Doc! You're alive!
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Friends In Your Head | Forums → Posts by Zarban
Doc! You're alive!
Sorry about releasing that kraken. I just panicked.
Sorry everybody.
Wait! What?! Dammit! Release the kraken!
Basically imagine the entire Phantom menace told as though Qui Gon and Obi Wan are RPG players with no clue about anything, fighting the game maker and his attempts to tell his story.
Goddammit! I'm 14 years clean and sober from Dungeons & Dragons, and you give me this?! Now I have to call my sponsor!
/Maybe I can make a saving throw against charms....
Katanga and Kingsley Shacklebolt is the same guy!?!
Wow...
Got his ass killed by Ming the Merciless, too. If you're gonna pledge your loyalty with an assassination attempt, you gotta be quick.
I feel the second page has already become too clever by half and overcomplicated things to the point that it's confusing when it's trying to be funny.
There still some good things in it, tho.
I hope the third page ties up some of these loose ends.
I watch a ton of stuff by recording it from movie channels. The one major drawback is not being able to see a video box cover. All you get to decide if you want to watch something (on Dish Network) is the logline.
Paranormal Activitiy
Movie. Katie Featherston, Micah Sloat, Amber Armstrong. (2007) A young couple move into their first new home but are disturbed by what appears to be a supernatural presence that is most active at night.
Rating: R
L, SC
Critique: ***
Who are those women? Is this a horror movie or a comedy? There's not even room for some "thrill-a-minute all-out-race-against-time laff-fest" hyperbole.
Worse, long titles are cut off, so I could never tell, for instance, if the movie was Teenage Mutant Ninja Turtles or Teenage Mutant Ninja Turtles II: The Secret of the Ooze.
Is there really much of a mystery? Lucas changed important aspects of the original trilogy and added a bunch of clutter to what had been great films, then told everyone they could go to hell if they preferred the original versions.
As for the prequels, Lucas wrote a good first draft, which no one had the guts to tell him needed to be revised a couple of times to be good as a final draft. Then Lucas got overly involved in the casting, which he was never any good at, and hired some wrong people for the key roles.
Any further analysis is just fan nerdery. Of course, I'm as guilty as anyone of fan nerdery, but I'm not making a documentary to show off my high-water pants, pocket protector, and eyeglasses with tape on them.
Flavin.
Wait, wait—I had to look this up—Star Tours is ONLY about Star Wars? I always assumed "Star Tours" was a tour of animatronic movie stars or something. My hand to god.
Is it supposed to rhyme with "Star Wars"? Like "fours" and "shores"? Because it does NOT rhyme in my Midwestern accent. "Tours" rhymes with "moors" and "lures".
Buckaroo Banzai. I can still whistle the theme, 25 years later.
Really? I love the GoT theme, it's subtle, but still epic, but not in your face epic, very much like the show itself in many ways. I like it.
I read this at first as "very much like YOURSELF in many ways", which I thought was an awesome compliment to FCW.
It's certainly the way I think of FCW.
This thread makes me miss Harrell.
*sigh*
/That has all kinds of uses.
What I love about this is that, if The Asylum had put maybe another $5 million into Battle of Los Angeles (sextupling its budget), this guy probably wouldn't have been able to tell the difference between it and Battle: Los Angeles.
I saw The Asylum movie, and it had that weird we-don't-quite-understand-how-the-military-works thing where jet pilots were too frightened to fly and had to be shouted at by a ground commander. And there was some more-or-less random borrowing from other action movies, like a crushing ceiling from Temple of Doom, a little Independence Day journeying to the mothership, some Aliens sneaking around in dim corridors, and a catsuited female badass a la GI Joe.
That said, Nia Peeples as that sword-wielding, catsuited badass was pretty awesome.
So I guess I'm the secondary reason The Asylum exists.
/Next up: Debbie Gibson vehicle Shoctopus: Electric Euthanasia
//running low on Asylum ideas
OST has me really confused, cause people I thought were going to hate that movie liked it and people I thought were going to like it hated it. I have no idea what to expect now.
Oh, sure. You thought someone named "Landporpus" would just automatically love anything with ships and water in it? And he'd just be clicking and chirrupping away and slappin' his tail and breaching with glee, didn't you?
"Oh no, no!" I hear you protest. "That's not what I meant at all! Some of my best friends are cetaceans!" And yet you wouldn't let a bufeo negro date your daughter, would you?
That's hilarious, even after the fact.
Story and character in Aliens, or any well-crafted movie, are usually inseparable.
It's funny that you say that about a sequel. If you like Ripley in Alien, and you like Ripley in Aliens, then what does your sentence mean? Are you talking about the character's arc?
Without Jack, PotC:CotBP would whither on the vine. Barbossa is a great villain but not nearly enough to sustain it with only Will and Elizabeth to root for.
I love both story and character, but story is the elder child and will inherit my lands and titles. Still, I've seen good stories play blandly because of dull characters. (Heist and Ronin) And I've seen so-so stories play well because of great characters. (Beverly Hills Cop and The Town)
I would say that good story will practically never save a movie with dull characters but good characters absolutely can save a movie with a dull story. But there's no excuse for not having both.
...And that is why Point Break is the greatest movie ever made.
I'd suppose a theme is "be careful what you wish for".
That's a good reading. Pretty much every protagonist gets more than he bargained for, but the fact that it can be extended to Barbossa is good. Altho I think Jack is left out.
Of course, if this were an animated Disney movie, they'd hit that beat HARD. We'd get a song solo expressing those desires explicitly and later a comic relief character wryly commenting on their ironic fulfillment.
"Mrs. Norrington!"
Can't you just see it?
"Mrs. Norrington!"
His "little wife"
No sir! Not me!
I guarantee it
I want much more than this provincial liiiiife!
Some day some pirates will come
Some day I'll have to run
And I'll scream, but I'll scream with gleeeee
Because secretly I'm yearning to be freeeee
Out where they walk
Out where they run
Out where they drink rum all day in the sun
Wanderin' free
Wish I could be
Part of their piracyyyyyy!
/This comment was brought to you by Copy 'n' Paste Theater
It's okay with me if it's okay with your mom.
/would make a great father, ladies....
Not having themes, arcs, and motifs doesn't make a movie bad. Being dull makes a movie bad. But what makes a movie dull or pointless is very hard to define.
The best movies I can think of that don't have a strong theme are probably Ghostbusters and The Blues Brothers, and they're undeniably great. Even Back to the Future proposes the theme "be bold: get what you want". Bllues Brothers has strong character arcs (they're on a mission from God, after all), but Ghostbusters doesn't (well, Venkman stops torturing college students, so that's something). Ghostbusters DOES have strong visual motifs (statues are repeatedly used to suggest that spirits are all around us).
PotC:CotBP doesn't have any of these ("pirates" doesn't count as a visual motif; it's a pirate movie), but it looks great and is a lot of fun. The writers tried to give Will and Elizabeth arcs (assertiveness and independence), but it's weak tea compared to Jack's rags-to-riches greatness.
And Doc gets the Forum Kill of the Week.
Anyone suggest Freaks yet?
Yeah. One of us.
The first film IS an intentionally crafted 'good' movie by any objective measure. There's plenty of subtlety, subversion of tropes alongside celebration of tropes, setup/payoff, etc. Pick your screenwriting theory of choice -- McKee, Campbell, Vogler, Snyder -- CURSE OF THE BLACK PEARL nails every beat.
I think what Squiggly_P is saying is that Pirates 1 didn't set out to be profound or meaningful, which is to say a GREAT movie. I've said before that Pirates 1 contains no themes, motifs, or symbolism, and the character arcs are rather weak, but it does swashbuckling adventure right, and that certainly makes it a GOOD movie.
Saw the trailer before Thor and noticed that there's no Will and Elizabeth, which seemed like a sensible choice. I'm looking forward to it in a modest way.
After following along with the DIF Pirates 1 and 2 recording, I watched Pirates 3, and my view softened on all of them. What generated confusion and exhaustion the first time around in 2 and 3 weren't so overwhelming.
I liked the fact that it was like Aliens, because I like Aliens. But I didn't like the fact that it was like Avatar, because I don't like Avatar.
Yeah. I kept hoping the film would tie Thor to Earth more securely. I thought he would have to fight an Earth supervillain (which is what I thought the giant magic furnace robot was) and decide that Earth and Jane needed his ongoing protection. Or maybe frost giants would come to earth or something.
Even right at the end, I thought... SPOILER when Loki falls presumably to Earth, he would boast that he would fuck it up just to spite Thor, so Thor would follow him and be trapped where he could at least protect Earth. But that really needed a theme of Thor being a loaner and learning that he has a moral duty to protect weaker people, which wasn't in the movie.
I agree that that's sloppy. But I don't think it's a huge leap to think that Thor learning that "might does not make right" would lead him to decide they should not annihilate the entire frost giant race. How simple do we really want our movies to be?
The real mistake was probably in portraying the frost giants as blue orc monsters. If they looked more like humans and Asgardians, the connection would be clearer.
SPOILER --> Plus, Loki's parentage would make more sense.
Friends In Your Head | Forums → Posts by Zarban
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