*Strokes chin* Oh reeeeeeeeeaaaaaaaaaaaaaalllllllllyyyyyy...

You wanna DM me your email when you get a sec? We might take you up on that for one of the tracks Kyle is producing for Innervate.

*keeping in mind, noted non-musical person BDA, here*

How much does fretting the strings from underneath mess with your ability to play compared to a guitar? It seems like you wouldn't be able to change notes nearly as fast on the tagelharpa because you have to take your finger off the string, go underneath and then back up through the strings to get to the one nearest your thumb. Or is that just part of the instrument and you write music around it?

New Unfinished London just dropped that I have a few shots in again!

More of just a technical fix-up, but did some work on the shot at 27 seconds to time stretch it out without making it look like it was time stretched out.

And did the Wrong Bin! game show shot at 5:23.

This makes that little 13 year old BDA that was OBSESSED with everything Disneyland and theme parks very very very happy. I'm pretty sure I would have just up and died if I found a video like this back then.

Not to double post, but eh, fuckit, it's 2020, nothing matters anyways... it's kind of interesting that you say towards 'art', away from 'shooter', as a classification because I'd be hard pressed to call TLOU a shooter. (I mean, ignoring the entire argument that games can't be/aren't already art, because that is demonstrably and patently bullshit).

But TLOU sits in an interesting place in that regard, because while there is shooting involved in TLOU it's an extremely tiny portion of the game, the rarity of ammo placed throughout the game means that you spend the entire game saving and rationing what ammo you have for the moments that absolutely require it, and most of the time you are exploring, puzzle solving, stealthing or using other impromptu weapons.

IDK, it's just an interesting thing that even in a game that is so story focused, and that tries to ground it's gunplay in some semblance of realism of an apocalyptic scenario, it still gets lumped into the shooter category by a lot of people. Just goes to show that games still have a lot of ground to make up in public perception I guess.

TLOU is also a weird series to talk about cinematics vs. gameplay because so much of the design is centered around making the entire game have the vibe of a cinematic. I haven't really been following TLOU2 but I don't think they're going quite to the level of what something like God Of War did where the entire game is one continuous experience weaving in and out of cutscenes organically, but they do try to maintain that mood from what I've seen.

(I may be skipping over something come to think... how aware are you of the entire /thing/ of cinematic game trailers T?)

If y'all remember this little fuzzball... well here's what she looks like now:

We may have lost protest songs, but I will gladly accept the rise of quarantine songs.

I know exactly 1.5 things.

1) I definitely delivered on the aforepromised swooning.
And .5) I definitely probably didn't make a complete ass of myself.

This was really fun.

Duuuuuuuuuuuuuuuuuuuuude, I  am so hyped for that. There's a couple that were making the rounds when I was still within driving distance of a theatre that showed them, but wasn't able to make it to. I know the Hiddleston Coriolanus and the Mckellan Lear were both on my radar last season but then *vaguely waves around* life, y'know.

And btw, if they post the Cumberbatch Hamlet, it's absolutely excellent. I got to see that one when it was making the rounds.

Thanks doods. It's been... uh... a long road. This is 4th time I've tried building this thing from the ground up since October, and finally found a way to make it work the way I wanted.