When I see Doug Liman's original Bourne Identity, it's so much more coherent visually than Greengrass's wobbly chop-suey sequels.
The action scenes in Quantum of Solace are just a depressing ruin, particularly given the amount of effort everyone must have put in to make exciting things happen in front of the cameras, only to have confusing things happen in front of the audience.
I'm so pleased that there are still directors who know how to shoot action with long, steady shots, such as Brad Bird in MI: Ghost Protocol, and that know how to maintain coherence as they cut between moving camera shots, such as JJ Abrams in Star Trek.
I'll tell you what really annoys me: frivolous twitchiness of the camera when the scene is just talking heads. I've seen a reporter doing a piece to camera in a news item, and the shot is full of changes of framing, short snap zooms and faffing with focus. "Sod off and create music videos on your own time!" I want to yell at the camera operator.