I concur that Dalton's take on Bond is probably the closest to Fleming's, but the scripts he had weren't the best.
Whereas, I didn't buy the romance between Bond and Vesper in 'Casino Royale' at all, and it nearly broke the movie for me.
'Crash' was a clunky, predictable melodrama.
'Spaceballs' not only sucked space rocks through a fifty metric foot space hose, it was also about ten years too late.
'Psycho II' was a sound attempt at a sequel to the original.
'Psycho III' stank on ice.
'Manhattan' is waaay better than 'Annie Hall', but Allen hasn't made an interesting film since 'Bullets over Broadway'.
'Bullshot' is a marvellously bonkers comedy that no-one has heard of.
'Robocop' benefited from being edited for television.
Kubrick's best film was 'Paths of Glory'.
'Splash!' may well be a better-written comedy than either 'Tootsie' or 'Some Like it Hot'.
Harrison Ford's narration improves 'Blade Runner'.
Jerry Goldsmith is the best film composer of the last fifty years.