Dr. Horrible was a Creative Arts Emmy for short form content. Series get complicated. Especially Primetime.
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Friends In Your Head | Forums → Posts by paulou
Dr. Horrible was a Creative Arts Emmy for short form content. Series get complicated. Especially Primetime.
If you're still hung up on what he thinks is good or bad you're missing the whole point.
The rub there is that what you're calling film analysis is actually the classical definition of criticism. Up until the mid-late 20th century popular criticism was much more academic, concerned with intellectual dialogue and the relationships between works of art to both each other and the world they were born into. It possessed its own value outside of a myopic assessment of individual works.
To those wondering who this guy is and why he's relevant, Internet got all pissy when he released a negative criticism of Toy Story 3.
http://nypress.com/bored-game/
While compiling some stuff to launch a coherent discussion about him per Jim's suggestion, found this quote that ties together both Teague's thought, and the lame video that kicked off the thread (em mine):
I do think it is fair to say that Roger Ebert destroyed film criticism. Because of the wide and far reach of television, he became an example of what a film critic does for too many people. And what he did simply was not criticism. It was simply blather. And it was a kind of purposefully dishonest enthusiasm for product, not real criticism at all…I think he does NOT have the training. I think he simply had the position. I think he does NOT have the training. I’VE got the training. And frankly, I don’t care how that sounds, but the fact is, I’ve got the training. I’m a pedigreed film critic. I’ve studied it. I know it. And I know many other people who’ve studied it as well, studied it seriously. Ebert just simply happened to have the job. And he’s had the job for a long time. He does not have the foundation. He simply got the job. And if you’ve ever seen any of his shows, and ever watched his shows on at least a two-week basis, then you surely saw how he would review, let’s say, eight movies a week and every week liked probably six of them. And that is just simply inherently dishonest. That’s what’s called being a shill. And it’s a tragic thing that that became the example of what a film critic does for too many people. Often he wasn’t practicing criticism at all. Often he would point out gaffes or mistakes in continuity. That’s not criticism. That’s really a pea-brained kind of fan gibberish.
paulou wrote:White's one of the few true cultural critics in a sea of entertainment writers crusading for that valuable ground between the vapid assessment of a work as "good" or "bad".
Whoa, whoa, whoa.
Screechin' tires. Bustin' glass.
Could you make a thread and es'splain yourself? Please? I'm kinda really interested to see where you're going with that.
Can't right now, but yeah I'll put some thoughts together on the guy. Bullet's got the right idea.
Precious review calling it an awful, racist movie that promotes negative stereotypes of minorities.
To wit, you see his new thing on Beasts of the Southern Wild? He calls Quvenzhané Wallis a Noble Savage Shirley Temple, and goes on to discuss how George Washington and Good Kid, M.A.A.D City do everything better. I mean, holy shit.
White's one of the few true cultural critics in a sea of entertainment writers crusading for that valuable ground between the vapid assessment of a work as "good" or "bad".
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But Mario is Italian.
You mean fill them with a folksy Eastern European existential dread?
Dorkman wrote:Philosophy 101ers are especially ugh.
QFTT. You're not an expert in philosophy until math becomes your primary form of expression.
Theravada Buddhism and integral calculus are almost the same thing.
Can't build a heart out of clock parts.
Saw Synecdoche, NY on 35mm last night again for the first time since it came out. Still feel it.
Remains one of my favorite films of all time.
I DON'T THINK YOU SHOULD TELL HER SHE DOESN'T HAVE BLOOD
Movies in which actor Irrfan Khan says the name “Richard Parker,” who is another character in the movie: The Amazing Spider-Man, Life of Pi
*swoops in to Zarban defense and replaces "original" with "different"*
An exhaustive mechanical breakdown:
Tentpoles will always be safe. If that bothers you, stop watching them.
I don't draw much
For some reason I thought you did the Apocalypse CA Struzan-y poster on the wall at your place.
Steering thread aesthetic.
Well, if we're doing Mendez/CANADA videos,
Speaking of reference, might do well to collect some good general resources.
The Loomis manuals are some of my favorite, still reference some of the perspective stuff for tricky vfx shots. They aren't in print, but their digital procurement is a regrettably simple process.
Also there's this Bridgeman, an insane deal:
Digital sketch from a few months ago of someone with the uncanny ability to make me feel like I can do anything. Now it hurts to look at. Long story.
Oh yeah, I can see that. Makes me wonder, what features indicate age the most? Would it be a jawline/cheekbone thing?
Cool! Glad it worked. Looking at it a little more closely, the whole sketch seems a little tall, like it's stretched in Y, which could also be what's irking you about the pose. Here's what I mean:
Friends In Your Head | Forums → Posts by paulou
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