Re: Van Helsing
Considering HELLBOY 2, I'm not convinced we'd see an improvement.
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Considering HELLBOY 2, I'm not convinced we'd see an improvement.
I thought you guys liked Hellboy 2?
Well, I like Hellboy 2 a lot. But even I will admit it suffers from Too Much Of Everything Syndrome.
And judging from the Pacific Rim trailers, del Toro's condition has worsened into All of Everything Syndrome (aka Bay's Palsy).
But - his forays into sensory overload aside - I think del Toro does balance the eye candy with good character work and story structure. So I am looking forward to Pacific Rim even though I know I'll need to go spend some time in a quiet room with my eyes closed afterward.
The pitch for Pacific Rim appears to be "Transformers, but without the worst parts." So Hellboy 2 is "Van Helsing, but without the worst parts."
With Mike on this, HB2 was not good.
I'd actually really like to see Eastwood's take. None of this fantasy bullshit, just grim complicated characters dealing with their own demons.
With Mike on this, HB2 was not good.
I'd actually really like to see Eastwood's take. None of this fantasy bullshit, just grim complicated characters dealing with their own demons.
Much as that certainly interests me, I'm kinda getting sick of all this "dark and gritty" crap. Fantasy bullshit is cool with me as long as the characters are good, and dark does not always equal good.
Hellboy 2 is awesome, don't know what y'all are smoking. Great creature designs/effects, great action setpieces, some really beautiful sequences (the elemental dying, the ending). That's how you make a big budget fantasy movie. Van Helsing doesn't even deserve to be in the same conversation.
It has nice parts, but the components of the whole don't mesh so well for me. It's like saying someone has a nice mouth, and a nice nose, but overall their face is a mess.
Hellboy 2 is awesome, don't know what y'all are smoking. Great creature designs/effects, great action setpieces, some really beautiful sequences (the elemental dying, the ending).
Yes, I'm sure the "Art of Hellboy 2" book is well worth the money, but I don't want to sit down and watch someone flip through it for two hours. As with Pan's Labyrinth, cool production design =/= good movie.
EDIT: To be fair, though, seeing as how my brain's hate-center has been recalibrated the last few years, maybe I'd like HELLBOY 2 better if I gave it another shot.
Last edited by Dorkman (2013-05-10 02:23:01)
I don't know, I just fundamentally don't see what people can strongly dislike about it. I don't even think its a case of visuals trumping story, I think it's a good story. A movie about how we've fucked over the fantasy world and it wants to get revenge, a pretty sympathetic villain, a fun/imaginative team of fantasy main characters, there's lots of good character beats throughout. Off the top of my head there's one major plot-hole, and the humans kinda turn against Hellboy on a dime, so ya its not perfect narratively, but its solid, and no more flawed than tons of movies DIF loves like Inception or Constantine. And that pretty good narrative is paired with outstanding visuals/effects and great action sequences.
Maybe I just need to rewatch it again, but I always remembered it as kinda being widely liked by fans/critics.
But ya, sorry for the digression, didn't mean to sidetrack.
When did the movie become Van Hellboy?
I've seen Van Helsing maybe twice, mostly for Jackman but I think that there are way, way to many monsters in that film. I think that if it had just been about the fight against vampires, maybe with werewolf, maybe without, it could have worked...maybe.
But, as it is, there are too many monsters, too much that requires the audience to just "go with it" without any real relationships. Its kind of like "Van Helsing's Leauge of Extraordinary Gentlemen" in it superficial relationships and too many monsters theme
Great having you guys back, feels like this was something of a stress reliever, everyone's in a palpably great mood!
Well, I'll echo most of the sentiments here, the movie's not very good, and I personally think the conceit of it is quite dumb. But I actually think you could make it work. I believe you guys hit upon the main problem right out of the gate, tone is THE issue. Having all these monsters bumping shoulders is ridiculous by deafult, going from the high concept this should have been a flat out campfest, the more contrived the plot the better. I think the James Bond shtick is great and I think Wenham, Roxburgh and the redhead are in the right movie. If everybody else had followed suit this could have been a lot of fun. I mean, the movie is half of a full on crazy C-movie already, but with ALL the money. How glorious wouldn't it be if it had gone for ALL C-movie too?
A Van Helsing series of movies where he takes on a different monster in each installment would be great though. I'm all on board for that.
Speaking of monster hunters, has anyone seen the Solomon Kane movie? It's good, the climax is wanting, but the movie is good up until that point. It's even got the british Hugh Jackman in the lead, in addition to appearances by Max Von Sydow and the late Pete Postlethwaite.
Now, Del Toro. Of the four movies I've seen, the two Hellboys, Pan and Mimic, I'm not particularly enamoured. I put him in the same category as Gilliam and Burton, it's always interesting to see what they're up to but they never quite seem to nail it. Then again, I hear Devil's Backbone is his best. As for Hellboy 2, it felt to me like a parade of pretty stages, the first movie was better, though not great. Hellboy himself is a big problem, he's not a good character, the guy is invincible, and that's just not interesting.
Catching up is bitch.
When did the movie become Van Hellboy?
Haha... love it
Snowflake, is your avatar a take on the Greendale Human Being?
But about Del Toro.
Sometimes I have wondered if his sense of storytelling skews more European than American. He has a strong base in Spain and to me his storytelling is grounded in myths, fables, folklore and fairy tales from Southern Europe. These stories are much more grotesque originally than the watered down versions we have come to know them as. Visually I would place him (like his fellow Mexican director Alfonso Cuarón) more with European directos like Gilliam, Marc Caro and Jean-Pierre Jeunet, but with his own horror/gothic flavour.
But I am terribly sorry for derailing the conversation... back to Van Helsing.
Edit: p.s. I'm not saying that ALL Europeans love Del Toro. He's pretty niche for most of his projects.
Last edited by AshDigital (2013-05-11 01:43:16)
AshDigital wrote:
Snowflake, is your avatar a take on the Greendale Human Being?
Actually, it's a take on the Dark Knight add campaign, but some of my best friends are human beings
But about Del Toro.
Sometimes I have wondered if his sense of storytelling skews more European than American. He has a strong base in Spain and to me his storytelling is grounded in myths, fables, folklore and fairy tales from Southern Europe. These stories are much more grotesque originally than the watered down versions we have come to know them as.
Yeah, I get it that Del Toro is influenced by darker, O.G. European fairy tales. This is not my problem at all. I like that aspect of what he does. It's that his storytelling skews more nonsensical than sensical, and unlike classical folklore and fairy tales, I come away not knowing what the point was. He's a European-flavored Tim Burton. Lots of style, but any substance is purely coincidental.
AND BUT SO ANYWAY VAN HELSING
I thought the Soloman Kane film was quite good, and did a 'Van Helsing' type character better than this Van Helsing. Which sort of makes me wonder if Huge Axman was right for the role and whether someone like James Purefoy would have done it better.
I just joined today, mainly because in this episode someone[s] mentioned that they thought Hudson Hawk was good.
I didn't know that anyone thought that, except for Bruce Willis, whose clearly thought it was HI-larious.
What other movie has the joke, "Do you want me to rape him?" And has that line as a complete non sequitur?
What other movie has the joke, "Do you want me to rape him?" And has that line as a complete non sequitur?
I know. In all the movies I've seen, the line is definitely a sequitur.
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