litomnivore wrote:I'm not dead! I'm just busy making a spreadsheet of all these recommendations and actually watching some of these!... Okay, well, Rosencrantz & Guildenstern are Dead is absolutely amazing, but I don't know how essential it is to understanding film.
Okay. Okay. *deep breath* I've got some bad news.
Films that are essential viewing for understanding film are not... necessarily... particularly... entertaining.
You got yer home-grown Americana in Birth of a Nation and Citizen Kane. Then you got yer weirdo-foreign films in Un Chien Andalou, Cabinet of Dr. Caligari, and Triumph of the Will. Then you got yer artsy-foreign films in Seventh Seal, yer Breathless, and yer Dolce Vita. Then you got yer standalone British epic Lawrence of Arabia followed by yer American young Turks with Easy Rider and Midnight Cowboy and Taxi Driver. And then on to the social commentary of Network and Badlands.
While all of these are Great Films and very important to understanding the language of world cinema—and some of them are films that I love, none of them are what you would call "knee-slappers" or even "a good time" or, in many cases, even "rewatchable".
So... there's having a solid foundation in the vernacular of film and then there's delving into the dark corners of the subconscious of cinema. I mean, audiences love and reference Steven Spielberg's Raiders of the Lost Ark. But Spielberg and his pals himself love and reference Lawrence of Arabia and Triumph of the Will.
We've been suggesting phrasebook movies, but if you want the linguistics course....