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(991 replies, posted in Off Topic)

wikipedia is having a meltdown about series 14 vs season 1 and I think that's pretty hilarious.

an now, my opinions. in the words of River Song: spoilers.

on the whole, I feel optimistic about the show and Ncuti's Doctor. I thought that "The Church on Ruby Road" was a great first outing, very fun, loved the song. there were some great Doctor-ish moments, notably the whole exchange as the Doctor is running on the rooftop and later when he's learning the vocabulary of rope. it was also my first indication that this era is not *for* me. felt very Gen Z! and I'm glad, because there's lots of DW that caters to my particular tastes and it's time for something fresh.

so, on we go to "Space Babies." RTD really said, "hey were you worried I was gonna bring back the farting aliens? what about a literal boogeyman tongue" in hindsight, this was the first indication I would not be satisfied with the relationship-building between Ruby and the Doctor. they are besties too quick! nice little moral (though it falls a bit flat after we *just* impaled the Goblin King in the last episode lol), fun intrigue with the snow, yayyyy Golda Rosheuvel, the babies are in the uncanny valley....bewildering. but watchable enough.

"The Devil's Chord" gives us a nice "Pyramids of Mars" callback (we'll get back to that later). the episode is fine, the song is bad, effects are weird, Jinkx Monsoon is giving it 110%.

Moffat makes his return with "Boom" - good drama with heavy-handed commentary. having the Doctor confined to an active landmine is an inspired choice (no Harry Sullivan to get you out of it this time!! oh man, Harry Sullivan would have Opinions about this story). thumbs up.

"73 Yards" - now this is my shit. we're doing folk horror! I know people are gonna quibble about this one, particularly the ending "reset" but a Doctor-lite episode is a test for the companion and Ruby totally held her own. based on the finale, we also know that something lingers with her after this experience....the vibe was superb, the episode did not explain itself, thank god. my favourite episode up to this point.

"Dot and Bubble" - remember how I just said 73 Yards was my favourite? well, it is, but I think Dot and Bubble is the high point of the season. it's not a spectacular episode, but it's solid, and the scene at the end?? it's probably my favourite scene of the season because of Ncuti and Millie's performances. when the Doctor is yelling and raging and Ruby reaches for him, quietly crying...ugh. heartbreak. their friendship doesn't feel as deep or authentic as some previous companion relationships, but this moment works. I also think Lindy is a great protagonist in that you go from being annoyed with her, to rooting for her, to feeling utterly betrayed and disgusted by her. might be strange to say, as the Doctor and Ruby are sidelined in this one due to filming schedules (though I should say I love when Doctor Who gets away from the Doctor's perspective!), but I think this episode is indicative of the direction RTD is going with the series. we've got a balance of social commentary and monsters, compelling guest performances, and a bright and colourful visual style. this is a tone-setting story.

but we must move on, and so we head into the past for "Rogue" with my boy, recent Tony-winner Jonathan Groff. Ruby was namedropping Bridgerton like they were on Netflix lol. just a little mutual showrunner respect between Shonda and Russell. I was delighted to have Indira Varma return to the DW universe (not that her characters fare well, yikes). Ruby takes a backseat in this one so the Doctor can have his little flirtation. love it. I doubt Jack Harkness is making a comeback, so let's get a new bad boy in the mix. (also - sorry, but people continuing to cast Groffsauce, the softest of boys, as bad boys and villains will never not be funny to me. this man cries at eeeeeverything but you wanna write him like Han Solo. hilarious.)

also - did y'all spot Richard E. Grant in that montage of the Doctor's faces? oh goodness won't someone think of the canon! are we really canonizing "Curse of the the Fatal Death" or "Scream of the Shalka"??
this is a good moment to mention that I do not care about canon. everytime a writer fucks with canon (yes, even the heckin' Timeless Child arc) I just shrug and say oh well. sometimes I like it, sometimes I don't, sometimes it has interesting implications down the road which make a bad change fun to explore. so regarding bi-generation...I don't like it, but I don't care that much. and between that and the memory TARDIS, we're really going all-out on the alternate timelines. but that brings us to:

The Legend of Ruby Sunday / Empire of Death - um. not your best finale, Davies.
before I get into it, this season reminds me of series 10, Capaldi's last series. not in tone or story necessarily, but in how it makes me feel about the future of the show. I find series 8 & 9 to be uneven, and at times, unwatchable. I still haven't seen all Capaldi's episodes. but series 10 was solid. finally, we could move on from Clara, the Doctor wasn't so grumpy, the stories tended to be good...and if that had been Capaldi's first season, we would have all been really excited! and so, going into this finale, I was like, "If this is where we're starting, we're in a good spot." the big difference? "World Enough and Time" / "The Doctor Falls" is one of the best two-parters in the show. (Should. Have. Been. The. Regeneration. Story.) LoRS / EoD is not that.

I'm so, so glad we have Mel back. loving Bonnie's performance. delights me to no end. this incarnation of UNIT feels so unserious but I like it. and our "Pyramids of Mars" callback suddenly makes sense, because we have the return of Sutekh! Conceptually, I love this, and A+ for bringing Gabriel Woolf back. in execution...meh. I haven't visually loved any of the monsters this season, and I'm not loving the Sutekh design here, particularly because I thought his 70s look was so iconic. I love that the memory TARDIS from the "Tales from the TARDIS" shorts is explained in this ep. I shouted "You bastard!" at my TV because I thought that was a fun and clever bit of marketing/story tie-in work from RTD and the Bad Wolf team. also, I love that shoddy lil' box. adorable.

as people have pointed out, having Sutekh clinging to the outside of the TARDIS for hundreds of years is mad silly, and we all want to know if Jack Harkness spotted him that time he hitched a ride back in Series 3. it's also a bit silly, stakes-wise, to kill off the entire universe and then...bring death to death? Superman reversed time and Lois is alive again. sure. this is pretty ridiculous, and also I'm still not sure how much of the Universe was destroyed in the Flux?? but hey. even way back in "Terminus," Doctor Who had this issue of telling rather dull stories with the highest stakes possible (the destruction of the entire universe). speaking of "Terminus" - anyone remember the Garm design? echoes of it in Karvanista, maybe?

RTD is also trying to correct the Star Wars sequels fumble with Rey's parentage by having Ruby's mom be a regular person. I don't love focusing on companion backstories to this extent, particularly not in finales, but her family reunion is sweet. in the end, Mrs. Flood says something mysterious and ominous, and that's our season, folks.

messy, to be sure. entertaining. promising.

this is my first new Doctor since I went back and watched (most of) Classic Who. what I learned, getting into the classic series during COVID, is that I love this show. I love it when it's great, and I love it when it's terrible. my love is unconditional, which makes me a poor reviewer. sure, some eras feel like they are *for me* but that is about taste, not quality. Pertwee's first season is a masterpiece and I don't really like it. McCoy's first season is a disaster and I love it. I liked Amy Pond more on a rewatch, I liked Clara less, I think "Love and Monsters" is good, actually.

Series 14 / Season One is Doctor Who for a new generation, and I'm excited for people who get to grow up with Ncuti's Doctor. we had a nice variety of stories and settings, the production standards are high, and I hope that as this new era finds its footing, we will get some truly great stories like "Wild Blue Yonder" again.

(or maybe Jonathan Groff will come back and siiiiiing)

fin.

wow, we can see the regret happen in real time. still a great addition to the thread smile

I have chosen to go a more traditional karaoke route, in honour of the Funny Girl revival on Broadway. apologies to my downstairs neighbours.

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(449 replies, posted in Off Topic)

As someone who also missed the whole Fraggle Rock thing growing up and discovered it as an adult, I can highly recommend giving it a watch. And I am sooooo excited for this!!

Abbie wrote:

Okay, here's Alice and me together! This was super-fun to do—helps that Alice is fucking amazing.

In honour of tick, tick...BOOM! coming out, I would just like to remind everybody that Abbie and I sang "Therapy" *checks watch* 2 YEARS AGO?! wow okay well we still sound great

you know what Drew, I think we should add it anyway smile

thanks Boter! we will add your pick to the playlist, and I very much appreciate you making a contribution. so far we're up to 35 songs ($175), plus one person who said they would match our donation, for a total of $350.

hey team - if you've got a moment, I've got something to share. TW: residential schools, death

a few days ago, a mass grave was discovered at a former Indian Residential School in Kamloops, BC. the grave contained the bodies of 215 Indigenous children. it's a heartbreaking reminder of the atrocities that my country has committed against our Indigenous population and the generational trauma we've caused.

so my friends and I are trying to do our bit. we have an ongoing project where we release a new playlist every month. June is Indigenous History Month here. we're inviting everyone to add their favourite summer song, and for every song added, we will donate $5 to the Indian Residential School Survivor Society (IRSSS). https://linktr.ee/perfectplaylistproject The playlist will be closed on June 20.

if you've got a minute, I welcome you to add your dubious music taste to the playlist, and perhaps take a minute to learn about what the IRSSS does. reconciliation is ongoing work, and I hope that this small fundraiser can help contribute to it.

writing to you from the unceded territories of the Coast Salish and Interior Salish Peoples, including the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Nations.

Love it! I'm just learning to play ukulele and this is one of my go-to songs big_smile

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(991 replies, posted in Off Topic)

They definitely went all-out on the wibbly wobbly timey wimey stuff for Ravagers tongue Such a delight!

The Doctor has previously made the journey from fun-loving to more serious across a regeneration — that was the case for Seven and Eight for sure (I particularly enjoyed getting to hear these various sides of the Eighth Doctor in the audio story Caerdroia). It was wonderful to hear Chris having such fun, and I can also see them leading his Doctor to darker places in future stories.

^^^ This! This is the energy I love to see in this thread! big_smile
cute applause and sparkles

Regan wrote:

8 days a week

only just listened to this now and damn, Regan! this slaps! I'm so into it.

haven't been around in a while so I thought I'd drop in with some Anne Boleyn. because it turns out you really can write an album of non-stop bangers about Henry VIII's six wives.

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(991 replies, posted in Off Topic)

My Doctor. My very first Doctor. :')
I have so many feels.

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(1,649 replies, posted in Off Topic)

seeing BDG take this left turn into horror shorts has been fabulous. this one is giving me the uncle who works for nintendo vibes. I'm so into it.

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(255 replies, posted in Off Topic)

I have only just learned of the existence of Gormenghast and cannot for the life of me decide if it sounds like something I want to read. I think I'll have to give it a shot just to satisfy my curiosity!

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(2 replies, posted in Creations)

Bookmarked this when you posted it and just started reading tonight. I find myself completely enamoured and regretting that I started reading late in the evening! So though I've not yet even gotten to the creation of man, I just wanted to jot down some thoughts:

This is really beautiful. The rhythm feels natural (this is a pleasure to read aloud) and the rhyme unforced. A lot of that comes down to the precision and variation in your language. It's vivid, conjures specific images, and your use of repetition helps to orient the reader through the long poem.

It has been some time (oh, probably 14 years or so) since I read the story of creation, and this is a very nice way to return to it.

Boter wrote:

Oh hey, I return. Oh hey, I missed a note by a mile.

Considering how goddamn high that note is, I think you did admirably.

https://media.giphy.com/media/26tPd54CXOVnXhipy/giphy.gif

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(1 replies, posted in Creations)

tl;dr I produce a podcast called Good For All. It's about disability, community, and inclusion. I'd love it if you would listen to the first episode. I would doubly love it if you would subscribe, review, share the show.

https://posabilities.ca/wp-content/uploads/2020/09/Good-For-All-webpage-header.png

Hey gang, 'tis I, your friendly neighbourhood communications specialist! So as some of y'all know, I work in comms for a non-profit that supports folks with developmental disabilities. And just under a year ago, they made me the lead on a certain project...

Yes, I produce a podcast—as part of my actual job, can you believe it?—called Good For All. It's a show about disability, community, and inclusion and the work toward achieving our vision of "good and full lives for all."

What does all that mean? We unpack a lot of those ideas in our first episode, An Innovation Mindset. I talked to Gord Tulloch, who is one of the warmest, most thoughtful humans I have ever met and who also happens to be our Director of Innovation.

Why does a disability non-profit have a Director of Innovation? Well, because the social service sector is stuck. Focusing on people's safety and security might mean they're housed and fed, but are we supporting people  to have new experiences? To build meaningful relationships? To fully participate in community?

We've also been grappling with a key question: Is social isolation more than just a disability issue? (Hint: Yes.)

My organization's never produced a podcast before, and neither have I. In fact, I'm new to the community living/disability sector. But in the past year, I've met some really incredible people and I'm so excited to share their experiences. Our second episode features a trip to a studio supporting artists with disabilities. Our upcoming two-parter on transitioning to adulthood features interviews with a parent and a Navigator who have some great advice about goal-setting and planning for the future.

As an avid podcast listener, I'm a huge fan of shows like 99% Invisible or The Cut. I know that Good For All isn't going to have that kind of broad appeal. But I also know that I didn't want it to be a show where we just talked about our services or interviewed experts. I wanted to tell stories. I wanted to reach people like me, who never really thought about disability issues before, and invite them into the world of community living.

So now, I'm inviting you. If you listen, I would love to hear your feedback. If you have questions about the show, hit me up!

(and also many thanks to Teague, for being a good friend and a good listener. just...thanks.)

hello gang, your resident short fiction correspondent returns with a speculative fiction piece. not sure how many folks here are into interactive fiction but the games of the 2020 IF Comp are open for judging and this entry is one of my favourites so far.

"These are all the weekends that will have passed when you read this."

Passages by Jared W Cooper (13 min)

Thanks, Drew! This song always gets me emotional; I hope I have done it justice.

And it's worth it, it's divine
I have this some of the time...

A play would be a manageable length. What we pick would depend on who & how many of us are participating.

There is one public domain play I would love to do—Edmond Rostand's The Romancers (which became the basis for the musical The Fantasticks.

I just want to say—

self-awareness is hard.

self-reflection is vulnerable.

growth is good. is painful. is the point.

thank you for sharing this.

Obviously, I'm in.

As for what to read, I will keep pondering, but initial thoughts:

  • maybe one of the Oz sequels? could be fun

  • one of charles mee's plays? hotel cassiopeia is the first that comes to mind for me, and I think you could narrate the few stage directions. may be too poetic for y'alls taste, idk

  • Cory Doctorow has a bunch of stuff available under the CC Attribution-Noncommercial-ShareAlike license, so we could do Down and Out in the Magic Kingdom or another of his books

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(356 replies, posted in Off Topic)

damn. that's gorgeous. oof.

*puts on the shelf next to Dave Malloy's Octet.*

I recently rediscovered one of my favourite childhood books, and it's been a while since we had a fairytale so...

Salt - a Russian Folktale

150+ days of this. gosh. sometimes I long to be in some other time. but no, I am in my bedroom in the here and now...