This is me not establishing a precedent for posting text with the tapes.
...
...man.
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Friends In Your Head | Forums → Posts by Teague
This is me not establishing a precedent for posting text with the tapes.
...
...man.
1) The name on everybody's lips is gonna be ROTC.
...
2) Rattack of the Clones is actually correct.
Thanks for that whole post — but the quote is incredible.
Wow. Nifty.
Yeah. It was just one of those moments. Fleeting.
And it's no big deal, y'know. I'm definitely over it.
*just eats beef jerky*
I thought I was supposed to be learning to be a person.
And, in my defense, I was. Rapidly.
(And these seemed like lessons worth learning, after all. Definitely better late than never.)
I was actually learning, or at least double-learning, how to look like one. How to present as one. (How to mask, if you wanna use fancy neurodivergo-talk.) This is an extraordinarily bad and slow way to learn about your humanity — but, in my life, no other attempts to mold me into a functional thing had worked, so. In this deathmatch we call ‘keeping up and not looking wrong,’ the smartest money, for us or anyone, would have been on [was and is on?] faking it.
What they don’t tell you are the downsides to faking it.
Here are the downsides to faking it.
Plowing Through (aka, Your Effect On Others)
A bit of work, here, on the theory of faking it:
First of all, not all faking-it is bad. The topic under discussion is faking humanity, because you don’t know humanity yet, because nobody taught you and it never made sense and now they literally expect you to have to organize pill bottles. Just, being alive. Whatever. Faking humanity until you learn humanity is a piss-poor way to develop a human; humanity should be learned, one way or another, by way of socialization and household influences along the way. Even if your parents are acting in perfectly good faith, if they’re acting inscrutably to you, a proper model is not developing. {{“Ooh, and now ‘modeling,’” they say, munching popcorn. “Very therapy.”}}
Second of all, not all faking-it is born of equally-eternal circumstances; but, one way to ensure yourself a one-way ticket to faketernity is to exist in a state of unreactivity. More on this forever.
In this case, something that non-fakers do is read the room. (Fakers also learn to do this.) (Granted — many types of people don’t. Fakers do. That’s the point.) (It just takes them forty fucking years sometimes, because they might not learn to do it until someone says they should.)
“Hey, Beethoven!,” the guy in my flashback calls from across the alley. “Shut the fuck up.”
I stop playing my loud-ass piano, next to my apartment window, with the window open, next to his apartment window. It’s probably nine p.m. or so — some time before ten. I thought it was like ‘same as normal music rules,’ you know? I intuited it and didn’t double-check. Oh, and I have an upright piano in my apartment — no, I didn’t ask my roommates. They showed up in the living room one day and there it was. Visually, sonically, energetically, my imprint reverberates unavoidably throughout the walls of the five-person townhouse. I am an agent of chaos.
Plowing through their lives.
And I don’t realize it.
In that ‘hey, Beethoven’ moment, my previously-so-innocent feelings are broken and hurt — honestly, kinda devastated — and yet, the guy couldn’t have done my roommates a bigger favor. Lord knows, what he said was something I needed to hear.
And the guy didn’t know that I honestly just needed to hear it.
Which was the right guess, statistically speaking.
So I can’t even blame him.
I’m just late to the pary seeing myself, is all.
Which always hurts. It’s always embarrassing. It’s always another test on everyone’s patience.
It was always you being frustrating.
The previous example was chosen for its simplicity and low stakes, but it’s one of many. There’s a reason I only succeed when I’m on a team comprised of my friends: I’m... fucking weird, man! I have to work my own little way; I have to like who I’m working for; I have to want to help. (I do a good job on things! I swear! I’m just weird as fuck, okay... annnnd I have no general work-ethic, and I have no sticktuitiveness for anything I’m not interested in! I know how that sounds! Hey! Can-I-still-be-sympathetic-to-you!) (*pulls party popper into camera*) Hi! I’m being real. I’ve had a complete psychological breakdown because I’m convinced I’m going to die of skin cancer and hepatitis on the sidewalk, because I can’t make myself do things I don’t want to do. That’s how my story is going to end.
I can fake being all kinds of people. I can fake all kinds of skillsets. I can fake-everything, now.
I plow through. But plowing? In an ongoing fashion?
No. The time starts itching. Then it starts buzzing in my arms. Soon it’s a weighted sweater.
Wasting Time
Meanwhile, because you’re inherently unstable at the base of this gorgeous creation of yorn, the serious work you’ve put into smaller parts of yourself won’t really do much to stabilize your overall ‘self-carrier’ — or, ‘carrier-self.’ —whatever; henceforth ‘carrier.’
Moreover, because you buzz permanently in a delusion where ‘changes’ stand-in for ‘time,’ you’re left seeking what others would call ‘novelty,’ and what you — like a starving person — would call ‘anything.’ Not for nothing, but this can have a distorting effect on the big picture.
Non-fakers have plans. Sometimes they’re told to, other times they figure it out. But they plan.
Your carrier lacks a vision for the future, because the future is too many changes away to see.
Faking-it is a ruse. It’s a momentary trick. It’s precarious, living an instant from revelation.
So. No future. No rails. What in your world stays still in the meantime, for you to hold onto?
Isolating Yourself
Social media drives you crazy years before it drives everyone crazy, but they keep doing it, and you convene a summit of productive creative people to ask them if they’re also being driven insane by the Facebook algorithm, and they say they are not, but they do look concerned.
Your board has many post-it notes. This is the week you end up leaving social media behind.
Social media invites you to perform yourself anew, daily — one way or another, you burn out.
Inner Turmoil
It’s entirely possible faking-it will have led you to a point where you’re suddenly riding your bike in circles around the neighborhood, narrating Socratic dialogues in your head about what can be meant by the activity of sexual intercourse itself — (namely: nothing, is the problem; or was; this is so confusing for so long) — and, basically, the fundaments of morality. And, basically, having conversations that you really need to have, with nobody around with whom to have them, because you never cultivated a ‘having people around’-thing at any point in your development, because... basically, you always had the internet to socialize with.
As soon as you cut yourself off from the heroin-like buzz of internet approval points — (sorry, didn’t mean to catch anybody with that one, if I did; just writin’ muh words) — you don’t go numb, you go extremely thirsty. You spend hours a day in the bathtub hoovering up information about the American Revolution, possibly just so you can later tell people that in a sentence with British slang because who are you trolling at this point; you fiddle with circuit boards and bass guitar and essay-writing and...
...essay writing. It feels like thinking.
(Hi, your-inner-er-brain. I can see your nudes and stuff.) (Calm down; Teague can’t. Nobody else can. It’s just me and you in here; you’re giving me the voice and everything. I’m the zeroeth-person narrator in your mind who speaks in a fake voice that you’re generating right now. Again: Teague’s walking in circles in Mississippi right now. You’re having a conversation with a document in your mind, and it feels suspiciously like a thought you’re having.)
(Elephants.)
(I can still see all the porn and stuff in here. Again,Teague can’t. Just this voice you’re hearing can. Hi.)
See? It’s fun. Things can be fun.
Irritability
You are, in all manifest ways, quitting your own life, piece by piece — and yet later, you will wonder why every piece of it somehow quit you instead. This is what happens to someone who operates not from will, but from whim. “Idiot. Total idiot.” With the periods and everything: that’s the diagnosis. More than once, this meant “Monster. Completely unhinged.” I’ll tell you about it later.
But! One time I threw my guitar and it broke and that’s why I don’t have my guitar anymore.
You Are Reading The Downsides Of Faking It.
Eventual Insanity
You will need more support than anybody can ever, ever give — because you’re a walking cakeholder for the fucking abyss now, because you built an entire self out of the cage of sentences in your mind, and never once learned a thing about starting right. (Probably not because attempts weren’t ever made, although some attempts weren’t.) (Huh. Fun sentence.)
You’re talking to yourself.
You’re walking in circles.
Eventual Inability To Be Developmentally Relatable To Anybody
Hey, how’s work?
'Episode One' is out-in-full and completely bingeable; now, welcome to the 'waiting every week for a new tape to come out' game that you got to skip for the first one!
Nah, it's fun. It's a nice little thrill when a new one pops up. I say this as a listener.
(I seriously spend the majority of my life as a listener, when it comes to these recordings. I record them, to get that out of the way, so I can listen to some Star Wars. Heh. It's Phrizzle's book; I just wanted to listen to it.)
(...honestly, yeah. I'm just enjoying having good Star Wars in my life again.)
(And the first one is brown, which means the next one will be red, and then comes orange, and then yellow, and, and... soon, there will be so many Star Wars colors!)
Anyway.
If you absolutely insist on skipping Episode One, there's enough of a prologue in Episode Two to bring you up to speed. In my opinion, Episode One is a really good and fun story and you'd be missing out — but, you're good to go either way.
See ya every week.
Teague, you crazy sonofoabitch.
[magnificent, I meant. funk.]
I can be two things.
Dude, that's freaking gorgeous. That's like the coolest thing I've ever seen.
EDIT: I didn't notice the font until after posting this. My hands hurt from clapping.
Brilliant!
(Loved that.)
Hey folks. Our own Abbie Phelps and her friend [and occasional FIYH lurker] Nate Grizzle sat down and wrote a better prequel trilogy.
(It's that simple, pitch-wise. They have to be modest; I don't. They did good.)
So, if you were ever wondering what the hell really happened Before The Dark Times — and I mean canonically, folks; this is the good stuff — here's the story.
The playlist button above is the link. Below, some extra words.
• • •
Woo! Make Star Wars fun again!
This is my second read-through of this book; some of you might have listened to a version-one of this from last year with no music or sound effects. Not to put too fine a point on it, but this is a different (and I think much more engaging) listen. I'm better at some of the terrible character voices, and I definitely understand the story better... but, mostly, it's just riddled with John Williams and Ben Burtt, and the overall effect of 'Star Wars-ness' is much more prevalent here.
These are YouTube videos and not MP3s because I don't have the server bandwidth anymore to drop fourteen hundred-meg files onto a public link and let 'er rip, but if anyone knows of a good alternative for getting MP3s to those who want 'em, I'm all ears. (Myself, personally, I like the YouTube player. Let's me pick my playback speed, and I'm always streaming my audio from the background of my phone anyway.) (Admittedly, YouTube is not ideal, it's just what we're doin.)
These were made, as you'll be able to see, by performing the book while also managing the playback of a bunch of preconfigured music and sound effects choices, arranged in tabs in Chrome. Those music choices often took quite a while to make work, in pre-production; lots of rejected cues, usually for timing reasons. The sound effects work is largely made possible by the RPG/DnD communities, who have prepared all kinds of environments for similar usage. (For all of this, I still occasionally lose control of my whole ship a bit and throw a "fuck" into the manuscript. To be absolutely clear, the "fucks" are not in the manuscript. lol. I tried not to be loose in this, but every now and then it happens. There are also plenty of mistakes; I know. I just plowed through because I knew there'd be no editing and I didn't want to derail the book every four paragraphs.)
To be honest, I'm pretty proud of these, and I'm incredibly impressed by what Nate and Abbie — collectively, I call 'em ""Phrizzle," which is a combination of last names — have done with this trilogy. It's still underway, and even now, this manuscript is still considered a first draft, which they're going to be going back through and re-editing and tweaking once the trilogy's first-drafts are complete.
Even for a first draft, you can tell: They're gonna pull this off. (As I can report from the middle of the third book [which is currently being written], they do pull it off.)
Anyway. It's so much fun to truly like Star Wars again.
As for the viewcounts: These tapes have previously been available only to myself, the authors, and a couple of my buddies; Ruger, Frommeyer, etc.. Honestly, they weren't originally intended to be published — the story of why these new tapes were recorded in the first place is a whole other thing, but it's not very interesting. In any case, there's going to be at least one more version of this audio production, probably sometime mid-decade. They've got 3 to finish, then 2 to tweak, first. We're talking about like a million and a half words, all-in. It's an undertaking.)
These were recorded and released on a weekly basis, like a TV show. The last episode of this was recorded just a couple weeks ago. Now that it's bingeable, and now that Episode II looms, figured it was a good time to drop the first book. If you're hooked, you'll find out more about Episode II programming in the epilogue tape.
While we're wall-of-texting: Thanks, Phrizzle. This was needed. Y'all tasked yourselves as serious people do, and now we all get to benefit from the psychic relief of a better prequels. It's not much, but — you know, it's tons. Great work.
1) Oh hell yeah. This is the inner turmoil thread now. Hell yeah. All in!
2) I was taken aback when you said you ailed the first round; I was briefly worried you must have gone off and done something else. Super cool that you kept at it. Feather in the ol' cap.
3) Man, thanks.
See, this guy gets it.
Thanks for writing that, that was really lovely.
This tangent has ruled. (EDIT: Thus far?)
On my 30th birthday, I commute to an unmarked building in Santa Monica where the space shuttle from Armageddon hangs in the kitchen. When I glance up to assess it, the backdrop is a (large) screen-used Jolly Roger flag hanging in the rafters; this is from the first Pirates of the Caribbean.
Mr. Bruckheimer's not here yet.
It's a Tuesday. I'm the first person at his studio in the morning.
(Well, second. The property manager has to let me in. I'm a freelancer.)
I'm working for one of my favorite supervisors ever, and — ultimately, because my supervisor is cool — I'm operating out of Editorial for the feature I'm working on. This is incredibly odd. I'm a VFX artist, and typically a rather lowly one; I'm doing my normal job, while sharing space and meetings with the director, the editor, the VFX editor... and in this case, the executive producer, whose studio served as our home base.
At work, I work hard.
At home, my mind is elsewhere.
In recent years, having surpassed whatever career goals I'd ever envisioned in the first place (beyond working, I had envisioned none), I've made the mistake of becoming untethered from them. It's supremely untrue to say 'early success came easily' — more true, perhaps, might be to say that success kinda came for free with the person I was being. This is not meant to sound impressive — it's all just... flukes. Everything about me is a lucky coincidence. I was at the center of things that were happening, and so it looked like I must have been involved.
What's worse is, this illusion even fooled me. From the inside, such an illusion works like narcissistic rocket-sauce: "To make things work, one must merely already be worthy and then show up." It's a dumb heuristic, and nobody thinks they're really even thinking it — they're eschewing it — but, just like most heuristics, it never gets disproven until it's too late.
The magic was not in you. The magic was in the world. You were in the world.
Turns out, magic is transactional.
In this case, by magic, I mean 'success.'
That feels right.
• • •
And Drew's like "stop telling us you're gonna tell us and just tell us."
(Rightly.) Yeah. Sorry. I'm not being elliptical intentionally, it's just... there's a lot of themes and throughlines that all need setting up, because they're all involved, and they all come from different points in my life. Some big stories have multiple endings; this big story has no clear beginning. By the time the events are underway, the themes need to make sense; by the time the themes make sense, we're on introduction post forty-five. Yeah.
(This is gonna take a while. Heh.)
Broadly speaking, the point of this thread is to put into words the answer to the question "what the hell happened to Teague," because a large portion of why I've disappeared from... everything... is because I can't describe myself very well anymore, and (for one irrational reason or another), I feel like being describable is a pre-requisite for being a person. Which. Heh. No.
Ultimately, I'm stuck under the delusion that "who are you" is a question that requires an answer. I haven't been able to find it by myself, though I've spent a couple years trying to. I'm pretty sure I'm going to find it by writing these posts.
In the meantime, oh my god I know. I know. Elliptical. I know.
Most of the stuff we're breezing past at this point will be revisited.
• • •
There was also a freestanding rubber-band gatlin gun in the kitchen, but that's not from a movie.
See? Revisted.
"Where could so many parts of a life go," might be a good question open this.
It's honest. It's probably the better question for the beginning of this story, which will predominantly be about ways in which your protagonist makes their life worse. Or, perhaps, "How could so many things appear to be functional when they actually weren't?" That's honest, too, and it's one of the centerpience coincidences in my life. If I were looking for a contrived question to open the story with, that might be the very best one.
A writerly contrivance is not necessary, because my unwriterly life story provides a jumping-off question that's directly pertinent to our purposes. One hundred times a day (this is an honest approximation), I ask myself the same blistered thing. Call it The Big Question:
"What am I supposed to be doing?"
Sometimes, more rarely these days, it's asked existentially. Back around the time I had to move back in with my parents (over a year ago, at the age of 33), I was wracked with huge existential strains of that question for hours on end, every day, walking in circles, working the problem, re-asking the question. Answering The Big Question seemed extraordinarily urgent. Urgent like an emergency — or, rather, urgent like a disemergence. In those cases, the Bigness will be felt as bigness.
Usually, it's asked in such an innocent little mental voice that it breaks my heart. I'll be miserable, I'll have just "finished" "digesting" some new moment of shame or depression or panic about my future, and I'll look up — precisely as if there was something productive I was just doing; as if I'm snapping out of it — and I'll say, "what am I supposed be doing?" In these cases, the Bigness is experienced as a physical ache, from the pure priority of it.
A hundred times a day, in disordered, neurotic fashion. It needs answering.
An innocent voice has forgotten, for one last moment, that there is no answer.
Depending on which version of me doing the answering — for instance, if you asked a version of Teague who was not spiralling into said question at the moment — there would be all different sorts of answers I was capable of coming up with, big or small, creative or prosaic; alas, in the real world, the version of me doing the asking-part is always the same minimized Teague with watery eyes, fixing to dump an emotional fireplane onto pronounself.
(Just kidding. We can go with 'he' or 'they' [singular] or 'them' [plural].)
If The Sanest Version Of Myself were to answer The Big Question, you'd get an answer you'd recognize from the Teague you're most-familiar with, about the life said-Teague was leading. The Sanest Version Of Myself is basically a proxy for the version of me I knew, who existed... say, on my 30th birthday. As of September 5th, 2017, The Sanest Version Of Myself knows what it's supposed to be doing.
It just... can't.
Thanks so much, man. I don't know what to say except thanks.
(Also, thanks for volunteering to post. I really don't want folks to feel like they can't chime in on the horseshit just cuz it's blog-seeming; it's not a blog, it's a thread.)
(anyway, I'mma keep posting in bursts, possibly multiple times per day)
--
EDIT: and, lol
I miss Grant. What a guy.
cw: Traumadumping! And this is just the beginning of it! It hasn't even started!
(This is gonna take a while.)
------------------------------------------
Lives are not stories, and for fuck's sake, to start somewhere, I just think it's weird that we don't have a better medium to communicate our lives with. The story of our lives. Well, I'm going to tell you a story about why I disappeared from the universe for years on end, a story in which I am massively humbled by a multitude of events both within and also beyond my control; and, if may say so humbly, it is a whole thing. Hell of a story you're reading right now — humbly — so, don't worry about that; and anyway, I'm a very 'pro-story' person. Stories are luminous, magical items: disembodied worldviews, alive when you look into them; transported memories, still aglow with meaning, and somehow delivered in their vivid entireties via these goofy little symbols or sounds.
The story has a lot of pain in it. The story is almost entirely comprised of mistakes. The overall arc of the story is, as yet, a slide. The story contains a lot of really formative stuff, and a bit of trauma. It contains me being abusive. Also just being an asshole. Me learning; me being profoundly ashamed. It contains wells of shame so deep that they manifest as jerks and tics on a daily basis, rocking me to sleep, and, frankly, I'm writing and publishing this multi-part life-story update thing more because I have to [for my own sanity] than because I'm looking forward to the experience of doing so.
In any case, it's a wonder what we ask stories to contain.
As it stands, I'm isolated from most of the people I know, in the sense that I'm stuck here on the far side of a story too long for me to easily tell. (Also in the sense that I'm literally isolated from most of the people I know. There can be layers.) I don't need everyone to read my story; nothing like that. So I've got that, at least. I guess I just need to know that I've explained myself somewhere, in case the universe is keeping an eye on me (or maybe I am?) or whatever crazy shit you say when you're really doing things half for vanity and half for therapy, and you should really be keeping it to yourself, but that was the problem.
My story — (sigh) — is interwoven with many others, and I don't want to invade any part of their privacy. This will be written to meet that goal. (To be clear, may we all know that wantonly removing players from the story obviously alters the appearance of it significantly, and in some cases doing so would leave the impression that I behaved more favorably than I actually did; in those cases, I'll acknowledge as much of my shitstainery as possible, without going into the personal specifics of anybody else's life.)
Mostly, I want to apologize to the Teague of fifteen years ago.
Baby-idiot Teague.
I've really let him down.
In happier news, I now know that I'm autistic, and suspect I might be non-binary — and, in 'seriously, what's the actual best news from the story' news, it feels like I've learned so goddamned much about myself and the world in the past few years that it hurts not to have it typed down. You know? I want it out of my head.
...which: Neat. I know in advance that by telling this story, I will later feel a more-physiologically-lightweight sensation in my head. It will be associated with a relief. Just from having converted my experiences into a story, apparently. Just from telling my story.
Perhaps that's why we do it.
Perhaps it's why we shouldn't disappear off the face of the fucking Earth.
Lesson one, baby-idiot Teague: Stay on Earth.
We've got a lot to talk about.
------------------------------------------
re: replies and comments and off-topic chattery spawned by the contents of this selfsame thread: totally welcome; I'll be doin' these blog posts as well as normal replies in this thread.
(fwiw, all of this text is to be considered a first draft for an edited version later. Same deal as what happened with the Arduino article. I'm just serializing it to motivate myself. We'll see if it works.)
(fwiw, I feel like such an egomanaical doofus doing this thread. Sorry. Yikes. Thank you. I'm embarrassed. And I'm excited, after all those things. I'm looking forward to it, after all these disclaimers. Oh, wow, down here I finally got into it! I'm looking forward to it! In the disclaimers! Thanks, disclaimers!)
A wild Teague appears!
Miss you buddy.
Likewise! — and, likewise, my friend. Sorry about the disappearing act.
More to come. (I'm... gettin' there. [Sorry it's like this. {lol.} Long story.])bracket
orsonclapping.gif us, one and all.
Man. *all the fuck smiles over here*
This is and has always been a safe place on the internet, I wouldn't worry worry about it. What I would worry about is this vertical video of a man laying horizontally...
This gives good happiness.
Regan, I was opening OBS when I remembered I don't have a webcam on this computer — that's how much I wanna barge in on your "Can't Help Falling In Love."
Alice, that was incredible. The energy was energizing.
Cute Clapping Gif, man-your-post. You're good.
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