What?

DOES he LOOK like A BITCH?!

SAY WHAT AGAIN I DARE YOU I DOUBLE DARE YOU MOTHER FUCKER SAY WHAT ONE MORE GOD DAMNED TIME

Say, the new download-y interface thing-y is very cool, but the forum button-y thing-y still opens the forum in only the right pane.

/typing in a tiny box
//not just the half-sized forum text box either; my office is actually a little cardboard box

I'm only 4min into the commentary but... PF's great because it was actually as cool and hip (yes i'm old) as it set out to be. How many movies manage to pull that off?

Shh, back to the show.

I like "That's the door. There it is." For some reason i've used that many times for other things.

The guys don't mention it but the wad of cash Travolta pulls out impressed me at the time. He's so nonchalant about it...

About the dotted lines: It's like it, it's fine but... it's a rectangle. She was obviously saying 'don't be square', but the graphic is a rectangle. wtf Quentin?

The chat sounded like a riot on this one.

When Dorkman was talking about pulp comics, he may have been thinking about the magazines which printed short stories and serialized novels and probably had some illustrations. Fiction magazines are so rare nowadays if you see a stack of those old mags it's easy to assume they're comics.

I saw PF in the cinema. It is rated 18 in the UK and I can't rememebr if I saw PF or The Crow (also an 18) when I was 17 (naughty). I then saw the other film (whichever came second) for my 18th birthday.

If you get what I mean

The orange light always made me think it was gold.

Was this before or after he worked with Vincent?

ROTFLOL!
A Shakespeare-ian interpretation of Pulp Fiction. 

"Life is about movies; anything else is a bonus!"- Me