Topic: Sucker Punch
This and Source Code will be a bit glitchy. Sorry about that, we've taken measures to (hopefully) ensure it never happens again.
It's really not too bad, it passes after a few moments.
I have a tendency to fix your typos.
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This and Source Code will be a bit glitchy. Sorry about that, we've taken measures to (hopefully) ensure it never happens again.
It's really not too bad, it passes after a few moments.
Regular.
And Howard the Duck is coming yet.
its not perfect but i like this movie. not sure if i really want to hear this commentary as previous comments don't give me much hope of an unbiased viewing (the pans labyrinth one still irks me)....
we'll see tomorrow at work i guess
its not perfect but i like this movie. not sure if i really want to hear this commentary as previous comments don't give me much hope of an unbiased viewing (the pans labyrinth one still irks me)....
we'll see tomorrow at work i guess
If it means anything, I was gleeful with anticipation that they'd finally give Snyder the dressing-down he deserves. No luck. I don't think anybody is walking away from this commentary happy.
This is one of those episodes I really enjoy. I didn't care for this film going in, but this conversation got me to, if not change my mind, at least shift it slightly from "Do not like" to "It's ok."
I don't think anybody is walking away from this commentary happy.
Actually, I was really pleased with this commentary. It makes a great argument in favor of the movie while still acknowledging its flaws and coming up with ways to fix them.
Coming from a jersey resident, teague, that accent is pisspoor.
You should hear my Michael Caine.
Cellar Door?
You were talking about the way Snyder may have been saying "Well, if you don't like movies where the plot is ridiculous and the movie is just an excuse to objectify women and have huge crazy action and shit like that, then stop demanding these movies. Stop giving movies like this all your money."
I think you guys are right, that the movie is an attempt to take what nerds want to see, and then lay that on top of a story about something horrible and depressing and sad and serious. Unfortunately, like you guys say, the metaphor kinda breaks down. If the script had been run through a few more times just to make sure all the weird metaphor crap made sense and that everything had tied together well it probably would have been a fantastic flick that would have provoked some interesting talk about film. Take this really dark story, distract people from it with the CGI dance numbers, then slap the audience in the face at the end with the lobotomy scene. I think if it had worked it would have sparked some interesting talk about films and it would be something you could point at and say "you see? you don't have to make fucking transformers! you can make these movies fun and smart!"
Unfortunately it didn't quite work out that way. I'd never seen it before until now, tho. I didn't dislike it, but yeah, it's not really rewatchable.
I wanna see Iron Sky as well.
There's a documentary called "Like A Hole In The Head" about trepanation.
Beware that even this trailer has some very graphic moments in it. I'm talking people with their scalps peeled back and trepanation in progress. You have been warned.
http://www.youtube.com/watch?v=YoU_-ru8yEc
I watched it about half way through a while back. I can't deal with real blood and stuff in documentaries. Anyway, they talk to some modern people who are apparently going out and getting trepanated even today. According to them it's like being high all the time, or like being on a higher plane of existence and all this other new-agey BS. There's even a guy in the doc who trepanated himself and describes what it was like.
Last edited by Squiggly_P (2011-09-20 01:04:57)
You guys all missed a great trepanation joke/Ghostbusters reference, by the way. It was the perfect opportunity. "Hey, that would have worked if you hadn't stopped me" is a great line, and I use it a lot, but you guys were actually talking about drilling holes in heads. That sort of setup comes along once in a lifetime.
I didn't miss the connection, I just don't actually do Ghostbusters references. I figure, if you know Ghostbusters, the reference goes without saying. And if you don't, we can't be friends.
If the Golden Compass movie had been a success, we could have had a children's movie with trepanation in it (along with all the atheism). Sadly, tis not to be...
Conversely, if the filmmakers had had the kind of balls you'd need to put trepanation and atheism in a children's movie, GOLDEN COMPASS might have been a success.
You don't really get most of that till the second book anyways. As I've said before, I just wanted to see them TRY and adapt The SUBTLE KNIFE ...
As for Sucker Punch, I don't think promoting it as "anime" would have helped. For one thing, anime has almost always flopped in US theaters unless it's the more family friendly Studio Ghibli stuff Disney has the rights to. Second... compared to some of the live action stuff Japan tries to do on a third of the budget, this wasn't that impressive. At the very least, it needed more overt lesbians.
There were a bunch of threads on various message boards trying to break down the story and metaphors and stuff when the film came out. One in particular stuck out to me because it was incredibly deranged yet plausible too. I can't find exact post at the moment, so here's the gist of it:
The insane asylum world is the real world. The burlesque parlor world is Sweat Pea's broken psyche's rationalization of the real world. "Dancing" in the burlesque world equates to sex in the real world. Anytime a girl is dancing, she is screwing an orderly in reality. Thus, when Baby Doll is dancing to distract guards, she is actually getting banged by an orderly while the other girls are doing their part in acquiring maps or whatever. The crazy insane fantasy worlds with German zombies and robots are Baby Doll's way of dealing with the rape in the asylum. The entire film is essentially about a bunch of mental patients coping with the sexual abuse from orderlies and doctors by imaging dream scenarios where they're free.
You don't really get most of that till the second book anyways. As I've said before, I just wanted to see them TRY and adapt The SUBTLE KNIFE ...
What, you haven't been watching FRINGE?
I generally agree with your guys' views on it. My biggest frustration is that when you take the fantasy sequences on their own, they're extremely awesome, but by making them dream sequences you make them completely useless. I really wish Snyder had just done a Heavy Metal type crazy fantasy/sci-fi anthology instead with these same sequences, because then I could actually feel invested in them.
The insane asylum world is the real world. The burlesque parlor world is Sweat Pea's broken psyche's rationalization of the real world. "Dancing" in the burlesque world equates to sex in the real world. Anytime a girl is dancing, she is screwing an orderly in reality. Thus, when Baby Doll is dancing to distract guards, she is actually getting banged by an orderly while the other girls are doing their part in acquiring maps or whatever. The crazy insane fantasy worlds with German zombies and robots are Baby Doll's way of dealing with the rape in the asylum. The entire film is essentially about a bunch of mental patients coping with the sexual abuse from orderlies and doctors by imaging dream scenarios where they're free.
I was under the impression that was the commonly accepted interpretation.
If that isn't, what do most people think it is?
if dancing = sex/rape, then how does that work when BD was dancing on the table of the kitchen, cos when they cut back from the fantasy world they cut back to her dancing on the table ?
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