826

(346 replies, posted in Off Topic)

Lamer wrote:

Wow - never seen a rocket land before.

827

(64 replies, posted in Off Topic)

you too man (from one Aussie to another, via London and Down in Front)

So what have we learned?

Every tentpole franchise instalment released this year has been flawed (some annoyingly, some seriously, some fatally) but they've been 'too big to fail' anyway can and still earn $1B (e.g. TDKR).

People's top movies of the year are dominated by low to mid-budget one-off movies.

Thanks for the thoughts - some great observations there.

Yes, the actual finding of the ring scene is totally different, and I'm surprised they didn't attempt to match it. There's no reason why Bilbo could not have crawled out of where he was hiding and found it on all fours like he did at he beginning of Fellowship. And not only was the scene different, it was played very casually in a long shot. I was expecting an overcranked close-up, with foreboding music - signifying 'THIS IS A BIG DEAL!'

The stone trolls seemed to match their position between the two movies.

But another continuity error that's now arisen is that Gandalf says to Bilbo at the beginning of Fellowship that he hasn't aged a day (the ring keeps him young) when there's a 40+ year difference between Ian Holm and Martin Freeman.

Yes, the rotunda gazebo was beautiful. How much?

And yes, the cave scenes were way overlit. We've established the moon isn't full. Nor is there any fluorescence. You would have only needed a 3 second insert to establish that. Is the bright lighting to  counter the 3D glasses... for those cinemas that can't calibrate their projectors properly?

We'll add Teague's 'HFR & Panning' concern to the existing pile of various reactions to HFR.
Comparing the IMAX 24fps and the 48fps versions, I actually prefer the smoother panning of the 48fps. There was a lot of whip panning when Radagast led the Orcs away over the rocky plains, but the 24fps was blurry in comparison.

I've never seen so many different responses to a new format - from hyper-real to hyper-fake , from nausea-inducing to 'it's the future!'

Another question (spoilers):

Why do both Thorin and Gandalf agree that the Rivendell elves will try to stop the quest (and so they must lie about it e.g. academic interest only) and then when Elrond finds out, he's not that bothered.

Why does Balin attempt to stop Thorin handing the map to Elrond, and then as soon as the runes are deciphered he blurts out the actual mission objective  right in front of Elrond?

832

(359 replies, posted in Off Topic)

fireproof78 wrote:
Gregory Harbin wrote:
avatar wrote:

I saw the 9 minute Prologue today in front of The Hobbit IMAX, and the lens flares are still there on the bridge. Kirk does an Indiana Jones getting chased by natives with spears.

Yeah, that's pretty much it. I was completely unenthused by the preview.

I'm rather amused by the skepticism about this film. It seems that most people are in a wait and see mode than an excited mode.

I get that the first film was not everyone's cup of Earl Grey, but I mean, wow...not sure what to make of it all.

I'm sympathetic to the 'This is not what Star Trek is supposed to be' critique. (At least some) ideas and science, not just running, punch ups, and 'splosions. The reboot just reverts to the standard schlock template.

redxavier wrote:

Yep, I'm going to snap at that bait - the book doesn't need fixing. The problems of the movie have little to nothing to do with the book, i.e., the beats of the story, but stem rather from a) the addition of numerous, highly improbable action scenes which stretch our suspension of disbelief, b) the replacement of nearly all enemies with unconvincing CGI and the resulting weightless of most of the fighting, and c) the padding out of the story with 'appendices' shit we really don't need to see (principally the Necromancer subplot and the White Council) which halt the pace almost as badly as the forced Arwen scenes in LOTR.

It's a shame though that they ultimately fail to capitalise on these spectacular and overly elaborate set pieces by not demonstrating and distinguishing the dwarven characters. Instead, they end up just being superficial crowd-pleasing events. There was one moment where Kili reacts to the possibility of having lost Fili (or maybe it's the other way around), but I was surprised by how little was done to make the dwarves interact with each other or show their character (other than, you know have Bombur do X because he's fat or Dwalin do Y because he's the fierce warrior) during the action scenes.

Mainly though, and this may age me, this film's action needs to slow down and stop having so much in the frame.

It was when they were separated by the stone giant fight that there was brief moment that Kili and Fili were separated. Yes, I thought allocating each of the dwarves special abilities would have been a no-brainer. Like the old A-Team or Blakes 7 e.g. one's a projectile weapons specialist, one's a bomb-disposal expert, one's good mechanical engineer, one's a computer hacker, one's a lock-picker, one's a strong-man, one's a good sneak, one's a charmer, one's a climber, one's a master of disguise, etc. 13 dwarves, 13 skills. Shouldn't be too hard.

So we have our entire gang of heroes, trapped in the underground lair of a race of beings known for being awesome at toture devices, calling out for thier best and most horrible torture devices to be brought out and used on our heroes.

Yes, I would have liked a MA or R rating too, for all these movies, a chilling dark tone with real stakes. Same with TDKR. The economics is such that if the budget is over $100M, then it's gotta be PG13 these days. There were exceptions in the 80s and 90s (e.g.  Starship Troopers) but not so much now.

Yeah, lots of the people are having these conflicted thoughts. It is a letdown after LOTR were so perfect.

Hopefully Radagast will pay off.

As for the long action fight scenes, they could definitely be trimmed, but they did look smoother in the 48fps version. T

Positives: score, Wargs, landscape porn, Thorin, Rivendell, Goblin King, Trolls, Riddles scene, lucious production design, finale was okay, second song
Negatives: almost none of the humour worked, excessive CG, childish tone, cockney villains, bland Martin Freeman performance, Pale Orc too cartoonish, contrived emotional arc, unrealistic action, dwarves indistinguishable, first song

836

(304 replies, posted in Episodes)

BigDamnArtist wrote:
Doctor Submarine wrote:

http://25.media.tumblr.com/tumblr_lk5jexJtwa1qbu2p6o1_500.jpg

http://media.tumblr.com/tumblr_m6d7av6nCm1roobqn.gif

I don't feel sorry for Townsend when he got booted off the set.
Charlize Theron would have consoled his brains out.

These clowns have a go...

http://redlettermedia.com/half-in-the-b … d-journey/

SPARE TICKET - Any DiFers living in London?

I have a spare ticket to THE HOBBIT, in IMAX 3D HFR at Swiss Cottage Odeon tomorrow (Thurs) for the 3:30pm session, if anyone's interested. Best seat in the house i.e. rear, middle.

MasterZap wrote:

HFR is pain in a can...  and the pain is from it being aesthetically so ugly.

What surprised me was not that I hated it. What surprised me that I didn't *always* hate it with the fury of a thousand exploding suns, but that there was whole stretches - sometimes several tens of seconds at a time - where I could live with it. That - and the fact that 50% of my family enjoyed it.... makes me... doubt myself in a very strange way.

More elaboration here: http://masterzap.blogspot.se/2012/12/me … rates.html

/Z

Good post, thanks. Interesting read and some thought-provoking theories about learned response, idealized motion, etc.

So the jury is still out on whether this is the future. If it is learned response, then young kids who grow up on 3D OLED screens should perceive The Hobbit as natural/normal and 24P as old fashioned (like we look back at old blurry old black & white movies from the 1930s).

It is weird - every other advance in cinema over the last century gives you more: more colour, more contrast, more audio channels (& with 3D two separate visual 'channels'), more screen size, more resolution,... and yet this one thing, HFR, is perceived as a backwards step. More is suddenly less.

Dorkman wrote:

I liked the theme and likewise found it reminiscent of the Fellowship theme. But the Fellowship theme wasn't introduced in a musical number that stopped the movie dead.

LOTR movies had a quite a few snippets of songs: Eowin, Pippen, Aragorn, Merry & Pippen all sing, some multiple times. And there's even more singing in the books. I could have done without the 'blunt the knives' song, but thankfully it was only a minute long.

Trey wrote:

Heh.  Well,  I'll say that since they've trotted out the eagles once again to save the day, it wouldn't hurt to explain them just a little bit for the benefit of folks who haven't read the books.  (Which I actually haven't, I got the info from the official LOTR commentaries.)

If it was me, I'd put a brief moment at the top of the next Hobbit movie - Bilbo could ask the perfectly reasonable question "why the heck didn't the eagles take us the rest of the way?" and Gandalf could tell him (and the audience) that eagles don't mix in with the affairs of other races much - though they sometimes do Gandalf favors when his bacon really needs saving.

So far we've seen Gandalf call the Eagles three times (from Orthanc, outside the Black Gate, and at the end of the Hobbit) and three times they've come. Talk about air-support. I love the smell of pipe-weed in the morning.

You could have a scene where Gandalf calls and the Eagles don't come. Or they take a high altitude dump on the dwarves to shown their disdain. That would send the message they're no-one's bitches.

But at the end of The Hobbit, the Lonely Mountain is right there - it's just ahead. Not here, just a bit further while you're at it. We'll even throw in the fat dwarf as a tasty reward.

Totally agree about Fincher's making-of features. At the time, Fight Club really showed off what the DVD format is capable of, in respect to special bonus features. Now, every one of his films from Zodiac onwards has a feature-length HD documentary. Only the LOTR extras are more comprehensive. Ridley Scott's extras come close too.

Slackers include Cameron, Spielberg, Nolan, and Lucas that don't like doing commentaries nor having documentary cameras following them around.

Doctor Submarine wrote:

I fully expected to hate Radagast, given how many called him the Jar Jar Binks of The Hobbit. That's a huge exaggeration. Radagast is fine. He's even fun to watch most of the time. He just doesn't mesh with the plot of this film (at least not yet.) And someone in pre-production clearly overestimated how much people enjoy looking at birdshit.

The Radagast smoking gag wasn't funny, nor was the stick insect in the mouth. Nor was how Radagast was going around in circles stupidly leading the orcs back to the dwarf party. Does anyone know why the giant spiders aborted their attack on his rat-infested hovel? Is it because even they have standards?

Did anyone find Thorin's rejection of Bilbo a little abrupt after the Stone Giants scene? I know it was set up at the beginning but he seemed like he was coming around after the Trolls and then all of a sudden Thorin loses his nut when Bilbo slips on the rock.

Also how was Bilbo expecting to get back from the mountains on his own when the path was just destroyed?

How did Gollum not hear Bilbo when he was invisible? We could clearly hear him moving around in the sound mix, so it's not like Sting masks the sound as well.

Why did Azog announce that 'Thorin is mine' and then order one of his underlings to kill him?

How many wargs were there in the final attack? The party knocked off a few in the initial charge. Even Bilbo killed one. Then the Eagles really cleared them out, two or three at a time. Then we see the final 'I will get you' scene on the promontory and it's still covered in wargs. Do they respawn?

Gandalf is the Necromancer - as he just resurrected Thorin with a spell at the end.

Why did the Eagles drop off everyone short of the destination (and in line of sight of the destination) when time is pressing? Surely Gandalf could have put another few coins in the meter, and the Eagles seem to be under his command.

It's funny how Australians get cast as all the leaders in each realm. Goblin King = Aussie. Leader of Rivendell = Aussie. Leader of Lothlorien = Aussie. Leader of Gondor = Aussie.

Trey wrote:

two dwarf musical numbers is still two too many, and Radagast better become important in movies 2 and/or 3 or I'm gonna hate him even more than I do now.

The Misty Mountains hymn is cool. It needs to be extended into a fully blown goth metal version.

http://25.media.tumblr.com/tumblr_ltwf3srkLj1r04l80o1_500.jpg

Doctor Submarine wrote:

I honestly don't see how anyone looks at HFR and thinks anything other than, "This is shit." Yes, the resolution is higher, but it just looks...wrong! Completely wrong.

I saw it in IMAX 3D first, and like I said, there's nothing that HFR does that IMAX doesn't do better.

I disagree - the action scenes were better in the HFR. The dialogue & landscape scenes were probably better in the IMAX 24fps.

There you go. We're had the full gamut of reactions to HFR on DIF - from vehemently against to 'meh' to 'road to Damascus conversion'

The box office is going to be huge on this movie as all of us film nerds will be paying double or triple to see a movie that probably doesn't deserve multiple viewing on its own merits.

Just came back from IMAX 24fps (after first seeing it elsewhere at 48fps) and there's a world of difference with the panning shots. The sequences where (1) Randagast leads the orcs away, and (2) the breaking out of the mines escape action sequence are MUCH clearer at 48fps. Frenetic action in 24fps 3D is blurry.

Spoilers:
The humour is just as flat in both. The combination of Martin Freeman's understated (even bland) performance combined with the camera lingering on him doesn't work. Four examples: (1) the fainting scene needs to shortened - it's not funny, (2) the scene where Bilbo changes his mind in the morning about joining the adventure is done without any emotion,  (3) the reaction to 'if we win we eats it?' is too long (3) and the scene where Bilbo pulls the sword out of the dead warg and stares expressionless (forever) at the charging wargs. All four scenes need a trim or better take. They could have almost cast Sam Worthington. Perhaps blandness works better for international box office - as its not culturally specific.

848

(359 replies, posted in Off Topic)

I saw the 9 minute Prologue today in front of The Hobbit IMAX, and the lens flares are still there on the bridge. Kirk does an Indiana Jones getting chased by natives with spears.

Also, I'm not sure if I want a sword that glows blue in the presence of Orcs when it's going to give my location away in the dark. I'd be asking the Elvish Appstore for a refund on that spell.

redxavier wrote:

Just got back from seeing this and I really enjoyed it - I'd argue that if you were ambivalent or apathetic about LOTR then you're likely to feel the same with this one, but if you loved the extended editions then this is gold. There were some moments where I was truely awed and others still that completely surprised me.

It's not perfect, there's a song/dance routine that seems a bit out of place and there's a little too much CGI in there - orcs and goblins especially. WETA brought some superb prosthetics and make-up work to the table last time around, but here I'd say they dropped the ball.

And because CGI is being used so much more, characters perform way too much of the acrobatic heroics that Legolas was given in LOTR, which most of the time look ridiculous or fake. There's a sequence that reminded me of the Tintin movie, so improbable and fast is this chase that it becomes a cartoon (tone wise), at which point the danger of the scene becomes undermined.

Finally, geography. It's piss poor in this one. I don't mean Middle Earth, I mean the geography of the scene. This is one of the criticisms I had of LOTR as well, where either parts of a location don't flow or match well or the relationship from one part to the other isn't clear. There's one particular scene where it gets rather maddening.

All that said, those hours whizzed by and I didn't want it to finish. I think that's one of the greatest compliments you can give a film.

You'll have to elaborate what you mean by geographical mismatch. I always thought they did a good job in LOTR e.g. walking left (west) to right (east) and having the right mountains/rivers where they should be (knowing the map well).

Agree about the overuse of CG in creating unrealistic stunts. Poor stuntmen must be fuming - they're going to lose work.

Also, no movie generated from scratch would have 15 main characters. I'm surprised they didn't bump off a few of less well known dwarves to demonstrate vulnerability. Maybe one or two get eaten by the trolls, an Orc raiding party knocks off another couple, and they lose a few in the mines, and so on until it becomes a more manageable number.

After seeing it in 48fps 3D theatrical, I'm seeing it again tomorrow in IMAX 3D 24fps - so it'll be a good comparison.