76

(10 replies, posted in Off Topic)

If you're staying near Hollywood Blvd, then obviously there's tons to do in walking distance.

Amoeba Records World famous record store with an impressive collection of Vinyl, rare dvd's, cd's etc.  They often have live music by sometimes well known acts.  It's also a good pre game before you walk next door to the....

Arclight Cinerama Dome  One of two remaining Cinemascope screens on the planet, and also the mechs of fancy theater going in LA.  If you're here you gotta check out one movie there.  There or...

The New Beverly Theater This is the theater Patton Oswalt writes about in his most recent book.  It is now owned and programmed by Quentin Tarantino.  Mostly revivals, 100 seats tops, and the popcorn isn't the best.  But damn if it isn't the most charming theater in the city.

Meltdown Comics I'm a bit biased because I'm friends with the owner, but this is the comic book mechs of Los Angeles.  I literally ran into Frank Darabont doing his weekly pull here.  Also, Nerdist has their theater in the back and they do the weekly MELTDOWN COMEDY Show with Kumail Nianjani and Jonah Ray.  THere's something awesome happening literally every night.

Santa Monica Pier/Venice Boardwalk I'm a beach kid, and I'd be remiss without mentioning the Golden Coast.  If you want a fairly safe, slightly touristy fun time, including some carnival style hoopla, Santa Monica is the way to go.  If you want a hippie explosion of street artists mixing with street basketball players and old school, territorial-as-fuck surfers under a thick cloud of weed smoke, Venice is for you.  Both are equally fun.

Restaurants  Near Hollywood, I would recommend Blue C Sushi, Chandara, Petit Troi, Pizzeria Mozza, Maude, Ink, and Red Medicine.  If you want to drive a bit, the best Ramen on the entire west coast of this continent is Tsujita off of Sawtelle in Santa Monica.  If you want the closest thing to Texas BBQ, Barrel and Ashes up in Studio City.  If you want the whole of Los Angeles summed up into one place, POT in Koreatown.

77

(9 replies, posted in Off Topic)

Nestle makes Dasani brand bottled water and sources their water in California.  They have no intention of slowing down.

78

(9 replies, posted in Off Topic)

I mean, when you turn on the faucet, it still comes out.  The main way we see it expressed is in astronomical water bills, increased risk of fires, and near pagan like celebration anytime we get rain, which we did over the weekend.  The 4th time this YEAR we've had rain.  Let that sink in.

It's obviously a great concern to everyone.  Most lawns are going unwatered, and there's now a cottage industry of folks that will remove your grass and replace them with drought tolerant plants instead.  If you do keep your lawn, it's actually illegal in LA to water it during the daytime.  What YOU may not know is that if you live anywhere in the....I dunno WORLD...you actually are taking water away from us.

So there's Los Angeles, right?  Then there's San Francisco.  It's about a 6 hour drive.  Everything between those two cities that isn't next to the ocean, is farm.  Farms that make most of the worlds almonds, avocados, strawberries, and a whole shit load of other plants that we can raise year round because fuck seasons, am I right?  We also make a TON of beef and poultry and all that gets shipped literally world wide.  Agriculture constitutes 80% of our water usage, and its not like we can just stop whenevs.  So yeah, I turn off the faucet when I'm lathering my hands and only turn back on to rinse, but the real problem is we gotta figure out more efficient crop management or we're seriously fucked.

Also, fuck Nestle.

79

(248 replies, posted in Off Topic)

drewjmore wrote:

If I may be so bold...One of you guys is getting regularly scheduled documentary footage, right? It has been a battle for the ages.

No one is, and if they were, I and many of Mike's friends would be vehemently against it.  Let me do my best to explain why.

The hard truth is that Mike is simply in no position to be able to legally consent to being filmed or photographed.  For someone to do so, and I mean ANYONE including his own family, would be in really poor taste at this juncture.  Mike is in daily therapy, and while the progress he has made has been extraordinary and inspiring, he still has a long way to a full recovery.  If you know Mike personally, you know that he's a relatively modest guy.  I have to believe that if he was in a position to make his wishes clear, he wouldn't want this part of his recovery made public. 

I don't mean to be a downer or anything.  Mike has kicked ass, and will continue to do so.  But filming his journey wouldn't serve his best wishes at all.

80

(28 replies, posted in Off Topic)

Teague wrote:

*looks at page*
It seems like it must be the sort of thing where you either "learned" to enjoy the comic book format at a young age, or you didn't. Such a weird barrier to entry.

I think it's a thing where as a child you like it but don't really understand why until you're older.

81

(34 replies, posted in Episodes)

I completely dropped the ball on the recipe's, and my sincere bad on that.  It's written, I just need to email them out.

82

(28 replies, posted in Off Topic)

Doctor Submarine wrote:

Joss's attitude in the press recently has revealed a real animosity towards Marvel. It's very clear that he hated the process of making Age of Ultron and finds their whole production structure to be total misery. Recently he came out and said that Edgar Wright's Ant-Man script was amazing and Marvel was stupid for not just letting him do his thing. That's not something you say about a studio you want to maintain a relationship with. I don't think he just wants out because these movies are exhausting to make. It really seems like he's sick of the whole studio?

Yeah, see I've read the same articles as you and I didn't see it as animosity or bitterness.  I read it as accepting the reality of movies that draw enough money to make Solomon blush.  There's a reason why Marvels films work, and a lot of it comes down to the very nature of the machine that can be frustrating to the individual filmmakers.  The alternative, is DC which has produced two very good films, two good ones, and a mess of bad.  Marvel has their method, and you cannot deny their reasoning.  joss gets it.  And it's what he signed up for.   As for Edgar, you can disagree without being disagreeable, and that was the tone of his comments.  I wouldn't read that to mean a deep seeded animosity for the studio.

83

(28 replies, posted in Off Topic)

It's impossible to say what Avengers 3 will look like.  I will say that the Russo Bros. impressed the hell out of me on Cap 2 and if there's anyone remotely possible of replacing Joss, it's them.  One advantage they'll have on Infinity Gauntlet that Joss won't have?  Two movies.  The first cut of AoU was a gnats ass under three hours.  I am DYING to see that cut because I suspect it might satisfy my only quibble with the film, which was a smidgen of unevenness.  It wasn't that it was bad, I just wanted way more of the good stuff, which got a bit rushed under all the velocity the story maintained.

Bethany = awesome.  Spider = awesome.  Evans = FINALLY Cap.  RDJ = most openly PTSD superhero cinema has ever seen, and I'm fascinated by that.  There's a lot to really like about AoU.  I look forward to the future, and I doubt Whedon is completely done with Marvel U.  Although, the current rumor is that Disney is lobbying him hard for another rather large franchise they now own.  If that's the case, light speed, buddy.

84

(149 replies, posted in Friends in Your Dungeon)

AD&D, Vampire: The Masquerade, motherfucking RIFTS, Robotech, Ninja's & Superspies.

LETS DO THIS.

85

(164 replies, posted in Off Topic)

I didn't find it mean spirited.  When you lay the facts bare, they're pretty damning.  I think Gibney...is Ginney.  Which is TJ. Say, he's technically masterful but essentially one note.  He's never quite hit the high mark of Enron and while this film is solid, it's got a very solid book as framework.  What works best here is all the footage of Scientology meetings that do more damage than anything Marty Rathbun can.

86

(7 replies, posted in Creations)

FUCK YEAH MAKE STUFF!  Which reminds me I need to make...like a lot of stuff right now.

87

(108 replies, posted in Off Topic)

Probably the Tao Te Ching.  I grappled mightily with existential questions around age 12, and simply wasn't finding answers I needed.  I was a bit lonely and aloof in my prepubescence.  When I was 13 I was playing a ton of tabletop RPG's and one of them was a Martial Arts themed game where your character class was essentially your style.  I first learned of Taosim from that and got curious enough to check out the Tao Te Ching at my library.  Suddenly, all those questions that churned inside me started to settle.  Not because the book had any answers.  It was because the book was basically....fuck answers.  Learning to find peace and stillness in surrendering the human need to assert control was immensely liberating.  It informed my world view then, as it does now.

If you could be any religion for a day, what would it be?

88

(156 replies, posted in Episodes)

That's funny, because right now I'm all, "I'll take the ring....but I do not know the way."  Which is to say, if I'm going to do this, I want to do it right and in such a way that is realistic to my schedule.  Weekly releases are not feasible.  Monthly, or bi-monthly is.  Also, format will have to change quite a bit to allow me to record at say, some random Tuesday at 1am after the baby is finally asleep. 

So yes, it'll happen, but I want make sure I come correct with a format that fits best.

89

(156 replies, posted in Episodes)

So now for my actual thoughts in the Announcement.  I'm normally verbose to a fault so I'll keep this brief. 

I was a good editor before I became a friend in your head.  I am far better at what I do now, in no small part because of this.  More than that though, this podcast has solidified friendships that will last me my lifetime.  I was friends with Trey when we started but the rest of the DIF/WAYDM family is exactly that, they're family to me.   I've been so stupidly lucky to have such wonderful people in my life as both friends and collaborators.  My 4 year old loves his Aunt Cloe and Uncle "Teeth," and you guys, this forum, have literally heard of his growth in real time.  While I'm sad to see FIYH in it's current iteration come to an end, I know that the relationships I've formed are anything but over, and at the end of the day, like Teague said, it's act of doing for the sake of doing that matters the most.

By hte way, Teague.  You.  You are a goddamned inspiration.  I stand in awe of your brain, your work ethic and most of all, your aggressive, in your face fucking KINDNESS.  You are the most decent guy I know.  I was honored when you asked me to be a part of this, and you've been nothing but supportive the entire time I've known you.  You are an entrenched part of my life, so get used to it, sucker.  Thank you for the totality of THIS.

And yeah...Documentality will live on.  Why?  Because you all have inspired me.  You all motivate me.  And like I said in our 1 year anniversary show, this podcast and this community filled the cinematic gap that was created when my father passed.  The film club we started was reincarnated when this community came into my life.  So for now, until the end of my days, I shall forever be...your friend (in your head).

90

(156 replies, posted in Episodes)

So.....

Does anyone want Documentality to continue?  Because I'm thinking I can keep it going, provided there's enough interest on me doing so.

91

(156 replies, posted in Episodes)

Y'all are beuatiful.  I just got home from some fights and am a little drunk so I won't spill my guts here, but the love you guys have for the podcasts and this community writ large is humbling.  I'll post a longer thing later but in the meantime....thank you all.

92

(2,068 replies, posted in Off Topic)

avatar wrote:

All I'm saying is the positive aspects of CitizenFour (Snowden's important allegations and his own bravery) are being conflated with, and credited to, Laura Poitras, who just had to point-and-shoot, something anyone could have done in that same situation.

If that's truly ALL you believe she did, then you and I are simply never going to see eye to eye on this.  Your assumptions of her process demonstrate a fundamental lack of knowledge about directing film in general and documentary in specific.  You're also taking editing out of consideration, which the director has a huge hand in.  I would recommend the episode of The Treatment w/ Elvis Mitchell where Laura is a guest and goes on in length about the process, or if you can find any one of her Q&A's from the IDA about the film.  Maybe if you actually heard it from her own mouth you'd think more of her.

93

(2,068 replies, posted in Off Topic)

I was JUST about to type Dogma 95, but Doc Sub beat me to it.  Same goes with a film like Barry Lyndon.  Incredible cinematic technique in a film that is mostly one camera lock offs.  It's like saying, "well there's twice as many cuts in film x versus film y, so film x is better edited."  Hogwash.  Again, and man I'm kinda gonna sound dickish saying this, but I think watching a wider variety of docs will benefit your understanding of what Directing actually, IS. 

Gates of Heaven
Vernon, Florida
The War Room
My Brothers Keeper

Those are four docs off the top of my head that have a minimalist style, but immense skill.

94

(2,068 replies, posted in Off Topic)

DocSub has the right of this.  A minimalist visual style does not mean lack of effort or skill.  If you think all Laura Poitras did was turn a camera on and point it, then all you're doing is demonstrating 1) a lack of cinematic vocabulary and 2) a myopic view of what Documentaries should accomplish.

I started Documentality to dispel this very idea.  Docs are NOT educational films.  They are not journalism (in fact the IDA just hosted a huge symposium on this YESTERDAY, saying roughly what I am now).  A docs job is not to make your broccoli taste better.  A docs worth is not demonstrated by  the efficiency it displays in making learning fun.  If that's how you rate them, then Reading Rainbow is the greatest documentary ever.  A documentary film, before anything else, is cinema.  It's job is the same as any other film you see, whether its Jupiter Ascending or Paddington: to tell you a story and present it through audio and visuals in a way that aligns thematically with the story itself.  Hopefully if its done well it resonates with you.  I always harp on the Lectern Test in Documentality as a way to gauge if Docs are taking advantage of cinematic tools to present its story.  You're actively saying you would prefer a Lectern Doc on this subject matter than heavy directorial hand that Laura Poitras demonstrates, and that you marginalize with your criticism. 

I know I'm being super harsh here, Avatar.  Please understand that I'm not trying to ether you, so much as I am this disturbingly widespread assumption of documentary directorial technique that you have.  There's far more many ways to skin a cat when it comes to Doc directing, and I just wish you wouldn't confuse form for content.

95

(2,068 replies, posted in Off Topic)

avatar wrote:

CITIZENFOUR

http://content9.flixster.com/movie/11/18/10/11181051_800.jpg

Important subject matter, but bland documentary. Any other subject matter, and this would have been boring. Why should Laura Poitras get the credit (Oscar, etc), because this subject sells itself. How do you tell the difference between Cinéma Vérité and laziness / incompetence?

If you compare it to Finding Vivian Maier (also in the running for Best Doco), you have the opposite situation: trivial subject matter (a weird nanny took good photos) but a brilliant documentary. My vote, if I had one, would go to John Maloof.

Anyway, if you're interested in the fact that the NSA if spying on you without your permission or official acknowledgement, I recommend the PBS Frontline doco: the United States of Secrets...
http://www.pbs.org/wgbh/pages/frontline … f-secrets/

There's also a recent (last week) discussion of CitizenFour here (with Edward Snowden on Skype) here... hosted by David Carr (who died just hours later)....

http://timestalks.com/laura-poitras-gle … owden.html

I don't think I could disagree with you more if the Hadron Collider created a whole pocket universe that housed all infinite disagreement..  And I'm sorry to say this, but criticizing a director's efforts because "the subject sells itself," is incredibly ignorant of the process and lazy in and of itself.  I wish I had half the balls she had.  Every time her camera turned on, she ran the risk of being arrested.  Every time she boarded a plane, every time she sent an email, she had the spectre of arrest hanging over her.  I found the film the opposite of bland, and the fact that she managed to weave in a bit of a love story is impressive of itself. 

To be this reductive of a film that has a very deft directorial hand is something else.

96

(15 replies, posted in Off Topic)

God dammit, it was really original.  Mila was totally miscast.  The central theme is straight hero's journey.  But holy shit was this thing PACKED with decisions.  SO.  MANY.  DECISIONS.  And fuck it...I respect the hell out of that movie even if it's far from great. 

It was like an Oakland Side Show next to a Jackie Beat drag show, next to a joint session of congress inside a TED talk.  How can you not admire the giant, pulsating balls on this thing.

97

(262 replies, posted in Episodes)

fireproof78 wrote:

Well, I recently listen to Grab Bag 6: The Bag that never stops grabbing, and heard that Blade 2 and 3 are strong contenders for our panelists to watch.

I know Alex wanted in on it, but I would love Eddie's take as well. I realize there are three films, so I would settle for 2 or 3-Trey seemed to really like 3.

I am very fond of Blade 2.  Everything from the tone to the fight choreography just work.  Blade 3 does very little  for me.  Feels largely inert.  I could watch Blade 1 again but I wouldn't run to it.

98

(13 replies, posted in Episodes)

Kirk Baxter for Editing GOne GIrl and NO OVERNIGHTERS.  THis was a year of phenomenal snubs.

99

(2,068 replies, posted in Off Topic)

BTW, Hedwig's haircut after that scene is fucking FIERCE.

100

(2,068 replies, posted in Off Topic)

It had a similar effect on me that O Brother, Where Art Thou, had on me.  It just made me happy.