Now that I've been listing to them for a bit, I'm finally going to attempt to rank these. Let me do a quick preface though: When I get critique-y I tend to start sounding really negative. This is because I tend to focus on the things that could be improved instead of the things that are awesome. So, before I start, let me say I fucking love this album and want more. You did a great job!
1. Limp-Dick Christmas Lights
Everything just seems to come together perfectly in this song, and it feels so... Teague. I love it. I could do without the spoken stinger at the end, but that's probably just me.
2. Writing a Letter
Jesus Teague. I expected songs like Christmas Lights and ICPoS, but I did not expect this. I expected you to make me laugh, not almost make me cry. And I love it. This convinced me that you're not just a gimmick, you really have to chops for this (not that I thought you were a gimmick before, this just proved it).
3. I Feel More Like a Leonard
With it's guitars and backing vocals, this song feels like it wants to be epic, but it's less than 2 and a half minutes long. It kinda feels like you didn't have a way out of the song so we get these odd, out of place "Hey!"s over a guitar solo to end it. Get rid of the "Hey!"s and have it epic guitar solo into another verse or even just the chorus again and I think this song much improves.
4. This Insidious Communist Propaganda of Steve
What? Why do I have this fantastic song way down here? Because it way overstays it's welcome. Half of this song is Andy's drunken ranting, and while it's funny, having now listened to this song a significant number of times, I find myself just waiting for the song to end for most of it. Part of it is that he's not actually louder that the lah-da-da-da's so he's hard to understand and part of it is that he's just not as funny the 12th time. Is cutting it worth missing out on the fantastic hilarity that is this song the first time you hear it? Probably not. But he could have been made easier to understand, and maybe he should have kept it a little shorter.
5. Blank Walls and Crowded Shelves
It feels like a disservice to put any of these songs last, but something has to be. I liked this one the least when I first listened, and since then it has really grown on me. Here, I think, is why: You're telling us this story, but it's from a disconnected 3rd person view until we get to the locket. Then the song swells and switches to the first person with strong emotions that invest us in this story. But at this point we're already most of the way through the song, so it's not until the next time that you listen, already invested in the story, that the song really works.
Over all I think it's great, especially for a first effort, and I can't wait for the next one. Which I would totally help Kickstart if necessary. 