have things to do, that's why I advise only being offended about actual things that matter in your personal life, not knee jerk over generalizations on the internet like the Tony Harris post that have been twisted through projection. Most of the time, people get offended over the tiniest of things that have little to no bearing on them, stuff that they wouldn't even know about until someone else told them they should be offended.

737

(261 replies, posted in Episodes)

I don't think there's actually any disagreement that you owe something, but the question could be 'what do you owe'? Just throwing this idea out there, I'm not saying I know the answer or if there even is one.

Obviously, our economy is way too complicated, and our lives too overburdened, to have a reciprocal service scheme (AKA you make me a spear and I'll sew you a wolfskin cloak). What did the communists do? Were all accomplishments just put in a well and then anyone could retrieve from that well whatever else they needed? I'm not sure welfare is practical given the size of populations these days...

738

(165 replies, posted in Off Topic)

Allison wrote:

I have become used to men in this industry saying disgusting things about women.

Sorry, but people seem to just want to be offended these days, and keen to want everyone to know that they're offended. I'd also be careful to actually read what people say and not just assume the attention-grabbing headline is right.

Take this article for instance, which does a what he said vs what he meant play-by-play of the diabtribe. It's a perfect example of twisting someone's words so you can have NOISY OUTRAGE.
http://www.buzzfeed.com/donnad/comic-bo … s-women-co

The irony is that he's just criticising those women who come to conventions essentially dressed and acting like strippers in a club; and specifically focuses on their superficial friendliness. Isn't that something that other women frown upon as well? Do ordinary girls go to conventions and feel pride at seeing other members of their sex not only dress up like the scantily clad heroines they're keen to tell us are poorly developed female characters but then proceed to act like porn fantasy versions of them? I'm slightly baffled by the have cake and eating it attitude here or perhaps it's that only women can complain about other women?

Personally, I think it's utterly degrading for women and doesn't do women in the comics industry any favours to have the predominantly male comic reading audience have their fantasy version of women reinforced by an almost worse representation at fandom events. It totally undermines the move towards less sexism in American comics.

739

(261 replies, posted in Episodes)

Trey wrote:

As I mentioned previously, Roddenberry's utopia was made possible by the existence of replicator technology, which made energy and resources limitless.  In a world where you can get a chicken sandwich by walking up to a machine and saying "chicken sandwich, please" and it simply appears without any effort on anyone's part - that's a world where you can do away with capitalism.  And then all humanity can be free to explore the galaxy - or do whatever else they desire - because everyone's basic necessities are covered without any effort.

 
This ignores the fact that a fair amount of Western society is a service-based economy. Everyone still has jobs in the future, the replicator machine still needs Bob the Builder to come in and keep in maintained, and  the expenditure of time and effort is still there, Kirk and co. still show up for work but don't get paid for it.  So no, I wouldn't say that technology/replicators alone have allowed that future to happen, a wholesale change has occurred in the manner in which people interact with each other, principally the need to exploit something and get rich. It's not precisely clear how this all works, as Picard says in First Contact, they work 'to better themselves' I guess.

Trey wrote:

It is also a marvel that a similar system exists whereby a company will spend $200 million to create a piece of  entertainment, and then let you experience it for a mere $10.  Other companies spend millions on an entertainment and then let you see it for fucking free, as long as you also watch a mayonnaise commercial... and they don't even even require you to watch the commercial!    Hell, for another $15 or so, most of them will also let you own a copy of the thing to watch as often as you want.   Holy crap, how bout that?

It's not 'an incredible bargain', it's simply scale of economics, selling lots of items at a small price to offset a large upfront cost, and it happens in most industries and throughout history; it's not like technology has allowed this to happen. Elizabethans didn't pay the full cost of a Shakespeare production when they paid their entrance fee. Museums don't charge individuals the full cost of running the museum. The only time where this has ever occurred are custom-created/patronaged works involving a single customer with the finances to pay for it (which actually is one of the alternative models that TheGreg proposes).

Trey wrote:

But a lot of people paying a little bit apiece is what makes this possible.  It is not possible if people avail themselves of illegal methods to experience the entertainment while paying nothing at all.

That has nothing to do with what I've said and I don't think it's TheGreg's argument either. It's important to distinguish here what the discussion is. No-one's arguing that copyright infringement is good or justified, it's simply a discussion regarding how the internet creates a world where everything can be given freely and whether this a model that a) is sustainable and b) should be adopted at some point so that knowledge, essentially, is free for all people for all time. It's about moving from a 'you must pay this arbitary amount' method of payment (which doesn't always reflect true value) to either a donation method or something else (a number of other methods were proposed).  In reality, the distinction may not be that apparent, and the amount people wanted to pay could end up just being the amount being asked for before, or it could just be a form of haggling (which for some reason we don't do anymore). But no seller wants to create a scenario where people pay what they actually think their digital product is worth. I believe TheGreg argues in the long run that the free and unrestricted availability of digitalised materials would be much more beneficial. Hard to say really but it's food for thought. And this is the part where I remind everyone that the discussion only pertained to digital content, physical goods keep coming up and I believe we all agree that free distribution is just not applicable to these. Now there's a good point raised about whether there's actually a difference, and I'd say that there is purely on the basis of a phsyical and finite resource being used though I'm not entirely convinced by that.

I repeat, this is not about taking stuff for free, it's about being given stuff for free by the creators, and those creators finding sustenance through means that don't rely on artifical scarcity or elusive rights created to protect profits. At least that's how I understand the gist of TheGreg's argument, which I interate, because apparently everyone turns fucking blind when they don't agree with something, isn't something I'm wholly on board with.

740

(316 replies, posted in Episodes)

Jimmy B wrote:

The gears were built to control this and the polar bears were bred on the island to push the gears.

http://www.journaldugeek.com/files/2012/09/picard-facepalm.jpg

741

(261 replies, posted in Episodes)

Wow, way to be mature guys!

It looks like someone of you are putting words into TheGreg's mouth now. It isn't as simple as everything should be free, that may be the ultimate goal in a Star Trek-like universe but it isn't exactly the business model he proposes in the interim and it clearly doesn't/cannot extend to every service. Yes, there's the aspect whereby if Person A cannot profit from a digital product then how can they employ Person B on an hourly rate to help create it. But then, I understand TheGreg's argument to be that ultimately, a good digital product will make a profit somehow. I find the fact that many companies can actually sell bottled water quite a compelling demonstration that it is possible, and I'm reminded of quite a few models I've seen whereby freeware and websites have been supported by donations. The principle fault with the 'donation model', which would practically be the main source of revenue for digital information, is that it is alien to most people and antithetical to the current mindset of the free lunch. I'd argue that we live in a society where people have grown so tired of paying for things, and for so many types of things (as someone mentioned before in the forum), that any opportunity to take something for free is snatched up. There's not really such a thing as a free lunch, but most people want one. They miss the point that a free lunch is part of an exchange of some kind (usually generosity), so instead of a free lunch being given, they think a free lunch should be taken.

Change this mindset, and you potentially change the main revenue model from something that only a few people do to something that most people do. I think we are all a lot more generous than we think, if only the environment encouraged and drove human attitudes rather than the other way around. That to my mind was Roddenberry's message in his Star Trek utopia. Instead we're ruled by our greed and short-term approach. I've not seen it, but I'm reminded of the concept behind that 'Pay it Forward' film.

I think it's interesting how the dynamics of the human way of life, and Western society especially, has shifted to such an extent that parts of the population can devote their lives to and gain sustenance from creating art and entertainment for the remainder. And that this proportion has grown in size to what it is today, and that we've made the selling of products an entertainment in itself. The exchange of entertainment for services or goods used to stem logically from live performances or the production of the physical item, which both placed value on time. With the advent of processes that allowed that service to be quickly and easily replicated, the printing press and the ability to record music and plays, value notionally became attached to the thing instead. Someone could be paid several times over for a single performance/work, and an legal framework came up around to protect that because our culture is capitalist. The thought that we could make something once and be paid every single time it's looked at was a marvel! And for a job that my grandmother would probably insist wasn't a real job in the first place.

On a side note, isn't it bizarre that we all pay for things before we experience them? (with a few exceptions like petrol/gas and food in restaurants)

742

(27 replies, posted in Movie Stuff)

And we have eyes  wink

743

(261 replies, posted in Episodes)

I for one have to commend TheGreg for his arguments against allcomers. I don't necessarily agree with everthing he says, but he posts interesting food for thought.

I'm somewhat disappointed by the taste of some of the analogies being used. Are we sure we couldn't think of better ways to illustrate and support our arguments?

744

(316 replies, posted in Episodes)

Remembering Lost just makes me angry. If I ever watch it again, I'll end it when they open that hatch and just assume they unleashed the smoke monster that then killed them all. That's a better ending to anything they could have come up with and at least I won't have to suffer through inane plots, stupid characters who never talk to each other, pointless literature and pop culture references thrown in to make the audience feel clever, and a thousand and one further mysteries thrown in just to keep viewers coming back every week.

With regards to your point above Hansen regarding having a detailed story plan being overrated - I can't say I agree, especially if your story relies on a big mystery or central mythology. Of the 4 shows I'm aware of that have such a mystery at their heart that I've seen, all have failed to deliver on those expectations generated when they began it - X-Files, ALIAS, Lost, and BSG - and we know all of them didn't actually have an answer in place before they started down that road. Furthermore, another initially successful TV show, Heroes, then went completely off the rails because the subsequent seasons, which they hadn't planned for at all, were rushed into production. The record isn't good.

The 'making it up as you go along' can only work if you're really fucking good at writing and/or you know your material really well. The most successful multi-arc series of them, Babylon 5, is masterful in how well connected all the bits are - season 1 is a text-book example of how to lay the groundwork and every season expands and extends beautifully. But not all of it was set in stone, and JMS routinely had to negotiate ways of getting through major obstacles such as actors leaving the show. But then... that was his skill and planning as well, he had written 'trap doors' for all of his characters which allowed him alternative stories should they leave.

745

(316 replies, posted in Episodes)

There was once a compilation video showing all the unanswered questions and dropped subplots of Lost, and it goes on for more than 4 minutes (it's fast).
http://www.collegehumor.com/video/60999 … -questions

Way too many for them to have any sort of plan in place.

Personally I stopped watching Lost after season 3 I think it was when it became clear that the writers were gleefully just stringing us along, when all the characters were holding the idiot ball, and when Locke throws a knife into a complete stranger's back and kills her, just a couple of episodes after we spent an entire episode showing him unable to kill a man he really fucking hated...

746

(28 replies, posted in Off Topic)

In terms of narrative writing, I'd say that something well written is a piece of text that a) you can read without stumbling, b) prompts your imagination to clearly picture the scene, and c) provokes an emotional response to what's happening. You can be as verbose as you want, but ultimately these are the 3 aims. Obviously there's little sense in using clever-sounding words most of the time, as few will actually know what they mean. However, sometimes the use of an old uncommon word can be just what the text needs and can have drama, e.g., Isildur's bane.

But to go back to (a) above, if you can't actually read it then it's poorly written - regardless of which [Insert Prize] author you're reading.

747

(27 replies, posted in Movie Stuff)

I thought the motorcycle chase on the rooftops was pretty poorly done, something about the compositing on the close-ups made it look very fake.

748

(64 replies, posted in Off Topic)

Jimmy B wrote:

Oh, I will diss Goldeneye, I don't like it, it hasn't aged well and the score is shite. In my opinion, of course big_smile

You haven't aged well!

749

(64 replies, posted in Off Topic)

Now now, let's not diss GoldenEye people. I like TND quite a bit (especially it's engrossing White Bishop to White Knight opening and the aforementioned Michelle Yeoh), but it tends to ruin a lot of its great moments with pithy quips, which got worse and worse as the Brosnan movies went on, and Teri Pratcher is almost, almost as bad at being a Bond girl as Halle Berry. Mercifully, she's not in it for long. I liked the concept of her character though, as we'd not seen an old flame of Bond's before, and her death injects a burst of personal motivation.

750

(165 replies, posted in Off Topic)

Jen wrote:

The fact that full frontal female nudity is not even particularly surprising when it shows up in films or TV shows while full frontal male is is another interesting split how genders are viewed.

Oh definitely. I've seen a fair amount of initial backlash directed at Starz' Spartacus series on this point, which features male bits frequently and without nay so much as a blush. At first I confess I found it shocking, before realising that actually it was counterbalanced by prominent female nudity - had I really any right to complain? Good show by the way, and to stay on topic further, I would argue it has a range of interesting and developed female characters (working within the confines of Roman society).