Re: Best match of character and actor?
Brad Pitt as Tyler Durden.
- Branco
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Robert Downey Jr. as Tony Stark. Yes. I know. Obvious answer.
Morgan Freeman as Detective Somerset (Seven).
Mickey Rourke as Marv (Sin City).
Sandra Bullock as Annie Porter (Speed).
Really? Sandra Bullock in SPEED? Anyone could have played that part and it would have been the exact same movie.
- Branco
Robin Williams as Mork
Last edited by Eddie (2011-09-15 20:06:46)
Yeah, snakes on a plane is basically 80 minutes of waiting for that one line and then being disappointed after he says it. But Sam Jackson as Jules? That's a perfect character / actor combination.
How about Arnold in Predator? I get this weird feeling when I'm watching it that I'm just seeing Arnold being himself, all munching cigars and hangin' out with manly-men and killing aliens with booby traps.
And Ford as Indy is kind of a given. I see pictures of Henry Selick auditioning for the role, and my brain starts to hurt with cognitive dissonance. I can't look at the pictures for too long.
But how about Sean Connery as Henry Jones Sr.?
(I'm going to keep thinking of more for days)
The entire cast of Firefly, particularly Nathan Fillion as Mal. Oh, sorry! This is a movie forum. So... I mean Serenity.
How about actors that sound perfect, but then disappoint? If you had told me three years ago that Sam Jackson would play Nick Fury, I would have performed the Dance of Joy. But now, having seen him... meh. He's kinda phoning it in, really. Maybe Sam Jackson is just on the 'victory lap' segment of his career.
And Ford as Indy is kind of a given. I see pictures of Henry Selick auditioning for the role, and my brain starts to hurt with cognitive dissonance. I can't look at the pictures for too long.
Tom Selleck was the candidate to play Indy. Henry Selick directed Nightmare Before Christmas and Coraline.
But the image of Henry Selick as Indy will now be stuck in my head for quite a while. Cognitive dissonance indeed.
lol, wow. I really just made that mistake. Nice.
A stop-motion Indy movie would be a whole lot of fun.
Either Selleck would have been pure gold
Selleck as Indy would have required John Williams to drop in some hella sweet wacka-wacka guitar.
Pulp Fiction's weak link is QT himself, who joins M Night Shyamalan in the short list of directors who have tried but should not act.
Shyamalan should not direct, either.
I think the LOTR films pretty much nailed everyone, aside from maybe Frodo, but it's hard to see too many other people who could have pulled off a good Frodo anyway. Gandalf was perfectly cast, at least.
But what about movies that are in production right now? QT has cast Jamie Foxx as Django, and was trying to get Will Smith. I dunno if you guys have seen the original Django, but neither of those two really fit the role at all in my opinion. I was kinda hoping he'd have gone with someone less well known, like Issac de Bankole or Omar Epps or something.
Actually, I think Shyamalan is a solid director. It's the WRITING I wish he would leave in more capable hands.
In regards to Tarantino as an actor, he's just one of those personalities who is going to come out in a role no matter what, so it's better to just let him play to that. I thought he was delightfully creepy in From Dusk Till Dawn. Also, though he is playing a slight variation of himself, I think he's really good as Chester in Four Rooms: The Man From Hollywood. His monologue at the bar, when he's laying out the money is quite captivating and charismatic, in my opinion.
My submission for this thread (not sure if it's been said already) is Nathan Fillion as Captain Malcolm Reynolds. Some of the best work he's done, so far.
I dunno about Shyamalan anymore. His blocking is great, he chooses some nice angles to shoot from, he's good at longer shots, so he's got that going for him. The way he directs his actors, tho, is his weakest skill, and second to that would be his ability to choose the proper way to shoot a scene.
Example: The action sequences in Airbender are often done in long, single shots. These are often in slow motion, or slow down in parts. That's not a good way to shoot an action sequence. It made the action in that movie boring. It looked really staged and planned out and also quite a bit silly.
Example 2: The Happening had a number of shots that I couldn't help but laugh at. He was trying to shoot a horror movie, but instead made a really dark dead-pan comedy. The lawnmower shot, the old woman at the end of the film, the shots of people who start walking backwards. It's all shot in this really flat way that has no tension and really betrays his normally well-thought-out staging. The part with the cop who shoots himself and a few other shots are staged really well and are pretty chilling, but half the time his shots in that flick have the opposite effect on me.
His writing does suck, tho.
Joe Pesci as every pissed off gangster ever. And Vinny.
I had a feeling you would pick the only two Shyamalan films I haven't seen.
I guess we can at least agree he USED TO have something, but then lost it, apparently.
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