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Friends In Your Head | Forums → Posts by Teague
ROFL
"YEAH. That was FUCKED UP. And it ripped off SPEED."
I liked it, but didn't care. Same as Returns.
But I did make one observation that seems oddly crucial to this film and other modern filmmaking.
Tell me about Superman, as if you had only seen this movie. Don't tell me what happened to Superman, tell me about him. Describe Superman as a person. Imagine you're setting me up on a date with him. Who is he?
Right? Nothing.
"Character development" in this movie (and other recent ones I can think of) boils down to simply showing formative experiences, without showing how they actually formed the character. You never see how someone reacts to their circumstances, or reconciles them.
You find out that something has happened to someone, and then you see them later. That's modern character development. My contention is that we shouldn't see what happens to them and then not see how they build their life afterwards, we should see the opposite. We should hear that something awful happened to a character, as we learn more about what they're doing now and how they're managing. Character is personality, and personality is internal reactions - not external events.
Anyway. Movie happened. Disliked score. Come at me Alex.
Looks like a rush job or a favor. Probably both.
Oh, I'll get there. I've been wanting to do a general "Teague vomits his stupid opinions about movie poster design" thread for a long time, but I wasn't actually prepared for that today, I just saw the Mondo poster and got excited as balls. Explanations and examples are coming.
Consider it a cold open? I dunno.
And in a stunning turn of events, this isn't even about Drew Struzan. Yet.
I'm a massive snob when it comes to movie posters. It's a form that more and more amateurs have been making their way into as filmmaking has democratized, and it's a perfect example for the distinction between breaking the rules on purpose and not knowing there are rules to break. People make posters - and other people fawn over them - that look like they're right, they kinda look poster-y somehow, but are totally dropping the ball on the fundamentals of good poster design. And it kind of drives me insane.
I'd love to bloviate on the subject quite a bit over the course of this thread, and on the above distinction with examples, but to start with I just wanted to share this particular poster from Mondo.
If you're not familiar, Mondo does commissioned movie poster art from time to time, where they'll bring in an artist and have them design a poster for a movie they love. (Or that Mondo thinks they can sell.) The internet goes crazy for these pieces, and they usually drive me up the wall. They're often superb pieces, drawings, paintings, but the poster form doesn't lend itself to the style of artist they tend to bring in. (In my opinion, natch.) Often they're hyper-detailed line art in monochrome or stylishly limited color palettes.
If it was only meant to be a cool painting, I'd dig it. They always cross the "cool painting" threshold. But the purpose of the movie poster is to sell the film and the attitude contained within it, and generally movie posters follow a particular style of layout. (Not particular layouts, a particular style of layout, philosophy of layout.) And Mondo posters, not to put too fine a point on it, rarely do.
I have all these opinions man, and what am I supposed to do, keep them to myself?!
Anyway. Today Mondo released this, and it's not only far and away my favorite Mondo piece from everything I've seen*, it also just vaulted onto my "top ten posters of all time" list.
*note, this category includes at least one poster that my friend did that I purchased and framed.
That's what I'm talkin' about!
Anyway, we're gonna do this thread in themes. More themes will come, and you can post again, but for now...
Only post one movie poster. Your favorite movie poster of all time. Explain why it's your favorite.
Al. Bum. Al. Bum.
Want more.
Yay, I get to post this-
Just pulled up this thread solely to find and elsewhere use that .gif. You have done well.
I believe I have cracked the case.
I don't think this is how you're supposed to be a serious songwriter, but fuck that, I'm just writing songs that are fun and enjoyable. Not like I'm trying to write "Hallelujah" over here, shit. Anyway, my trick is just come up with a whole list of cool sounding name-ish prompts and write songs with those for titles. Already I've gotten four new songs down, all four of which I'd be okay with on an album. This is good news.
To give you an idea, here's one of my favorites from the list of about fifty phrases I came up with:
"The Overwhelming Tragedy of Floyd's Knobs"
Do I have a song that could use that as the title? Fuck no. Can I write a song to fit that title? Bitch please.
This has proven most helpful.
Also, it's possible my album will make no goddamned sense.
That'll only give you the chat link after you've logged into the forum?
Cuz I dunno how to do that.
Yep. "Hid" the full chat link during my Reddit / 4chan madness so I'd/we'd have a safe place to talk about it. Since nobody gets registered to the forum without my approval, it's basically a gate that keeps outsiders out. They can see the forum, but not the chat.
Real-life spoilers: neither of them are British, and the guy who plays Felix has a southern-sounding accent.
EDIT: And he's 23.
Loved it.
Nobody listens to Felix!
Awesome.
I did not understand a god damned thing that was happening in this movie.
But my not-an-idiot friend dug it.
Nine stars!
Reviews are coming in. Some bad. Some good.
I'd wanna include Twinkles on such a thing. She'd love that.*
*would not
Ha. I kinda like that. Write the best five songs I can, put 'em on an album called "Five Things That Happened To Me."
Samuel L. Jackson Almost Got Me Killed And Then Saved My Life
The Best Balloon Artist On The Eastern Seaboard
Trademark Say What
Smokin' With NPH
Banned From The Ballooniverse By A Bitch Named Twinkles
George Takei Briefly Wanted My Nuts
I Didn't Win An Emmy, But I Kinda Won An Emmy
Shia Labeouf Bought Me Tacos (And All I Got Was Tacos)
Snuck A Cute Girl Into A Stranger's Mansion For Lovin'
Worked On The Same Damn Web Film For Ten Years (And I'm Not Even Trey)
Lived To See Someone Do A Rail Off Of Naked Boobies
Doing Magic On Television Pt. 1 (Sleight of Hand)
Doing Magic On Television Pt. 2 (The Collapse of Stonehenge)
I can see the platinum from here.
*blink*
Hm.
Throughout my current weirdness - Samuel L. Jackson screwed up my life for a week, long story - I've been writing and fiddling with music. Today I had a chat with Andy and Alex, and sent them what I've come up with so far.
It is so astoundingly god-awful that I don't even know what to do with myself. I decided to try wine.
We start recording on July 15th. I have one month to fix this. Right now, I'm standing in front of a great big abyss of "no idea if I'm gonna pull this off," and not exactly sure if there's a eureka-moment coming.
The biggest problem I've been having is simply that I never write songs for myself. Mechanically speaking, I know how to write a song. I know how to convert a directive into a song. This makes writing songs for musicals pleasantly easy, and it makes writing a song around some organic joke in the spur of the moment even easier. In the case of a musical, you're writing someone else's words, and you know what they're supposed to say. In the case of a joke - even "Doritos Aren't As Bad For You As the Apocalypse" was written in this style - you have a punchline for a premise, and you fill out the set-up in verses. The point of the song is to be a musical version of the joke, not a statement. Plus, for either, you can do it in any style or genre you want.
In the absence of a musical number or a "quick funny song" prompt, you're just a guy with the ability to say something to the world. What do you say? How do you say it? What are you going to sing about, and by the way, pick a style.
I never write songs for myself. It doesn't come naturally to me; as weird as it might sound, I don't express myself in song. I express myself musically plenty, but my heart doesn't react to the world in musical terms. I really have to fake it. Faking it doesn't ring true - and ringing true is my goal.
The easy way out would be to write witty, self-aware, too-cute-by-half jokey songs. I could do that in a second. But I don't want to, I want to write stuff that's... good. Song-y. Not joke-y. Somehow, despite having all the respect in the world for Tom Lehrer and Tim Minchin, I feel like going that route is too easy. I want to communicate something. But every time I try, it feels obvious. There's something inherent to Writing A Song that makes it seem like the subject of the song is very important to the songwriter, and every thought I have strikes me as pedestrian. I don't want to hang "Important" on any of those thoughts, because I feel like it's giving myself a bad rep. "He thought that was a huge observation, what a tool."
You know?
I wonder if the problem is that great songwriting is a desperate act of trying to explain something in a way that's impossible to articulate, and I've never had a problem explaining myself. I don't have this insurmountable need to try to tell you something, because I've never had trouble doing that in any other medium. It's not burning.
It's also possible that "fun, catchy song" is a form best suited to jamming with other musicians, and not stressing out over chord progressions by yourself.
Ugh. I don't know what to do. If I don't have a good answer in a week, I'm gonna say fuck it and write a concept album. Anything to give me a direction to go in. Until then, I hope I figure out how to be a songwriter and not just a musician.
BREAKING NEWS: On HitFix the other day, Nathan Fillion re-confirmed that there's not another Serenity movie happnin.'
Friends In Your Head | Forums → Posts by Teague
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