151

(62 replies, posted in Episodes)

I have the feeling this is going to turn into a bit of rant, so if at any point my contrarian opinion starts to bore you, I completely understand. For my part, I still haven't managed to make it all the way through the Pan's Labyrinth commentary.

Jimmy B wrote:

I think the film is a clever celebration of all sorts of horror films, it includes the good ideas and the dumb ones that accompanied those films.

My problem is that I don't think that this movie is as clever as the writers clearly thought it was, so the accompanying dumb ideas are just frustrating. And I wouldn't say that the dumb ideas I have a problem with are the result of bad horror film tropes. I know the guys kind of avoided defending the Purge by basically saying that regardless of how little sense it makes, it was such a great payoff that it's easily overlooked. But for me, it was symptomatic of how little thought was put into the mechanics of this universe. It's ridiculous, no one would design the elevators to go straight to the lobby like that, and if you can't think of a better way to get all of your monsters into the third act, then perhaps you should spend more than three days working on your script.

By the end of the movie, I didn't feel like I had any idea how this world was supposed to work on a good day, why it failed this time, or why I should care. This is the crux of why the Control Room scenes don't really work for me.

The characters themselves, I didn't like. They seem so cartoonish and cause such a tonal shift from the action in the cabin that it's almost like I'm watching a completely different movie. I understand the poor folks on the IMDB discussion boards who felt like the Control Room scenes got in the way. Sitterson and Hadley aren't real characters; they are occasionally witty but always unpleasant mouthpieces for a system that is irredeemably awful. Watching their banter wasn't fun for me. If either of them had actually been likable or if the Daniel Truman character had gotten more development than "stern, disapproving black guy standing in the corner" I might've cared, but as it was I could never get invested. Not to mention the fact that their constant presence killed the tension and suspense during every single scare.

But in addition to not liking the people in the Control Room, almost everything that happens there is really, really stupid. They're able to micro-manipulate every situation, down to using a pheromone mist and artificial moonlight to encourage sexy funtime between Curt and Jules and later on a single whiff of gas gets Curt to say and do the exact opposite of what he'd said half a second earlier. But despite the fact that we're told the kids must die in a specific order, the Control Room doesn't actually have direct control over the monsters and Jules getting killed first is basically just dumb luck. And despite the fact that we see that there are night-vision cameras all over the woods, they somehow completely miss the fact that Marty survived his attack. And despite the fact that Marty has to die before Dana or the whole thing is fucked, they send in a bunch of guards who randomly start shooting up the lobby where both Dana and Marty are hiding. The whole thing was just baffling to me.

Also, Sigourney Weaver's cameo at the end was just incredibly pointless. We are never given any reason to suspect that these kids might turn on each other just because some random woman they've never met before told them to. Sure, she's a badass, but given that she apparently works for this organization that has brutally slain three of their friends, I find it unlikely that Marty or Dana would take her words to heart. The fact that Dana considers shooting Marty for even a second is the best evidence yet that her character was clearly the Fool the whole time. Overall, the finale felt lackluster and more than a little obvious even though they chose to end the world. It takes a special talent to make the end of the world boring.

So, the failure of this movie isn't that it had some bad ideas. It brought all of these movie tropes together, but they couldn't think of anything really noteworthy to do with them. In my opinion, this movie fails because it took a halfway decent concept and ran with it, seemingly with no place to go.

152

(62 replies, posted in Episodes)

On Rotten Tomatoes, this movie has a 91, so mine is definitely the minority opinion here.
There are a lot of smart ideas and the premise itself is great, but I don't think the execution is as smart as its ideas and there are a lot of dumb ideas thrown in the mix.

153

(62 replies, posted in Episodes)

Invid wrote:

See, this film flopped. REALLY flopped. Keeping the secret didn't get anyone to go. So, in order to actually sell the thing it was decided to tell viewers there was actually good stuff in the film. Because, otherwise, the only people who'd bother buying it are those who already saw it and, thus, are already spoiled.

I should probably post this in the unpopular opinions thread....

I went into this completely blind. I'd never heard of it, never seen a trailer, and never would've watched it except that you guys kinda insisted at the beginning of the commentary. I'll admit, this time I fell for it, even though I regularly ignore your advice. For bad movies, I've found that a previous viewing isn't really necessary. Such was the case with The Cabin in the Woods. I hardily wish I'd had some inkling what this damn thing was about, 'cause that would've saved me the pain of having to sit through it. But I guess if I'd known then what I know now, I never would've bothered with this particular commentary, at all. Much love to you guys, tho.

For me, this movie was just one joke, repeated ad nauseum, for 90 minutes. I get why other people like it, I kept hanging on, hoping it would improve, and there were times when it really managed to draw me in, but in the end none of this worked for me.

154

(51 replies, posted in Episodes)

iJim wrote:
bullet3 wrote:

That's funny, cause for me its the opposite. I find it much harder to be scared in a movie theater full of other people than just watching something by myself, alone at night.

Paranormal Activity was a blast to watch in the theater because everyone was freaking out. At one point, a woman started crying - CRYING - in fear. But it was distracting. My mind kept floating to "man, the filmmakers must love going to showings of their movie to soak up this reaction."

This is one awesome aspect of watching movies in a Japanese theater: the audiences don't make a fucking sound. I've been to all sorts of movies here, and every single person in the audience was respectfully quiet until the  very end of the credits. Even during obvious comedic moments when you expect the whole theater to be filled with laughter.

155

(14 replies, posted in Episodes)

I watched Speed for the first time when you guys announced this episode, and it became clear to me very early on that I hadn't really been missing out on anything for the past 18 years.

The commentary was still pretty good, though.

156

(51 replies, posted in Episodes)

The only discussion this movie ever really got among my friends concerned our Spanish professor's wife who apparently threw up in the theater because of how shaky the camera work is. For this reason, I never saw The Blair Witch Project in theaters, and I'm not a horror fan, so I never bothered to watch it on tv either.

I'm a bit hesitant to watch just for this commentary as I'm not sure if I have the right mindset to be able to appreciate this as the original found footage film.

157

(991 replies, posted in Off Topic)

Somehow I always end up the contrarian, but I must say I haven't been too pleased with Series 7 thus far. Certainly there are elements of each episode that I've liked, but they've been greatly out-weighted by other things I really, really didn't like.

My biggest problem has been the lack of any real sense of peril in every single episode. I haven't actually felt like our beloved characters are actually in any danger, so the emotional payoff at the end when everything turns out okay just isn't there. The Angels Take Manhattan is by far the worst offender, because at the end everything wasn't okay, so it felt even more dissatisfying .

  Show
Seriously, that image of the Statue of Liberty as an Angel in the teaser was so fucking ridiculous I almost turned the show off before the opening credits began. The whole opening sequence turned out to be a complete waste of time as the plot thread with Grayle was abruptly dropped as soon as we got all of our characters together again. It's just a convoluted mess. Knowing what Moffat has said comparing the relationship between Blink and the Time of Angels two-parter to Alien and Aliens, the sloppy writing in The Angels Take Manhattan follows right along making it the Alien 3 of the bunch.

Asylum, Power, and Manhattan all felt like they should have been two-parters to give us time for a proper set up and delivery. These were all episodes where the Doctor/Amy/Rory dynamic was really key to the story, which in my opinion means the Plot needs to be even more compelling, which means more time is needed. Dinosaurs and Mercy felt like they desperately needed some fat trimmed. All five episodes have felt pretty heavy-handed on the foreshadowing in the lead up to Amy and Rory's departure, but in Dinosaurs and Mercy it felt especially unnecessary. Mercy loses extra points for that tragic waste of Ben Browder.

So, yeah, overall I'm not feeling the Doctor too much right now.

158

(991 replies, posted in Off Topic)

I'm going to watch it again to see if my opinion changes, but I really did not like this one. I'm guessing this is something of a minority opinion here, but knowing what Moffat is capable of, I thought this was poorly done.

First off, I don't care much about Dalek stories. I agree completely with bullet3; the Daleks have zero menace for me. After watching Genesis of the Daleks this summer, I've completely lost all interest in the Doctor vs. Daleks dynamic. They're not that scary, they're motives are stupid, and given what the Fourth Doctor did, I find his hatred of them baffling. And with the Eleventh Doctor especially, the Daleks just come off as a ridiculous villain. So yeah, I wasn't super keen on this start to the new series. However...

  Show
...when they explained the concept behind the Asylum, I initially had some hope. I was imagining a Dalek War Zone where crazed Daleks spent all of their time and last reserves of energy destroying each other as well anything that moved. Unfortunately the payoff was no where near that good. I honestly couldn't tell the difference between a crazy Dalek and a regular Dalek aside from a few cobwebs.  It never felt like they were in much peril; it was just a lot of lackluster build up to the Oswin reveal. And if he didn't need that damn bracelet, why on Earth did he wait so long to give it to Amy? I mean other than as a really contrived way for Amy and Rory to resolve their bullshit marital difficulties.

Also, I called that ending from the minute they introduced Jenna-Louise Coleman's character, but I expected them to do a hell of lot more with it.  A Dalek in full possession of all her emotions is what the Kaleds had originally envisioned for themselves before Davros perverted his creations by making them hate-filled nutters. Oswin's dual nature would have been an awesome way to bring some new life into a stale villain. I actually groaned out loud when the Doctor decided to escape with Amy and Rory and leave Oswin behind to die in a massive fiery explosion. What a waste. I still have hope it can evolve in an interesting way, but mostly I'm just disappointed.

Secondly, watching Pond Life and this episode , the treatment of Amy and Rory just irritates the fuck out of me. I know that Steven Moffat has kids, so why can't he seem to write these two as believable parents?

  Show
Asylum of the Daleks feels like it adds a completely unnecessary layer of bullshit to their story. Surely what happened to Melody is enough for them to be sad and in conflict with each other without the melodrama of making Amy infertile. I've said before that I think River Song's backstory is horrible and sad, but what's even worse is that Moffat barely addresses just how awful it is. He just doesn't seem to have any interest in addressing it at all. All we've gotten a few throwaway comments in Let's Kill Hitler, an episode that seem to play the whole damn thing for laughs.

If Amy had even remotely implied that her decision to split with Rory had something to do with what happened to Melody (as opposed to the physical trauma she suffered), I would've been mollified. Instead we get some lame line straight out of a soap opera in which Amy stupidly compares being marginally crueler to Rory than she usually is to the 2000-fucking-years Rory waited on her dumb ass while she was in that box (not to mention the epic lengths he went through to find her and Melody in A Good Man Goes to War). I don't dislike Amy, by any means, but that scene was monumentally retarded.

So, yeah, I wasn't thrilled with this one. I'll still be watching it as the series progresses, though, mostly 'cause I like Matt Smith's Doctor quite a lot. Especially after watching the Fourth Doctor be a complete dick to Leela for no real reason.

159

(991 replies, posted in Off Topic)

Allison wrote:

STOP THE PRESSES do you guys not like Martha Jones? Martha is my favorite companion!

I love Martha. She was strong, capable and smart. I thoroughly enjoyed every moment she had on screen without the Doctor, and  thought she would have been a great companion. Unfortunately, I found her one-sided love for him to be a bad idea, poorly executed. And once I had that in mind, all of the other problems I had with the show just compounded themselves until I was glad to see the back of her.

Donna and the introduction of River Song really brought the show back around for me, because by that point, I'd just about had it with the Tenth Doctor. Not with Tennant's performance, just the way he was being written. The RTD scripted episodes are some of my least favorites, and as executive producer, I tend to lay much of the blame at his feet. I enjoy the show much more with Moffat at the helm.

However, the rapport that River Song has with the Tenth Doctor feels like overkill when it comes to the Eleventh Doctor. And her backstory is really, really sad and horrible. Horrible in the kind of way that a writer should really hesitate before doing to a lead character.

160

(991 replies, posted in Off Topic)

Invid wrote:

I am glad the show has gotten, somewhat, away from a single female companion. You do need someone traveling with him, so he can bounce dialog off of them (having him team up with a local can have the same function, true). Male companion, teen companion... hell, maybe a father/daughter combo. Lots of room to experiment, and with luck they'll have decades to try everything smile

I started watching the show with David Tennant as the Doctor and Catherine Tate as his companion. After that series got me hooked, I went back to the Ninth Doctor and caught up on all the episodes of new Who. Eccleston's Doctor pissed me off to no end, and I was glad when he finally regenerated and I could get back to Tennant's Doctor.  But although I enjoyed the Tenth Doctor when I first began watching, the tone of the show soon began to grate on my nerves. Rose was annoying and I didn't miss her when she was gone. As much as I really, really like Martha, watching her pine over the Doctor for an entire season was just painful, and I was glad when she left the show as well.

Re-watching the third series really made me appreciate Catherine Tate's performance, her chemistry with Tennant, and her role as friend rather than romantic interest. To me, she's one of the few characters since the reboot to respond to the Doctor in a remotely realistic way.

As for Matt Smith, I love him. I think he's great as the new Doctor. I'm kind of indifferent to Amy, and River Song is a perfect example of how to take a good character idea and ruin it, but Rory has been a lot of fun and the two episodes with Craig really made me wish the Doctor would take him and his family for a spin in the TARDIS.

161

(431 replies, posted in Off Topic)

Dorkman wrote:

Although Cotterpin's existence in the later seasons of Fraggle Rock, showing Doozers to be sapient beings, makes the Fraggles' season 1 treatment of Doozers occasionally appalling.

Yeah, I actually liked that aspect of it. The fact that the Fraggles, Doozers, and Gorgs could all spoke the same language, but made very little effort to understand each other most of the time was fascinating to me.

162

(431 replies, posted in Off Topic)

Dave wrote:

White pizzas? Also, hello!

Basically anything without tomato sauce, just the cheese and toppings. Quattro Formaggi is usually a white pizza, and I've had really excellent spinach and chicken alfredo white pizzas.

Jimmy B wrote:

Where do you stand on Labyrinth and the original Muppet movies?

I am a major Henson fangirl. Even if Farscape hadn't been an absolute fabulous show, I still would've watched it for the puppetry. I can still clearly remember my 9-year-old self bawling my eyes out in the middle of a grocery store when I found out Jim Henson died. I do like the original Muppets; they have an undeniable charm. But I much prefer the more dramatic and darker work that the studio did like Labyrinth and the Dark Crystal.  The Dark Crystal can still give me chills. If the sequel ever gets made, especially if Brian Henson is at the helm, I shall lose all dignity and squee like a giddy school girl.

The Storyteller, by a similar token, is storytelling magic executed with perfection. If you've never seen it, I honestly cannot recommend that series enough.

Teague wrote:

The Princes Bride will be my wife one day. It's weird.

Not so weird. It's always good to dream the fantastical.

Dorkman wrote:

I haven't watched much of Confused Matthew's stuff, but what I have watched makes me fairly sure I can't stand Confused Matthew.

I've seen a lot of his reviews, share his opinion on many of them, and yet I feel much the same way. The way he presents his ideas just riles my nerves, even when I think he's speaking gospel.

Still, even with the silly way they talk about Pre-Crime "victims," I find it hard to believe that Anne Lively's disappearance could so easily be overlooked. A significant chunk of this movie revolves around how difficult it is for Anderton to simply disappear when he goes on the run. I imagine it would be very hard to be a missing person in this kind of Big Brother future. So the disappearance of a woman who was already known as a Pre-Crime murder victim should probably be a big deal.

In fact, instead of ignoring this little detail, it could've played into the audit and Witwer's suspicions about the system. That way Witwer gets to actually do something, because as it is, he's an entirely superfluous character. He's just there to make the exposition dump at the beginning of the film slightly less awkward.

164

(431 replies, posted in Off Topic)

Thanks! Always glad to meet a fellow aficionado.

165

(431 replies, posted in Off Topic)

Hey folks!

As you probably realize, my name isn't really Cotterpin. She's not even my favorite character, if I'm honest. But I get a warm, fuzzy feeling when I rep Fraggle Rock, and my ego was just too fragile for me to pick Marjory the Trash Heap for my username.

Personally I'm not much of a movie buff. In fact, I've probably seen more films in these past couple of weeks while listening to you guys than I've seen in a theater in the previous 2 or 3 years combined. Partly that's because I live in Japan and a lot of American movies never get shown here. Of those that are, many are in 3D, which unfortunately gives me a massive headache or they're dubbed in Japanese, which is just... weird. I could rent them, but tracking down the Japanese title of an American movie can sometimes require Herculean efforts.

Really, though, I just have to admit to being persnickety. I honestly do try to keep an open mind, but in the end, I pretty much hate everything. I do have a major weakness for anything fantasy, however, and share Teague's love of The Princess Bride. The Secret of Nimh and The Neverending Story are my two favorite movies of all time.  I was drawn to DIF because of the passion you guys have for movies. I don't think I've changed my mind about a movie based on your commentaries, but they do give me something new to think about or appreciate.

I had my worst injury while playing Star Wars with my brothers when I was four. Details are sketchy, but I apparently fell down some stairs and ended up with a broken arm and a couple of broken fingers that somehow went undiscovered for close to 24 hours. My dad  even sent me to preschool the next day and I endured the whole thing without complaint until my teacher told my mom that I was holding my arm kinda funny.

I'm a fan of white pizzas, but pizzas in Japan are usually sub-par and crazy expensive, so I haven't had one in ages.