Zarban wrote:
Herc wrote:
Zarban wrote:

Also, did I spell The Crow wrong or something? I got the other one but there's still one crow left, right? Maybe it's one of the other black bird movies.

  Show
The Birds  smile

I got that one first, but it only applies to the two birds on the left. There's still one bird on the right, so I tried The Crow and got it wrong. Maybe it's The Raven.

  Show
I got that one first, but it only applies to the two birds on the left. There's still one bird on the right, so I tried The Crow and got it wrong. Maybe it's The Raven. Probably not Maltese Falcon.

There seems to be a lot of detail in the picture acting as a bit of deliberate misdirection. So there's stuff that looks like it must be significant that's just there to throw you off. Also, like for the car, the dot will only cover one part of a larger clue; once you've got part of it, the whole thing is counted and the three birds together make up one clue.


Herc wrote:
Cotterpin Doozer wrote:

Also, there were at least four that I couldn't figure out just because my computer screen is too small to see them clearly.  tongue

I can all but guarantee that one of them was O Brother, Where Art Thou? wasn't it? tongue

Yes. That one was SO frustrating! I couldn't read it at all, and for some reason it never occurred to me to zoom the picture.

  Show
The clue for Willow was also a bummer. It felt kinda cheap for them to have it wedged into the wall on its side when most of the other items were just laying on the floor.

I guess the Casper mask movie was much, much more popular in France than it was in the States?

I got 43. Technically 48, but three of those I saw the answer here before I tried the quiz and two others I straight up cheated. There were several of these movies I never would've guessed, but I somehow figured out

  Show
Kill Bill
even though I hated that movie. Also, there were at least four that I couldn't figure out just because my computer screen is too small to see them clearly.  tongue

3

(991 replies, posted in Off Topic)

Jimmy B wrote:

And I would like to see an episode where Clara and Jane Austen make out. For research.

Another instance of the show introducing but failing to explore a concept that's well more interesting that anything we're shown.

  Show
The thing with the airplanes was cool and worth a whole episode. I was genuinely confused by the reveal and how quickly they wrapped it up. The hand mines were very cool and definitely worth more time. I was totally psyched when I saw that; a war-torn planet littered with devastating and creepy-as-fuck land mines sounds like a Doctor-worthy adventure.  The Doctor and the guitar was totally badass, but we cut-in on the scene once most of the fun stuff was seemingly already over. Being kidnapped and taken to invisible planet was also pretty cool and totally wasted. The point about the subtle differences between real and artificial gravity was neat, and had those words come out of Clara's mouth I might have a modicum of respect for the character. And once again we are told we should be terrified of the "menacing" Daleks as they stand around doing absolutely nothing. 

Perhaps this is all foreshadowing for future episodes, or just cool snippets that couldn't be worked into a full episode for whatever reason, but for me, it made for a really frustrating watch. It's not fun to watch a show where people talk about doing really cool stuff when we actually get to see them doing very little. Capaldi is the only thing about the show that I like at this point, so I think it may be time for me to give it up.

4

(2,068 replies, posted in Off Topic)

paulou wrote:

http://www.moviexplorers.com/wp-content/uploads/2014/09/TheTaleOfPrincessKaguya2013s.jpg

http://www.ixdaily.com/storage/upload/172/the-tale-of-the-princess-kaguya-trailer.png

Absolutely brilliant movie, eh?

This is probably my favorite second favorite Studio Ghibli movie, but only because Whisper of the Heart has nostalgia bonus points. I'm so sad that this movie is going to be Takahata's last, but he's definitely going out on a high note. I've always thought that Kaguya-hime was kind of a weird, off-putting story, but Takahata managed to create a faithful adaptation that was also compelling and interesting.

5

(30 replies, posted in Off Topic)

Jp12x wrote:

As for all anime being written by hacks, I can't disagree more. They have their tropes, but you guys are talking about things like Lain and Paranoia Agent. They're both over a decade old. I highly recommend you watch some of the shows from the last few years.

Meh, I don't think the ratio of good shows to crap shows has really changed much over the past couple of decades. There's just a lot more options available; many more really excellent stories and a near metric ton of dreck. Then there are the shows that could've been good but suffered because of the way the industry finances itself. It's worth pointing out that both Lain and Paranoia Agent were original stories, which are by far the minority.

Now, as for an 8 year old, I don't watch a lot of stuff for that age group, but I can totally second Invid's recommendation of Kamichu. It's such nice show. Every episode made me really, really happy.

If you don't mind something a little bit more intense, then I can also recommend Denno Coil. It's a great scifi show set in the near future about a group elementary school kids trying to solve a mystery surrounding a recently introduced technology. It was shown on NHK and the publisher of the novels is an imprint for younger audiences, but you might want to check out a few episodes first to be on the safe side. Plus, it's awesome, so even if you think your daughter shouldn't watch it, you definitely should.

6

(19 replies, posted in Off Topic)

I heard it was good, but it also seems EXTREMELY unlikely to get a release in Japan, although occasionally the theater tyrants here surprise me. My best hope is that it's popularity holds out long enough that I can see it at a random theater in central Florida when I come home in late December. That's not too much of a stretch, right?

7

(991 replies, posted in Off Topic)

BigDamnArtist wrote:

I just realized I have absolutely zero desire to catch-up/watch this season anymore. Not in the like, angry, fuck it sort of way, I just have absolutely no desire, it has fallen off the plate of things I care about.

Wow... this season has actually managed to legitimately kill Doctor Who for me. That's...kinda impressive really.

I felt the same way last series, it's just that Capaldi has earned enough goodwill with me that I'll watch him in anything.

I've also walked away from the final season of Boardwalk Empire and resisted the temptation to see whether or not Homeland is still as awful as it used to be. Between those two and the fact that The Good Wife is killing it, I've got enough patience for series 8 of Doctor Who.

8

(5 replies, posted in Off Topic)

Jp12x wrote:

That said, I have ached for years to see Romeo and Juliet performed with the jokes acknowledged. I have a true and deep need to see it performed properly.

I highly recommend checking out the American Shakespeare Center (formerly Shenandoah Shakespeare Express) if you don't mind taking a trip to Virginia for some really quality theater. They do go on tour, but they don't usually hit up the West Coast. Some of the best Shakespeare you'll see Stateside, their production of Romeo & Juliet was just amazing, and yes, very funny. Somehow my school managed to snag a performance several years running (a great coup for a small women's college), and each time it was a delight. These people really, really know their stuff.

9

(991 replies, posted in Off Topic)

C-Spin wrote:

  Show
I personally definitely thought he was lying to her about saving everybody until we saw the engineer in the TARDIS. Then I figured he WAS just joking about everybody dying, because it seems more likely that he saved everybody than that he saved only Clara... and also the engineer for some reason.


My thoughts... Show
I think they were being deliberately ambiguous. The Doctor didn't have a lot of time to pull of this rather miraculous rescue. Clearly, if anyone could have done it, it would be the Doctor. But if time was against him and he only had time to save a few people before the train blew up, it would definitely be Clara... and also Perkins, the engineer, with whom the Doctor spent most of his time and whom he also liked well enough to extend an invitation to travel aboard the TARDIS.

So, it's possible that the Doctor really did save everyone and was just joking. And it's possible that the Doctor has decided to put the stabilizers back on, avoid the unpleasant truth, and travel with Clara under the guise of this happy fiction. I like not knowing which one it is.

10

(991 replies, posted in Off Topic)

Saniss wrote:

A'ight, peeps, convince me I should watch this episode.

I don't know. If you've really hit a wall with Doctor Who, you might want to give it a bit of a break. Otherwise, you might end up hate-watching the show, which is never a good thing.

But overall, I agree with everyone else: this was a pretty good episode. Although I do wish they would stop teasing us with characters who I think would make much more interesting Companions than Clara.

11

(991 replies, posted in Off Topic)

Isaac wrote:

  It's a great episode, it just happens to be a great episode with fairy tale science (and a complicated abortion subtext).

I've read this elsewhere, and it frankly seems silly to me. If it were meant to be subtext for abortion, that implies that Peter Harness is a patronizing asshole and strongly anti-choice. But the space-dragon moon egg is not even remotely analogous to pregnancy, so the fact that it's a bunch of women who (are being forced to) make the choice is irrelevant. This is a straight up trolley problem thought experiment, a "needs of the many vs. the needs of a few... or the one" question that had nothing to do with abortion.

12

(991 replies, posted in Off Topic)

I've intended to write down my feelings about each episode in this series, but every time I do, the post reaches tl;dr territory and I lose interest before I can hit "Submit."

And I think that's the greater sin.

Sure there have been a buttload of problems in every episode, but they're also kinda boring. There's definitely a gem of a good (or even great) idea in each one, but the execution is so lackluster that it's hard for me to even complain.

"Kill the Moon," though, is probably my favorite. I don't think it's good, just better than every other episode so far. For one thing, the better elements of this episode reminded me of the better elements of "The Beast Below," but instead it's the Companion who's angered by dreadful decision she's being forced to make. The story is also simple enough that it doesn't feel rushed over the 40 minutes, which I've found to be a frequent issue for much of Moffat's time as showrunner.

The astronaut, Lundvik, really worked for me. She reminded me of Adelaide Brooks from "The Waters of Mars." I also like Courtney. I like how the dynamic between her and the Doctor played. Although her actress isn't the greatest, Courtney feels like she would be well suited to travel with the older and very prickly Doctor. Certainly it makes more sense to me than Clara and the Doctor. I've never cared much for Clara, but from what we know of her character, I don't see how she can abide the Twelfth Doctor. Her blow-up in this episode would have made more sense to me if we'd been seeing her struggle to get along with Twelve despite the phone call from Eleven at the end of "Deep Breath." But their differences have largely been glossed over in the jumbled mess of episodes that followed. Now she's angry, and while I like her anger, the build-up to it just wasn't enough for me.

That really is my major problem with this episode. Rather than building up to this dramatic choice Clara has to make, it should have been building up to Clara getting totally fed up with the Doctor. The stupid giant germs were a distraction and the resolution with the second moon egg felt like a cop-out, but it's the inconsistent character work that bothers me most.

13

(248 replies, posted in Off Topic)

Saniss wrote:

I don't know Mike personally, but what I know is that I was amazed at him getting in such good shape in the past few months. He must have worked a lot for it, and this event seems to deny it. It's heartbreaking.

I'm a "glass is half-full" kind of girl, and I had the exact opposite reaction, actually, especially in response to Teague's most recent posts. It's a shock and a sorrow to think that someone we care about is facing such tragic circumstances. But if anything, the fact that Mike has gotten into such great shape likely makes treating him easier and will definitely aid his recovery. In general, strong, healthy people make for better patients. He worked hard to develop that physique and now it's going to benefit him in an unexpected way.

お大事に。

14

(25 replies, posted in Off Topic)

Eddie, you sound like you might enjoy Mansfield Park, the Jane Austen novel reviled by fans. Fanny is a character defined by her stillness in the face of the relentless activity all around her. She's pretty much the complete opposite of Austen's other heroines in a way that's always interesting if not always exactly enjoyable.

15

(991 replies, posted in Off Topic)

sellew wrote:

And what's kind of frustrating is that, just last week's episode actually, it seems like there's the core of a good idea here:

SPOILER Show
the idea of a 'good' Dalek, and the idea that life always wins out in the end over extermination, and how that possibly relates to the Doctor's character, particularly given (relatively) recent events

But it's all just so half-assedly executed -- as if it was enough just to have the idea, rather than then needing to embed that idea in a decent story and script.

This episode was almost as frustrating as Asylum of the Daleks in its poor handling of a great idea.

16

(85 replies, posted in Episodes)

Doctor Submarine wrote:

Good article by Matt Singer on this topic. He makes a great point that these videos rarely cover unpopular movies, because fewer people would watch those videos.

See, I thought it was a not very good article by Matt Singer on this topic.

Matt Singer wrote:

CinemaSins’ website proclaims that “sometimes, even great movies suck,” but watching these nitpicking videos regularly suggests that every movie sucks. And if everything sucks, why care about movies at all?

Because it's perfectly possible to enjoy or even love something even if you think it isn't perfect. The Sam Adams article also suffers from the misapprehension that people can only approach movies from one of two possible perspectives (either 100% engaged, or 100% disengaged) and that ambivalence is for pussies.  To continue that quote from the CinemaSins' website,

CinemaSins wrote:

[A] high sin count does not directly translate to a movie's overall quality or enjoyability, and it doesn't reflect our opinion of it.

The reason they pick popular movies is because they're often making videos about movies that they like. The idea that these videos are steeped in and feed on negativity is a valid opinion, but that "negativity" is not based on any ill will towards films by the producers. Considering the time and energy that goes into making these videos (which Matt Singer fails to do in his article; he is singularly obsessed with a profit motive and pretty much ignores the idea of these videos as a creative outlet for the producers), they're probably more likely to do a video on a popular film that they actually enjoyed than an unpopular movie that "deserves" to be ridiculed.

fireproof78 wrote:

Also, how does one do battle with a spelling bee? Has Michael Bay been contacted?

Sharpen your vocabulary, and shred your enemies to ribbons with a vicious tongue-lashing. Or just hit 'em in the head with a really big dictionary?

BigDamnArtist wrote:

Maybe it just literally means the entire movie will be people standing around giving definitions to various words.

The eventual tie-in video game could feature words from the Scripps National Spelling Bee intercut with fight scenes.  big_smile

19

(85 replies, posted in Episodes)

Well, I also thought Trey's comments were a bit overboard. But I found it hard to take it personally when it's an example of that "complaining about an undefined group of people who do an undefined set of things."

20

(85 replies, posted in Episodes)

Eddie wrote:

Like Paul gets real skittish about Taxonomy of film, I get very aggravated about Taxonomy of film reviews (for some weird reason, and I get that it's weird).  All I know is that I appreciate this BECAUSE of the immersive connection, the deep dive into the film.  I can't say I see the same with CinemaSins and the ilk.


Jeez, can we please, please leave CinemaSins out of this? Can we please stop finding fault with them for not meeting a high standard as movie reviewers when they aren't movie reviewers? They're not even in the same ball park, largely because they're not even trying to be. They're playing a different game, yo. Leave it alone.

If that's not possible, can we at least concede that there are a wealth of other people out there doing (actual) movie reviews who (actually) are terrible, and that, for the purposes of moving this discussion forward, they might be a better target? Continuing to go back-and-forth debating the point in this thread as well seems like a massive waste of time to me.

21

(85 replies, posted in Episodes)

Zarban wrote:

This is an odd episode. You just seem to be complaining about an undefined group of people who do an undefined set of things that include pointing out continuity errors and misunderstanding the plot. Is the whole thing just a giant subtweet to Inappropriately Righteously Indignant Matthew?

I found this episode to be an incredibly frustrating listen, for much the same reasons I had problems with your last film criticism episode but to an even greater degree. Seriously, my mind almost went into a tail spin when you started complaining about people who point out errors without actually knowing what they're talking about. None of you guys engages very much with any sort of film review or film criticism, let alone the plot hole film criticism you're supposed to be talking about. So why not follow Brian's advice and say, "I don't know."

22

(127 replies, posted in Off Topic)

Doctor Submarine wrote:

They are absolutely taking eyes off serious film critics, for the same reason Olive Garden is more popular then authentic Italian food. Most people just want something that tastes good, but you can understand that real chefs might be upset that their hard work doesn't get nearly as much exposure. Or maybe Mcdonalds is a better example. I dunno. You get the picture.  I don't know how to explain this any clearer. Popularizing a shallow method of film analysis is bad for the film community. Does that make sense?

I understand what you're getting at, I just don't agree.

Some people don't have the time, money, or inclination to go to an authentic Italian restaurant, and others just prefer their food soft and bland. Some people thought the trailers for Edge of Tomorrow made the movie look like a snoozefest, and others have been chomping at the bit for the chance to watch more giant robots hitting each other.

And honestly, of the people who went to see Trans4mers, how many do you think listened to or read any sort of review, in-depth or shallow, before making up their minds about how they were going to spend their money?

23

(127 replies, posted in Off Topic)

Doctor Submarine wrote:
BigDamnArtist wrote:
Doctor Submarine wrote:

...and the abundance of it distracts and detracts from it.

Obviously, you're not speaking comparatively to the rest of the film criticism/review universe.

I mean come on guys, I get that we all really care about movies and what not. But a couple comedy channels on youtube no more corrupts and destroys one of the pillars of the movie industry any more than My Drunk Kitchen and Swedish Meal Time corrupts the sanctity of the Food Network.

But those shows are clearly parodies of actual cooking shows. CinemaSins presents itself as actual criticism and more importantly people treat it that way. And let's not pretend that these comedy channels on Youtube aren't insanely popular and influential. Hell, I stopped reading Slashfilm because they couldn't stop posting articles about the latest Honest Trailer. And you know why they post them? Their readers eat that shit up. This is not separate from the online film community. It is a part of the online film community. And it's a REALLY bad part.

CinemaSins does not present itself as actual criticism. If a half-naked man or woman is shown on screen, the guy counts a "scene does not contain a lap dance" sin. If Liam Neeson isn't killing anyone on screen, that's a sin, too. There's a video (part of a whole series, actually) calculating how much damage in inflation adjusted dollars there would have been in the movie Die Hard.  It's clearly entertainment.

And I'm still not clear on why this is bad for the online film community. There's clearly an audience for these shows, but let's not make the assumption that they're taking eyes away from serious film critics. It's far more likely that by using humor and very simple analysis, they're drawing the attention of people who wouldn't otherwise be engaged at all. They'll watch these videos and enjoy them until something better rolls around.

And as your earlier Hitchcock comment implies, this sort of less substantive commentary has been around for a long time and the world of serious film criticism has yet to implode.

Darth Praxus wrote:

I'm now more annoyed with Honest Trailers than I was previously; I just took a look at the Amazon reviews for Gravity and a bunch of negative ones said "Yep, the Honest Trailer pretty much summed it up." Way to really think deeply for your review, guys.

Why would you be annoyed with Honest Trailers because of that? If you watched their video, they clearly loved Gravity. Perhaps the bigger problem is that any yahoo with an email account can write an Amazon review.

24

(127 replies, posted in Off Topic)

johnpavlich wrote:

I know this is probably going to anger the panelists (and many of the forum members for even suggesting it) but I think you guys should seriously consider watching a handful of these videos beforehand, to refresh your memories on the actual content, instead of what you think or remember of them, (which can be a bit removed) and to give you specific talking points and examples to delve into.

I very strongly second this.

25

(73 replies, posted in Episodes)

Ewing wrote:

I'm not politically motivated enough to like or dislike any piece of fiction for ideological reasons. Not everyone shares my beliefs and I don't expect to see them represented and/or appealed to in everything I watch. This goes to back some of the shit I was saying about True Detective a few months ago:

I understand criticizing a film or show through structural analysis, aesthetic criticism, genre criticism, auteur theory, and so on, because those have to do with the actual filmmaking and storytelling. I may not agree with it, but at least there is a degree of objectivity and it's trying to better understand how films and shows work. I can't take social criticism of media seriously. All of it boils down to the author projecting their own political and social ideologies onto the work. There is no objectivity or true criticism of the piece, it's just a soapbox for the critic to explain why something sucks because it doesn't cater to their desires and values. It's film criticism for people who don't understand the nuances of filmmaking or storytelling. It is the absolute laziest way to critique any work.

It's well past my bedtime, so I shall attempt to be brief. wink

The main reason I disagree with this stance is because a work's socio-politics are an important part of the world-building,  and because social and political ideologies are often clear thematic elements in a work. Dismissing social criticism of media altogether would ignore analysis of a legitimate aspect of storytelling. We often give note to the socio-politics of a show like Game of Thrones, because, as an obvious work of fantasy, it's important to understand how things work in its fantastical surroundings. But I think it's just as important to pay attention to these details even in something like True Detective, which is assumed to take place in the "real world." It's one way to understand how and what an author or filmmaker is trying to communicate with her audience.

Twilight takes place in a modern setting, which is largely recognizable, but has a number of fantastic elements. Both vampire and werewolf societies have rules and assumptions governing their interactions with human beings and each other, and these rules and assumptions impact the story. Although Bella comes from a world that we recognize, the same is true for the human society she occupies. Saying that I have problems with the ideology of Twilight is another way of saying that I can't connect to the material. Not because I have a problem with teen romance, but because Meyers has created a world in which the characters' actions are inscrutable and disturbing.