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I loved the Buffalo shout outs in this. What was the movie you worked on here, Trey? I know a few low budget horror films were done here, as well as The Natural and some Burt Reynolds film. Interestingly, if the movie is set in Buffalo, like Bruce Almighty, it's filmed elsewhere...
Trey wrote:OR...
I simply provide an EDL for free on the web and allow people to recreate it on their own.
Now that's interesting... it would take a copyright lawyer to really sort that out, but I wonder if that would indeed be less actionable. It involves no transmission or reproduction of someone else's media, so I would think so.
That was done for at least one song by The Jams that was forced out of stores due to use of samples (the same group that used the name The Timelords for the song Doctorin' The Tardis). They released their vocals and such, with instructions on what sampled clips to insert where.
Ah, for the days when Harvey Weinstein was just a small time crooked concert promoter in Buffalo. If only he had used the name 'Harvey and Corky' for his movie company 
The sad thing is, it could have been worse. Quite a bit more was filmed, before it was decided to cut it down to 90 minutes, and your first thought is, "well, that's the problem! Too much was cut!" Then you watch the two deleted scenes on the DVD and see they're as bad as the rest. So, at least we didn't see the Kioshi Warriors fucked up as well.
Team does have a M and a E in it, though...
I remember when I use to watch Space: Above and Beyond. About two thirds way into the season, there were sudden changes to the show incorporating all the stuff we'd been bitching to the creators about in the AOL forums. No idea what the hell was going on in the war? They showed us maps. The whole stupidity of having fighter pilots act as Grunts? An officer made a speech that tried to at least justify this, as it was too late to change that aspect of the show. This was all too late to save the series, as due to the cost I assume it was doomed regardless, but I always respected the fact they tried.
1.The Last Airbender
2.Unforgiven
3.Kick-Ass
4.Lethal Weapon
5.Who Framed Roger Rabbit?
6.Battlefield Earth
With the understanding that the others will probably get done at some point in the next three years of Down In Front 
Movies you have to do:
The Cowboys (best John Wayne movie ever)
A Bridge Too Far (I love it, but something is wrong with it and I don't know WHAT)
Metropolis, complete version (you can put all your silent film comments into that one)
Primer (I dare you!)
Maybe they were just caught up how magic/religion has ALWAYS turned out to be real in the Indy universe, so take any claims in that department at face value. In other words, there's no reason for a psychic to BE fake in the film!
See episode 11 
The Hobbit is one of those stories I'm so familiar with that I won't have much problem with bastardizations. It's just always been there, like the Bible, and not to be treated like gospel
The Rankin/Bass TV movie came out when I was in 4th or 5th grade, and the teachers showed it to us in class at some point (home VCRs were nonexistent in my world, so this was all still magic). At some point I picked up a two record album with the complete soundtrack, dialog and all, which I still have. A year later the elementary school play was a teacher written adaptation of the book, with fun new songs- the battle of five armies was done to the tune of "10 little indians" as the dwarves got killed off.
All I'll ask from the film is that they keep the sense of wonder. It's a KIDS story, about leaving home for the first time and seeing the wonders of the world... then coming home again.
That would shut down Apple's movie trailer site, as showing previews makes you want to see the movie 
Given a copy of the movie isn't included in the episodes, I don't see the problem. If anything, it gets you to rent movies you wouldn't otherwise want to see.
Oh, there are a few things that get labeled "conspiracies" because the people who latch onto them get insane about the topic. Take the Federal Reserve and paper money for example. You take a look at how it got started, and what was considered legal and constitutional at the time, and you start to get the feeling various needed legal steps were skipped in an effort to force thing thing through politically (as still happens nowadays). Doesn't make it "evil", or a huge conspiracy, but the wackos who write every other word in capital letters aren't wrong about everything. Robert Anton Wilson's book "Everything is Under Control: Conspiracies, Cults, and Cover-Ups" is a wonderful resource for this kind of thing. For every 100 stories that needs UFOs or mind control rays to work, there's one or two with enough actual facts to make you think for a bit.
You could also talk about how they used to do adaptations compared to today. Looking at the credits of old films, it's amazing how few times they actually kept the book's title...
Any bets on when we get the first slash fan art?
In the 80's, iirc, there was a local uproar from the mental health community over a radio station ad that said about listening to the station, "Nuts if you do, Nuts if you don't". Some groups are very thin skinned.
Is it much different then many other films aimed at women? Only the fact it was a book first, and a series at that, sets it apart from other tear jerkers and romances. I doubt they have that much more to say. Hell, they could just release the Twilight 2 commentary they did.
iJim wrote:What I really like in Bram's Dracula is something they drop after the first act. The story is told through found materials. Journals, diaries, etc. That was a great framing device that was wasted, and I think one of the reasons the movie is so easily forgettable. Because the film forgot how to tell itself.
Using the "found story" format, the literary version of "found footage", in a movie would seem to me rather tricky. All you get out of it is excuses to do lots of narration, and you're probably cutting back to people reading the diaries to get in and out of scenes. It may be after the first act they figured out it wasn't going to keep working so sort of eased out of it.
I don't think I've read the book since the 80's. Is anyone actually reading the letters and such we're presented with in it, or in the world of the book are they just sort of scattered all over the place and nobody there has all the dots connected (unlike the reader)?
So, THAT'S it! Trey stays young by bathing in the blood of... well, anyone, really. He's not picky.
johnpavlich wrote:Silent Running is a beautiful and tragic classic, forgotten or dismissed by a generation that likes to watch big, pointy CGI robot aliens punch each other and call it science fiction.
The concept is also silly, so you have to watch it like a fairytale and not a SF movie (I'll admit not having seen it in a decade or two). The ending of the classic anime movie Castle in the Sky Laputa actually reminds me of Silent Running, with a robot taking care of a floating garden now safe from humans.
So long as you do The Cowboys first 
I'll toss in a suggestion for Lair of the White Worm. The only Hugh Grant film I've seen willingly!
johnpavlich wrote:When the thing about Iron Man getting a new suit design for shallow and unknown reasons came up, he yelled, "IT'S IN THE COMIC!" as if that was the great, big justifier and winner of the argument.
From fan commentaries on Thor and Captain America, it is somewhat, given what the movies are trying to do. Is this the first time a studio has tried to create a coherent, multi-film universe? They gave lots of mention to things put in that only make sense if you see earlier or later films. Not pointless things for fanboys, but important details that you're just not going to understand unless fully committed to what Marvel was doing. Now, the example you give probably is just bad writing, but I'm kind of looking at all these as "experimental" movies. They're trying to do something new-ish, and while the results may end up sucking I'm very curious to see how it turns out.
Trey wrote:AMC's first original show - Mad Men - started at around 2 million per episode. It became a hit (well, more of a critical hit than in actual viewer numbers, but it was the first-ever basic cable series to win the Emmy for Best Drama). So, as with all successful shows, the budget crept up every season, and it's now at about 3 million per.
That actually was one of the factors that went into JMS's "5 year arc" for Babylon 5. He saw that year six was when successful shows saw huge increases in cast salaries, so the trick was to end a show before then but have it go long enough for the studio to be in the "free money" zone with regard to syndication. Don't know what the optimal length of a show would be now.
Posts found: 1,226 to 1,250 of 2,003