If 'HER' wins the oscar, by definition it isn't science fiction.

(old author's joke: What's the difference between science fiction and speculative fiction? If you're paid over a certain amount per word, it's no longer science fiction.)

I agree with you, Ewing and I'm annoyed that Hanks didn't get a nomination for that last half hour alone. It was a great performance.

Classic Zarban.

*flute melody, iris out*

I agree with most of Zarban's picks, except for Captain Phillips for Best Picture. The ending isn't exactly feel-good, and if the Academy really loved Hanks they'd have nominated him for Best Actor (or even Best Supporting Actor for Saving Mr. Banks.)

I still think it's either 12 Years, Gravity, or American Hustle. They all have strong points for and against. 12 Years seems like the obvious pick because of its serious "important"-seeming take on a historical tragedy, but like Zarban said, Rich Old White Men. Gravity's effects are revolutionary, but they might be so good that those older voters won't even think about the craft involved in making the film, and the story isn't great or anything. American Hustle, meanwhile, is kinda fun and it doesn't make you think, and people really seem to like it. Also, the Academy seems to like the 70s right now, as evidenced by Argo's win. They're all strong contenders.

So much for cynicism. *buries self in slanket*

There didn't seem to be any major surprises at all this year. The betting favorites won in the major categories. I don't recall a single upset. Even 20 FEET FROM STARDOM, which had been an underdog to ACT OF KILLING, saw its odds soar in the last week or so, becoming the favorite and winning.

Jonze winning for his screenplay was the biggest "they got it right" moment for me. Also Cuaron.

American Hustle going 0-10 made me very, very happy.