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Friends In Your Head | Forums → Posts by Zarban
I think it is a bit unfortunate that the film makers try to give Moneypenny an awesome background but basically make her a washout. M's death is fine, but kind of weak on top of the Moneypenny thing. She does come from accounting, after all, rather than field service.
And yes Severine is completely useless. Bond discovers she's a slave and then heroically uses her just to get to Silva and daringly doesn't do anything to save her. Nice work, James.
Never seen anything of Little and Large. That second clip is quite charming. In the third clip, Eddie's guitar playing is almost bad enough to qualify as funny.
I have seen some clips of the Two Ronnies. I find them pretty funny.
It's not so much full-scale revolution (but... seriously... some people have talked about that... I mean besides Drunk Trump) but a couple of semi-coordinated Timothy McVeigh-style terrorist incidents that is most likely. It only takes a couple of serious anti-government ideologs to produce some major destruction that they think might start a revolt.
EDIT: By the way, the green "Other" on that purple America map in the '60s represents the various States Rights parties. They were racists who broke with the Democrats when the Dems took up civil rights. They got absorbed by the Republican party when Nixon introduced his "Southern strategy" of appealing to racists with code words.
That is amazing.
The fact that Obama has been elected twice shows that racism is dying in the US. However, nuts will be nuts. Plenty of presidents have been targeted by crazies who had no racial ax to grind.
Some guy tried to kill Clinton by crashing his light airplane into the White House, and another guy shot up the White House from the street with an assault rifle. And of course Reagan and Ford both narrowly avoided assassination.
EDIT: on a side note, wunderkind poll watcher Nate Silver of the New York Times' 538 blog was 100% right, right down to the very narrow Florida win for Obama. His stuff is what convinced me that last night was going to be something of a walkaway for Obama instead of the squeaker that most of the media was selling. This will change future election coverage.
THERE IS NO VERSION WITHOUT BIEBER.
/willing to negotiate on Scarlett Johansson as a Hutt slave
What a relief. Compare this to Disney's stated goal of leveraging known properties to create tent-pole films. This is fresh, ties in well with current social trends of small-scale video-gaming on portable devices, is easily merchandiseable, can't easily be copied.... top-quality corporate commercial film-making.
I'm not being sarcastic. As long as the story is good, the rest of that is perfectly fine with me.
All right, let's write this bitch. I'll start....
An aging Luke Skywalker (Mark Hamill) presides over a new Jedi Council on Coruscant. He longs to return to his home on Tatooine with R2D2, but the Jedi Council is small and made up of young Jedi masters he has trained, including Dakota Fanning, Beyonce, and Wicket the Ewok.
Jedi knight Jek Solo (Justin Bieber), the son of Han and Chancellor Leia, reports a disturbance in the Force. Luke feels it himself but forbids Jek from seeking it out with his trusty droid sidekick/bodyguard Lid Ar-Niner (voiced by John DiMaggio).
Elsewhere in the galaxy, the failed Jedi Ut Karwek (Tyler Perry) strikes down the aged wizard Pello Windu (James Earl Jones), a long-retired Jedi master (and uncle of Mace Windu), who speaks thru a voice synthesizer (voiced by David Prowse). Karwek completes a dark ritual over the body and declares himself the first new Sith lord in two generations: Darth Vanous.
He and his apprentice Zumchuk (Milla Jovovich) immediately abduct Windu's grandniece Hai Le (Brenda Song) but are spotted by jaded space rogue Quin Nickel (Joseph Gordon-Levitt), who thinks that information might be worth a few credits to the right party....
Everything in English comes from somewhere, and we don't respell them the way most languages do, and that is why English spelling is so terrible. ![]()
And so I return to my original premise. Britain is lousy with double acts. America is bereft.
Of those you name, I know only David Mitchell, and that only owing to my obsessive love of QI.
Maybe it's just that double acts lasted longer in the UK than in the US, because even theirs are dying out. And maybe the ones that still exist are no more prominent there than here.
In the US, we had Abbott & Costello, Burns & Allen, Lewis & Dean, Hope & Crosby, the Smothers Brothers, Rowan & Martin, and so on, which were gone by the mid-'70s (altho the Smothers Brothers soldiered on in relative obscurity for years.) Ackroyd & Belushi ended in the mid-'80s.
Whereas the UK had Cook & Moore, the Two Ronnies, Morecambe & Wise, Fry & Laurie, French & Saunders, and such. The latter three lasted into the '80s and '90s. Pegg & Frost are probably the most prominent double act now.
The guys whose act mostly consists of pretending to be gay, gangsters, Obama, or some combination of that will save us from Dane Cook?
Only a Sith deals in absolutes.
America has no comedy double acts. What has happened to us? ![]()
Friends In Your Head | Forums → Posts by Zarban
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