51 (edited by MartyJ 2013-08-13 14:55:49)

Re: Texters and Shushers

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54

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Also, I can yell at the screen when the fictional character does something dumb...honestly, it really is a good experience.

A query: what if movies reverted back to more of a stage play where (depending on the play) audience participation was encouraged?

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57 (edited by BigDamnArtist 2013-08-14 00:46:29)

Re: Texters and Shushers

ZangrethorDigital.ca

58

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Apart from things like Rocky Horror and The Room, audience reactions/participation have never really been a thing over here. One of the first and only times I've heard an audience applaud a movie was the end credits for Revenge of the Sith. Every other time when there's been applause, it has been a bit more awkward with people only joining in because other people are, turning to their friends saying 'What's going on?'.

My favourite tale of a movie audience comes from an old teacher of mine. He snuck in to see The Exorcist, really hyped for it as he loves his horror. Part way through the flick, a guy gets up and starts walking out, so someone shouts
'Sit back down, shithouse!'.
'I'm just going the toilet!'
'Bollocks, you're a fucking shithouse'

This culminated in to a large portion of the theatre calling this bloke a shithouse, so he ended up sitting back down and presumably pissing his pants.

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"The Doctor is Submarining through our brains." --Teague

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Roger Ebert said that most movies could stand to lose 15 minutes, and I'm inclined to agree, at least with the recent crop of 150-200 min films.

However, the original article's recommendations were pretty bizarre. In many cases, you couldn't EDIT them down by 15 min. You'd have to rewrite them. But half of them need another rewrite anyway.

Matt Singer is terrific. He's half of Filmspotting SVU.

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"The Doctor is Submarining through our brains." --Teague

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69

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Rob, I know your being sarcastic right now but you actually raise some good points  cool

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not long to go now...

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74

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Yeah, I guess part of the reason we tend to find the here's-40-pages-about-harpoons sections tiresome is because if we, in 2013, want to learn about what it was like aboard 19th century whaling vessels, we have options. Google, maritime museums, college courses, the Discovery Channel. But when that book was written, the only way to know what it's like on a whaling ship was to go be on a whaling ship. Or maybe you'd run into some crazy-ass dude who'd been on one and is willing to tell you all about it. Or if you're lucky (and literate), you'd come across a book about it. Living in the information age allows us to know how big the world is, so to speak. But some barefoot doofus living in Wyoming in 1851, not so much. To him, 40 pages about harpoons might've seemed kick-ass. Hey, it beats staring at the wall. Or syphilis.

There's a cool scene in Django Unchained in which Jamie Foxx asks Christoph Waltz to tell him the German fable of Broomhilda. Foxx's character sits like a little kid, in rapt attention, mesmerized by the faraway tale. The scene captures how information-deprived a person could be in days of yore. If someone had a story you hadn't heard, or wanted to give you an lengthy treatise on harpoons, you'd lap it up. It's not like you had a spin class you'd be late for.

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75 (edited by Zarban 2013-08-17 11:22:38)

Re: Texters and Shushers