So amazing!
Congrats again. Hope everything went smoothly
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Friends In Your Head | Forums → Posts by fireproof78
So amazing!
Congrats again. Hope everything went smoothly
Like all of them? Maybe?
Doctor Submarine wrote:You wouldn't hold Before Midnight to a higher standard than White House Down? I mean, I get where you're coming from, but we have to draw a line.
I agree with you Doc - but there's a point to be made that some "summer popcorn" movies are still expected to be something more than that. When you have a character as ingrained in our society and hearts as Superman - the "fun dumb movie" will never suffice.
I'm inclined to think that the "fun dumb movie" is reaching the point that it won't suffice any way. I mean, that is what Hollywood is churning out and the industry is reaching a breaking point. I think that while audiences will still go to movies, because that is what society does, there is a general dissatisfaction with the status quo.
First of all, as a caveat, I do not deny that racism exists (I feel that this must be said on the Internet regarding sensitive topics).
However, I am curious, as to how well Pedro will tan, given his Chilean ancestry. It is not like all people's from the Mediterranean look the same all the time. I mean, Rafael Nadal, a Spanish tennis professional, doesn't not always look Spanish or Mediterranean. But, there are times where he looks, at least to my eyes, olive skinned, and other times where he takes a more fair look, due to his travels.
Quick for instance:
Again, some variation. Not saying that there is not a problem. Saying that there might be more to it than meets the eye.
Also, for those who are dissatisfied with the show or this casting call, here is the appropriate contact info for the show (I'm big on action):
HBO: http://www.hbo.com/about/contact-us.html
GRRM:
George R.R. Martin
Fevre River Packet Co, Inc.
102 San Salvador Ln
Santa Fe, NM 87501-1740
USA
Grok Studio: http://www.grokstudio.com/beta/info/contact-us
Generator Entertainment (UK): http://www.generatorentertainment.co.uk/contact
Protip for my fellow white people: in discussions about representations of race in culture, saying "I don't see the problem" is not only not a good argument, it is a statement of the problem.
That is a great point.
I really don't have much more to add.
Saw it just now. Not sure yet apart from that I loved it. It's the best Superman film to date. IMHO, anyway.
And the Internet promptly explodes
Not sure where else to post this so I guess this is as good a place as any:
Dark Horse will be publishing, in September, a comic adaptation of George Lucas' original script simply titled "The Star Wars."
http://www.darkhorse.com/Comics/24-281/ … iant-cover
I'll see it because everyone I know will want to talk about it. I have zero interest.
What Zap said matches my feelings quite well. I think the shots where the robot uses a big ship like a sword were supposed to be the clincher, but for me they were the nail in the coffin that this movie is going to be dumb, and most likely not fun-dumb.
But hey, I didn't hate WORLD WAR Z, so there's no telling until after the show.
But, WWZ had something going for it, whereas I am not sure what Pacific Rim has going for it except that it wasn't a Hasbro license
when do you work? Is it at all possible to squeeze in a recording before heading off to work?
Sorry, no. I'm actually about to head for work now
Take a day off of work. Totally worth it.
Kidding aside, when does it suit you better? I'm willing to push that episode back a bit.
My work schedule has been so crappy and unpredictable of late.
Monday or Tuesday would be the earliest.
I hate having to work. I too, am an FF fan, and do not want Hawk to be lonely.
whatever that actor's name is, He'd have been a good Perry White. Just play the character as a Ironic newsman who's seen it all and nothing impresses him.
He also comes with his own cigar
Oh, wait. Wrong show and actor
Yep.
I'm pretty excited to hear them.
I've made no secret regarding my enjoyment and positive feelings of Abrams' latest installment. However, that doesn't mean the movie isn't without its problems, and it becomes mired in narrative problems. This is my proposed list of fixes and rewrites to improve what could have been a great film.
It's new and fresh in my mind so I thought I would give it a go.
Also, spoilers, since it is still a recent release.
1. John Harrison stays John Harrison. The main problem that Into Darkness suffers from is the need to craft Harrison only to do a head fake and so, "Sorry, he's not really John Harrison. He is actually the world famous villain, Khan."
Actually, that's kind of silly. And when you read the writer's reasons, you realize that it is even more silly. So, keep Harrison as Harrison. I like the part of him not existing until a year ago (or however long) so keep that. Make him a product of genetic engineering to create supermen to fight against the bigger and stronger Klingons. Make him the first and still have the others just waiting to be activated to fight. Leave out Khan-period. No Nimoy appearance, no name drop, nothing like that. Harrison is a new breed, designed by Section 31 to fight a war with the Klingons.
2. The threat of war with the Klingons should be punched up more. In the original series of Star Trek (TOS) the Klingons were inspired by the USA's relationship with the Klingons. Well, what was the fear? That nuclear war would happen between the two powers. There should be a greater fear of war and what that war will bring if it happens.
3. Admiral Marcus needs to be the big bad. Regardless of Harrison's actions, and whether they appear to be motivated by his orders or independent thought, Marcus should be pulling the strings. When Harrison appears to have taken over the Vengeance, Marcus should have a back up plan. It should be his pride in his work (hubris) or Kirk's outwitting him that brings him down.
Considering that Marcus played Kirk to chase Harrison from the get go, that particular dynamic is already in the movie. Harrison plays Kirk to get on the Vengeance, and to kill Marcus. That whole part of the movie works decently, with maybe a touch up here or there. However, when Marcus realizes that Kirk is trying to work with Harrison, he alters the plan. He goes back to the base where the Vengeance was being built, taking the torpedoes with him. Emergency transporter codes are your friend here.
Harrison does his whole "I'll kill Captain Kirk" bit here, preparing to destroy the Enterprise and then on to Marcus. However, the rest of Starfleet appears led by...Admiral Pike.
4. Admiral Pike doesn't die. Sorry, his death was so throw away emotional garbage that I literally couldn't believed it happened. Also, it didn't seem to have much impact in terms of the overall story. So, keeping him alive after the attack, though wounded, can still work. Marcus places Kirk in command, and Kirk is still all fired up to go after the guy who destroyed a "data archive" and attacked Starfleet Command. Marcus gives the go ahead, expecting Harrison to flee towards the Klingons to avoid Federation Justice.
This leaves Pike to rally the Fleet when two ships show up and start blowing the crap out of each other near Earth's orbit. With the fleet coming to attack the Vengance, Harrison falls to plan B and heads off to kill Marcus at the secret base.
5. The ending. Well, the Enterprise is damaged and Kirk does the run and try to save it bit. Except, Kirk and Pike have the heart to heart. Pike recognizes what Kirk is doing, and works to save him. McCoy places him in suspension, trying to figure out a way that Kirk might not die. They realize that Harrison's blood has curative properties (no Tribble resurrection. Seriously, do some tests!) and Pike takes command, deciding to find Marcus and Harrison to bring them to justice and hopefully save Kirk.
6. Villains escape at the end. I am not one for this. I like neat and tidy, regardless of what real life, history or my room may prove otherwise. Having the good guys win and the bad guys loose is my thing. But, to really explore the darkness of humanity and them overcoming it, there needs to be a threat. I mentioned the threat of war, and have the threat be that Marcus will unleash this war and Pike must stop him. It sets up the next film.
Finally:
The Pitch for Star Trek Sequel (insert catchy name here)
Admiral Pike is placed in charge of Starfleet Command by the Federation Council and charged with leading an investigation in to Section 31. Pike places Spock in command of the Enterprise and tasked with tracking down Harrison, who has fled in the Vengeance.
Marcus, at the secret base, prepares to kill Harrison and brings the Vengeance back under his control through command codes. Harrison escapes, unleashing more like him. He trashes the place and takes off with a ship. The Enterprise arrives, just as the Vengeance explodes from self-destruct. Scotty intercepts an emergency transport and recovers Marcus.
Pike interrogates Marcus, finding out that Harrison is leading his supermen in a war against the Klingons, like they were programmed to do. Pike must stop them and insists that Marcus help them. Marcus shows them a secret lab, informing them of the depths of Section 31's work. Kirk is revived, but Marcus does so only after Pike promises to kill Harrison.
Kirk is recovering, and Pike spearheads the task force to stop Harrison. In the first battle, Pike is killed, and Kirk has a heart to heart with Spock regarding the importance of Pike's friendship. Spock shares with Kirk the fact that Pike did not give up on Kirk, despite Kirk being near death.
Kirk decides to pursure Harrison, capture him, and place him and Marcus on trial. Final battle takes place near Klingon border, with the risk of war.
Sure is nice day to be out in space. All that fresh air:
Just in case you don't realize how big some actors are...
And some things that just shouldn't be this big...
Your comment that TNG redid the Naked Time episode is correct. They did it for the same reason original Trek did it: it was a good way to get into the heard of the main cast early on. They didn't do as good a job, which given the quality of season 1 TNG shouldn't be surprising. It didn't help that they never knew what to do with Tasha. The writers guide I bought during season 1, which doesn't even have Worf in it yet and has Data built by aliens, says Tasha was to form a close friendship with Weasley. That would have been interesting.
The Mudd episode was the first "comedy" episode. You get one or two a year.
Yeah, Tasha was definitely a wasted character. Would have been nice to see a growing relationship between Wesley and Tasha and maybe make Wesley a more interesting character.
Also, Vulcanian came up a couple of times, I think in "Doomsday Machine" as well.
I wonder how people would react should aliens ever visit. Fifty years of movies and TV have really messed us up (at least in the western world).
"That is the worse make up job we have ever seen!"
It wasn't entirely Hornblower, but said more jokingly. Shatner came from a Shakesperian background too, which is why he can be a bit larger than life.
If you really want to see Star Trek's origins, read Robert Heinlein's "Space Cadet" novel.
"Where No Man Has Gone Before" is definitely an odd duck, especially with the downer ending. Also, its right before the uniform changes from the pilots to the main series, so it sticks out too.
"The Man Trap" also led to the rise of the medical scanner, as the salt shaker props were mistaken as futuristic devices due to their design.
"Charlie X" is an interesting episode. Always found it odd that they were about to celebrate Thanksgiving and the cook was confused by all the turkeys
Also, Charlie featured the gym for the first and only time, with nifty orange workout clothes. Got to love the 60s.
Man!
They stole my autobiography title
Plus, people are already going to ballgames and stuff... I guess they just reroute the traffic around that smoking crater in the center of town. Game on!
Dude, fans are hardcore.
Ever here about the guy who killed another guy because he wouldn't change the channel to the soccer/football tournament? You think a CRATER will stop them?
No, seriously, there is no stopping them
I'm not reading all that shit, just tell me who I gotta blame for the problems and I'll join in. I suspect it's those fucking interdimensional reptilians at it again.
This is all you need to know:
I really identify with the last line of that comic.
I honestly don't think it is any sort of warning of trying to wage battle on an epic level brings collateral damage, though it is an interesting thought. Even if MoS was trying to say that, Avengers, Iron Man, GI JOE, Star Trek Into Darkness, Transformers (all seven of them), A Good Day to Die Hard, World War Z, Olympus Has Fallen, The Dark Knight Rises, etc. are not sending that message. Heck, even ROTS had the opening scene that rather than Anakin landing on a runway, they smash through Coruscant's cityscape.
No, I don't really think Hollywood understands collateral damage
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