Re: Twenty Twelve.
Dara O'Briain?!?!
NEW SHOW!!!!!?!?!
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Dara O'Briain?!?!
NEW SHOW!!!!!?!?!
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MasterMike
@DowninFront: Listening to 2012, at the point where the caldera goes up & you all congratulate ILM, I was quietly cursing "IT'S DNEG DAMMIT!"
TeagueChrystie
@MasterMike: That's a hell of a mistake for us to make. We even have DNeg listeners. I'm sure this will go well.
MasterMike
@TeagueChrystie: My colleagues were at least happy that it was at that moment you chose to take a moment out to applaud the VFX work
TeagueChrystie
@MasterMike: Ha. Well, sorry for the mix-up.
From what I can tell, ILM didn't even work on 2012 at all. Which is weird. Maybe Emmerich thinks they're too expensive.
They didn't but just about every other major studio did. There's a link in the mp4 to the effects page, or just hit this up. Scroll down to where it says Special Effects.
http://www.avclub.com/articles/nasa-nam … ilm,49699/
Right behind it, The Core and Armageddon.
I find it interesting they had to add a FAQ page about the world not ending in 2012. I guess "It's not cool to burn witches. Here's why." is coming soon.
All I can really say about this movie is that I salute the VFX artists who created everything, but you really couldn't pay me to watch this movie a second time. I've actually only seen half of it, and I've heard the DIF for it. (which was great, as always)
Also, I'm a Cusack fan, and I couldn't have cared less about his character in this.
So, yeah. Didn't like the movie. VFX were badass.
Wait, can they be world famous when I've never heard of them?
Just listened to this while watching the movie for the first time. Nice analysis work. At the same time, tho, it's okay to just agree to disagree sometimes, you know?
The film is a visual feast, but I found myself disliking the movie mainly for its ridiculous and repetitive action set pieces more than anything else. (I really didn't care for Independence Day or Twister, either.) I think it would have been better if the characters had been more self-aware like in ID, tho.
But, seriously, how do you make a movie like this and someone not go, "Wait, are you saying you want the small airplane to somehow nearly crash into more stuff on the ground on the first takeoff or the second? Or are you talking about the giant airplane nearly crashing into stuff on the ground when it takes off? Hey... do we have too many nearly identical and ridiculous action sequences?"
The "full cup" bullshit is also in Avatar.
Looking back, I'm willing to admit that I may have gone full Finifter on this one. I just hate it SO MUCH. I think it's the fact that Jake loved it that set me off, which I acknowledge is totally irrational and completely subject to taste but, you know, agh.
Still, next time I'll try to be cool like Fonzie and actually stick to an analysis rather than getting lost in the rage-fog, since it's probably not all that fun to listen to in retrospect.
There just wasn't too much common ground between "it's stupid and great" and "it's stupid and bad". When someone doesn't see the "stupid" part as being a problem, there's no where to go from there
I just want everyone on the panel to be having fun, whatever their opinion of the movie is. So I always feel bad when someone hates a movie so much it makes them angry. Teague did a good job trying steer the discussion into sunnier climes.
Although even Teague fell back to going "Movie we like had X, this movie also has X, so why do you not like it now?" For me at least that's making things a bit too simplistic, as usually how a movie does something is more important to the viewer then what is being done. Unless it's the first time, in which case we often just go "Wow, they did that!" and leave quality judgements for later films.
That's the point of the question. Something works, something similar doesn't, why not?
Like many things I'm usually the one to ask, it isn't designed to be "answered" simply, it's designed to start the brainstorming out loud.
Yeah, that's totally a valid question. Teague recognizes that Michael and Brian sometimes talk themselves into a surface analysis. But sometimes it's not so much what happens but how it happens that make it good or bad.
But Brian and Michael did recognize that here and talked about how different character reactions could have provided a perspective that made the movie more fun. I think Teague and Jake just provided that perspective for themselves. That's how I enjoyed Face/Off. ("Why were you laughing?" -- "Come, on! They sewed Nick Cage's face on John Travolta! That was hilarious!")*
Everybody made good points. But that was often true of Crossfire.**
* This statement does not constitute an endorsement of Face/Off.
** This statement does not constitute an endorsement of Pat Buchanan or Robert Novak.
I thought a "Finifter" was a measure of depth, like 20,000 Finifters Under the Sea, The Phantom From 10,000 Finifters, and of course She's Out of My Finifter.
I thought a "Finifter" was a measure of depth, like 20,000 Finifters Under the Sea, The Phantom From 10,000 Finifters, and of course She's Out of My Finifter.
Actually, that reminds me of something. While reading 20,000 Leagues Under the Sea a few years ago, I had a realization; the number actually refers to how far the characters travel (on a submarine, under the sea), while on board the Nautilus, and not to the one sequence when they lose power and sink "deeper than no man has ever gone."
So while (traveling) 20,000 Finifters (while) under the sea might seem like a long way, these days submarines are much more commonplace than in Jules Verne's day, and routinely cover that distance without ever needing to surface, so as such that measure is not as impressive as it once might have been.
Actually, that might work after all...
(Nutin' but love for ya man!)
I look forward to the day when all the DiF names have other meanings.
Wow, how did nobody get to that joke sooner.
How did I not think of that fucking joke.
God, everyone sucks.
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