Alex who transposes in the moment, in his head?
You will make beautiful music. [/demanding german accent]
This guy gets it.
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Friends In Your Head | Forums → Posts by Teague
Alex who transposes in the moment, in his head?
You will make beautiful music. [/demanding german accent]
This guy gets it.
This is a blog. T'will be updated as updates ensue, feel free to reply and all that.
A couple months ago - on the same day, really - I lost both "Down in Front" and a five-plus year relationship. Two major projects that I had been enjoying in the blissful ignorance of jeopardy for a long time, gone or changed forever. If you've ever thought you had some amount of control in your life... a day like that will straighten you right out, let me tell you. I felt like a cartoon character sitting on the second-floor toilet when the house collapsed around me, leaving me suddenly vulnerable and confused, and stuck, with my pants down, in mid-air. On a pole. Life as rubble, and with no evident way of getting down and picking up the pieces. And I'm wearing heart-pattern boxers or something.
Life has a way of righting itself, naturally, and the whole [redacted] community helped me and Holden and the boys with our transition into WAYDM-hood, and a tremendous number of friends came through for me with showings of support about the break-up. One of the things that happens in those situations is you get offers from friends abroad to come and crash with them for a little while, get out of the city, clear your mind. I didn't really want to do that, I had no need to get out of the city or anything, and while I did appreciate the offers I had my current employment to consider.
But one such offer was very interesting to me. I don't know if the timing was intentional or not, but at the exact same time, my buddy Andy in Boston - student of the Berklee College of Music, fantastic musician, engineer, and old friend - said "hey, come to Boston for a few weeks so we can make you an album."
An... album. Like, as a project. As a vacation. Like, come hang out and we'll make an album. Andy is a very talented engineer and producer, who's about to have a degree in engineering from the best music school in the country, who has connections to proper studios and all the best young musicians in the country - including another of my buds, Alex, from that film scores episode. As informal and pleasant the exchange was, it was a serious goddamned exchange.
I've been fiddling with music "on the side" for a long time. I've put together crappy demo albums and written songs in many genres, made a weird little musical and written a couple more. I've done a bit of music on commission, and a few remixes, taught myself a bit of piano and guitar, and just generally dicked about. I enjoy the everliving crap out of it. Also worth mentioning is that I've never taken it very seriously, or even tried to. The thought of, you know, "trying" has occurred to me a few times over the years, but every time it did I didn't think I had the skills to pull it off. Songwriting is tricky, and singing isn't my strong suit, and a million other excuses.
But you know something... I'm not saying it's gonna be inspired, or even good, but I can confidently say that I have the skills to pull it off now. I can competently make it to the end of a project like this. My competence is brand new and will embarrass me later, but as of now I can do it... and as of now I'm going to try. If it turns out I don't have the skills, I'm gonna fake it. Let's regain some control.
I'm making an album. Andy's gonna engineer it. Alex is gonna do instrumentation. They're both going to produce. On the one hand, these dudes are way out of my weight class when it comes to music. On the other, they're both my friends and I trust the shit out of them. So let's not panic.
Had a Skype meeting with Andy yesterday where we hammered out our options and what we want to do, and the sky was the limit, really. I asked dumb questions and he asked me what I was thinkin,' and we played music for each other and settled in on something we think will work. We decided instead of doing 12 or 14 songs in a hurry, we would do 5 or 6 and really flesh them out. We have an idea of the sound we're looking for, and it's a bit deeper and more textural than you can get away with farting out in a hurry. So an EP it is. We're gonna record in a month or two.
Which gives me, say, four weeks to write the six best songs I possibly can. And then two weeks to rehearse and work with Alex on instrumentation and track out the songs and sing them into microphones and not shit myself. Also, I don't know what to write and I've never done any of those other things before. And not to put too fine a point on it, but I'm not exaggerating about the talent that will be in the room watching me be an amateur. But, trust. And competence. And faking.
We don't have a real name for the album yet, so just for the sake of conversation we decided to call it Leroy.
Right now, I need to figure out what I want to say with this thing. And then figure out how to say it. And then it's just a matter of not letting myself down. A lot of this blog will be me thinking out loud and extemporizing, but getting my thoughts in order has always been easiest for me in written form. And I need all the thoughts-in-order I can get.
So, hey. A journey. We're gonna make a thing.
Come along pls.
Nope. Nope nope nope. Is Sunshine. Won't get hurt again.
Run.
I just enjoyed the hell out of that post. Fascinating.
I love this project.
So, we're trying a thing! This is the pilot episode / mission statement / introduction / foreword to a new show from the brain of Eddie Doty.
Let us know what ya think!
ROFL
I liked it.
Well. Then. Your mother dresses you funny!
My big takeaway from the film, in a nutshell, is the classic case of "we had a thousand scenes we wanted to use, from thirty different drafts, and we picked our favorites and put them in order." The throughlines are weird and inconsistent, plots fall by the wayside or go nowhere, it's just kind of a mess. See Crystal Skull, for instance.
Which was also the case with Star Trek, but I didn't care as much. I'm interested in trying to figure out why it didn't bother me last time and did this time.
But my initial post above refers to the idea that - whether or not it works - the decisions to
are all incredibly unusual, and may well be the decisions of an insane, misguided or, indeed, retarded person. I'm switching to the word "dumb," now, because I'm uncomfortable with the alternative. I'm not saying I think the implementation was dumb - I do think that, but it's not my point - I'm saying that that he made that decision at all is terrifying. I'm questioning the judgment of a director interacting with fan-beloved material.
Think about what it means that JJ made those decisions, separate from how they played out and if they worked for you. Those are the decisions of someone who is way too comfortable fucking with the holy moments of a franchise. Obviously if the director of a reboot like this feels trapped by the scripture of the series to date and doesn't want to mess anything up, we end up with a stagnant, tepid piece of shit movie. You need to be able to make a hard call once in a while and say "yep, gonna have to mess with this very important thing to tell the story I want to tell." That's a necessary quality. And bear in mind, I don't care about Star Trek that much.
But I know that getting elbow-deep into one of the most iconic, moving and memorable moments of the entire series and seeing what happens when you cross the wires - in a context completely separate from what made them good decisions that worked the first time around - is not the behavior of someone with an abiding respect for the material, either. It also smells suspiciously like someone who didn't understand why they worked in the first place.
Imagine I had told you last year that the
What does you, one year ago, say to that? At best you say "are you... are you serious? I really don't think he can pull that off." Because your instinct there is that that is way, way, way insane. That's not a guy out to tell his own story in a universe he respects. That's a drunk at the wheel. At best, that's a guy making unmotivated, major story decisions "because they rhyme." See what I'm sayin'?
My opinion of the movie aside, which I'm still forming anyway, those decisions being made at all scare me. Because now I have no idea exactly how much... heh, entitlement, I guess, JJ feels when he directs these things. I'm worried he's gone too far in the opposite direction of being a slave to the material. I think he might consider himself the master of it, in some odd way.
You know white privilege? Male privilege? My concern is the possibility of some latent, below-his-own-radar "JJ privilege."
I've never been so completely in-line with a review before. This guy totally nails my feeling of the thing.
Spoilers:
Right now isn't a particularly good time for me to be wondering if JJ Abrams is retarded.
"Announcement," really, is the term the forum likes to use.
*shrug* For future reference or whatever.
I did change it.
WHERE IS YOUR GOD NOW
I might be able to swing this one, if y'all will have an open seat.
This is the best thing I have ever read - shit, simply that "friends in your head," lowercase, totally works. That concept was the only thing I was really hoping to instill in the show at the very beginning: feel like you're just hanging out with buddies, like I experienced with Digital Llama Radio a million years ago. Everything else about what the shows have become sorta happened naturally, the only thing I was really after at the outset was... outreach, I guess. Because I liked that feeling on a show a million years ago, and wanted to be semi-responsible for it with someone else.
Your comment about Zarban and apchrist and Doc Sub and 'em also hit home, for pretty much the same reason. I had that sorta thing going on for DLR as well.
Anyway. Glad you found us, glad you're here, and thanks for writing that. Makes me feel all warm and fuzzy in my insides.
One of us! One of us!
Oops. Sorta deleted one of redxavier's comments, about the logo being tricky to read. Sorry dude.
Yep - totally right. I've spent the morning going back through the site and fixing images, sexing everything up a bit. They were all made in kind of a hurry.
And, by the way, where were all of you guys when for the past month half the forum banners have had huge-ass errors, huh? Nobody noticed that? YOU'RE ALL SUSPECT. (Except for Fireproof, to whom you owe the access to most of the [redacted] catalogue. He was my data-entry bro last night.)
Seriously, 13 of the 20 banners had errors like this:
(Bottom text line.)
Anyway, those are fixed, plus I'm gonna go through and make a couple new banners for newer projects.
Then it's getting the store workin' again, with new designs. Then there's a few stray episodes offline. (Including most of the back half of The Intermission episodes.) Then figuring out what to do about the icons in the navbar (blog, store, RSS.) Then getting our asses back on iTunes. And try to get our weapons back, too.
Naaaaaaaaaaaaaah.
Depends on how it's set up; it could also be the first arrangement I'm aware if where a VFX company makes residuals.
Either way, seems kinda shady.
To illustrate your point, I humbly request that you write four or five paragraphs of the sort of Reader's Digest story it smacks of.
Ryan Gosling, Casey Affleck, James McAvoy, Jude Law, Johnny Depp, Joseph Gordon-Levitt, Michael Fassbender, Cillian Murphy...
Kyle: I listened to that whole thing.
Creepy. Also it made time go by a lot faster.
Zarban: Thanks? Actually, this morning I had an idea for a cover of that song in a big band / 20's sorta style.
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