Given how much Teague complains about the color of the Hulk in this episode, you should see what he's sent to a client this week.

Once you get past the campaign's swooshy introduction bits, everything Lana says sketches out Cloud Atlas's um, way of being and helps illuminate a lot about why the movie is how it is.

No, before the beer bit.

Given the context, it's part of this discussion. It was mentioned in the episode, and was a little disconcerting to hear Brian come to the guy's defense. I'd say it's totally relevant and in the right forum.

But I'll concede. Here's an article on how of effectively get people to give you money for a t-shirt and a cookie:

http://www.fourhourworkweek.com/blog/20 … mails-etc/

HOLDEN LOOK AT THIS NEAT THING

http://cashmusic.org

http://www.imdb.com/title/tt0382943/

The original Sleepaway Camp is a classic, II and III aren't as great and very different from the original, but this one was the first time I had a physical negative reaction to a film. Started feeling sick and getting very angry throughout.

Used to live a couple blocks from there. And now, regrettably, I know what that street looks like covered in blood and limbs. Gory mess made on the same paving bricks I would walk over at night holding hands with someone I loved. Same bricks I would have to run down to return something to the library before it closed. Same benches across the street where I would look up at the Hancock and the Trinity and sit content and delighted to be in such an amazing city.

Fuck.

Well. Everything about that is in poor craft. And poor taste.