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"Mad Fun" is an understatement. It's insanely addictive. More addictive than anything I've tried, and it can get very expensive... I think getting hooked on meth would be cheaper, and an easier habit to break !

I even arrange meetups these days... here's one from earlier in the year (sorry about the Swedish)

/Z

That - and at the end of said commentary introducing y'all to Tims Vermeer... which y'all apparently forget mentioning it on a later episode where the topic came up... LOLF!

Anyway, congratulations on getting a chunk of time back into your life, but, also - BOOHOO!

/Z

I quite enjoyed the Flatline epsiode, especially since we got a whoopin' at the end we havn't really seen since the earlier seasons of Smith.....

/Z

http://youtu.be/ZTxmDV_njsc?t=4m42s

Specifically at 4 minutes 42 seconds and to the end...

/Z

Which is why "Guardians of the Galaxy" *is* the new Star Wars ...

/Z

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Bah, metaphor-schmetaphor, theme-fhleeme.

But if you are so in love with that (And Cuaron apparently is), you could have him spell it out for you. "See? You should have let go in the first place. Your attempt to cling on just made it worse". Or something.

/Z

About "that scene", the "cliffhanger" thing... I always thought there could have been an even MORE BETTERER solution to that.

- They have speed, she's tangled up with her feet in an *elastic* band
- Band is stretching, he goes "you need to let me go, or it'll break"
- She's all "fuck you, I'm holding on"
- Band stretches... stretches... they are slowing... slowing.... nearly at a stop...
- *PLINK* - band snaps. They are still moving... inches per second... away from safety.
- ...still holding hands...
- He's all "Okay, there's only one way for you to get back to the station. Equal and opposite action, and all that"
- She's all "What?"
- He's all "I need to push you away. You go home, I go away"
- She's all "No!"
- He's all "You got abetter idea!?"
- She's all "Oh fuck...."
- He's all "Yeah, fuck"
- She's all "I push you instead!!" *tears*
- He's all "No"... and shoves her off towards the station.
- They drift apart.. painfully slowly
- She's all "YOU ASSHOLE WHY DID YOU DO THAT"
- He's all "Hey, notice how pretty the stars are out here?"
- She's all "I HATE YOU" *devestated tears*
- He's all *turns on country music*
- He slooooowwwly drifts away.
- 3 minutes later, she bumps into the side of the station - safe - sobbing.
- Country music crackles out.

/Z

...tho, I'm still wondering:

Did we really hear different things/recordings...

...or did we hear the same thing and interpret it differently?

I've heard people thinking she was going for a South African accent....  whatever it was it was odd.... and I'm wondering how much my memory is playing tricks on me. I may need to buy the Blurry to check....

/Z

Ok so I was confused by one comment you guys did. In the movie *I* saw, Jodie Foster DID have a very thick (and not terribly authentic) French accent.... do you Ammurrcans get a re-dubbed version where she speaks all yankee-doodly-like!?

Also, the scene you were hunting for (Where Robo-Charlto learns about the code mcguffin) is there in the movie. It makes no SENSE (he is tracking/somehow remote-scanning Robo-Daemon, and up pops a *scan of the code*... he looks at the code and somehow automatically realizes "Oh, If I change President=RoboCharlto I will rewl".... and  ...as a programmer, this is broken on so many levels of crazy when it comes to "code" (why does code do that, if they can READ the code they already HAVE the code, how can you by reading a screenful of assembly language determine that is what it does, yada yada yada)) ....but it DOES provide the "plot point" you guys where hunting....

/Z

Your MOMMA is Hot!!!

Wait... that didn't .... oh well.

/Z