Topic: Temple of Doom
Doomy Temple.
I have a tendency to fix your typos.
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Doomy Temple.
Wow. Right-a-fuckin-way.
There you have it, folks, hot off the presses.
Fixed has secured his nomination for best post of the thread.
I'll get through the whole thing latter, but I got through the intro's and was amazed how insane I sounded just off mike.
That'll learn me.
I mostly agree with your guys' points, though I still think you're a bit harsh on it. I'd certainly take Temple of Doom over damn near any of the summer blockbusters the last few years. Also, you complain that it takes its sweet time getting to the Temple, but I kind of appreciate the fact that you have all this buildup, and then the last 30-35 minutes is pretty much non-stop action sequences, very relentless and exciting.
Its still a toss-up for me whether Last Crusade is better or not, because the tone in its action sequences is a bit too goofy for me, and I prefer the set pieces in Temple of Doom (also I will never forgive Last Crusade for ruining the Marcus character and turning him from an intelligent former adventurer to a senile buffoon). I think I also appreciate that instead of going the typical sequel route, they took a chance and made a movie that has a different feel, different bad guys, different time period. Last Crusade plays mostly like a watered down not as good version of Raiders, though Sean Connery goes a long way towards making it awesome.
Temple of Doom is great, just not as good as Raiders and Crusade. Doom goes a little too dark, and Crusade goes a little to fluffy, but the pacing of Doom is indeed weak in the first half.
EDIT: I've listened to it all now, and it's a terrific commentary. Sorry I missed the live recording. This sounded like good fun.
Last edited by Zarban (2011-08-02 15:14:11)
Good commentary, but I wanted to point out that Thuggee is a real cult of Hinduism, not just a product of Lucas' mind: http://en.wikipedia.org/wiki/Thuggee#Re … nd_Thuggee
The principle deity was Kali, the goddess of death.
Trey mentioned that, I think.
This! This is what the Zombieland commentary should have been; An intelligent, objective examination of a movie I enjoy. Even though I think the movie works, I can greatly appreciate this commentary because the criticisms are constructive and valid. Great work, guys!
I could be mistaken, but a few times, you guys seem to imply that Short Round first met Indy at the top of the movie. Based on the way they talk to each other (He knows to call Indy "Dr. Jones", for example), I was always under the impression they were already established friends before this movie begins. Am I missing some important exchange in the picture (that's right, I said picture) that disproves this?
We were spitballing an alternate version of the movie where Short Round and Indy are, if not strangers, less close than they seem to be at the top of the film, so that the growth of his relationship with Short Round could be a hook for Indy developing a conscience -- although Trey doesn't feel that they actually do seem that close, and that Indy treats him more as a servant than a friend until Shorty sets him on fire and learns the white man some respect.
Agree 100 % with the DiFers on this commentary. The difference is, though, I've never really liked ToD, even when I was a kid. I was always a Raiders guy then a Crusade guy when I saw that in the cinema. I love both about equally now, despite the way they fecked up Sallah and Brody in Crusade.
I've grown to love Capshaw's Willie. She's a good actress playing a role that's unlike anything else out there. And what's more, I buy her character completely. She's more real than Short Round (who can somehow KO grown men with single kicks and is just way too cool and fearless for a kid).
I find it curious that a criticism of the movie is the long build up to the titular temple. This has been hailed as a good dramatic device in movies such as the first Alien movies, Predator reveal etc. Does it not work here because this is an action adventure?
I find it curious that a criticism of the movie is the long build up to the titular temple. This has been hailed as a good dramatic device in movies such as the first Alien movies, Predator reveal etc. Does it not work here because this is an action adventure?
I think the difference is that the temple isn't sneaking around in the dark and killing people for a while before being revealed.
Having thuggees sneaking around in the jungle as the heroes travel and then attacking one night, killing and running off the porters, would have probably helped the pacing quite a bit, assuming something else could have been trimmed, like the river run earlier or some of the Lao Che stuff.
Trey mentioned that, I think.
Oops. I probably should listen to the whole commentary before commenting on the commentary
Sorry, Trey.
Though, I had a thought with regards to the development of Indy as a character in this one, especially since it is a prequel. In Raiders, Indy is all on board with the idea that disturbing the Ark and opening it is a bad idea. He seems to have a little more respect for the supernatural than Beloch and the Nazis do.
My thought was this: what if Indy in Temple is more of a Han Solo character from A New Hope, who is jaded, skeptical of the supernatural, and a mercenary of sorts. Yes, they mention the "fame and glory" as his motivation, but that could have been used in a more clear way. He doesn't believe in the stones, doesn't believe in deities or the supernatural. Then, he gets in with the Thugge cult and seems some crazy stuff that he has no way of explaining, including the blood of Kali. After that experience, he is far more respectful and wary, even if he does not believe, per se. Then, in Raiders, he is far more hesitant to mess with Ark, even if he wants to protect it from the Nazis.
I find it curious that a criticism of the movie is the long build up to the titular temple. This has been hailed as a good dramatic device in movies such as the first Alien movies, Predator reveal etc. Does it not work here because this is an action adventure?
My answer is - because the entire trip (including the dinner party scene once they arrive) contributes nothing to the plot, and no vital character info either. It's all shoe leather, the equivalent of watching characters drive all the way somewhere and look around for a parking space before arriving at a scene that actually matters. Willie remains annoying, Short Round and Indy continue to bicker, there's a lot of unfunny business with animals and guys in turbans... all just filler, and not particularly entertaining filler.
A little bit of the trip would have been fine, there's nothing wrong with taking a moment to ride elephants through some nice scenery in an Indy movie - exotic locales are part of the appeal. But it just goes on too long, for no purpose. Look, vampire bats! Which will play no part in the story! Willie is frightened by them! Which isn't the least bit new or surprising!
At the dinner we do get a meager few lines of back story about the Thuggees, but even that isn't really necessary - Indy could have covered that info from elephant-back on the trip in, he's usually the knower of all things historical anyway.
So the story doesn't get going again until Indy and Willie flirt (an advancement of character) and Indy gets attacked in his room (a hint, finally, that there's an antagonist in the story... somewhere) which leads - finally - to entering the actual Temple of Doom. From there until the end, the movie works much better, but it was a long time comin'.
Finally, there's no ticking clock - there's no urgency to the trip because there's no particular time they have to arrive. And other than "get the Happy Stone back and find the kids if you can" it's not clear what they're going to DO when they get there, or even what the threat is. It's called The Temple of Doom so it'll probably be unpleasant, but that's all we know.
Compare that to Raiders, where it's spelled out early on that the Ark of the Covenant is the equivalent of a Holy A-bomb that the Nazis are about to get their hands on. So right from the beginning the race is on, and the stakes are established. Even though Indy goes to Egypt via freakin' Tibet, the urgency is still there because we know that he's gotta get the medallion from Marion fast so he can get on down the road.
Last edited by Trey (2011-08-02 23:50:10)
Remember the kids who remade Raiders shot-for-shot? Wouldn't it be hilarious if some kids remade Doom but tightened up the first half, added a ticking clock, and made Willie more likeable?
If kids are remaking it, does that mean Short Round should be played by an adult?
The commentary pretty much nailed every complaint I had with the movie.
I think an interesting thing to do would be to put the entire saga in chronological order, all three movies (THREE!). That means "It belongs in a museum" cuts to the gong, showing the mercenary Indy has become due to his absent father figure. Any amount of tightening that could happen to that film would be nice, but the implied character arc would be throughout, allowing him to grow in responsibility, become a teacher like his dad and then, after hours of screen absence, he hears something happened to his estranged father.
We know Steven loves his daddy issue stories, and the degree to which Indy's a terrible surrogate (tribute of surrogates) father to Shortround plays into the larger arc of growing against his will in to the man that his father can respect. Then at the end, they ride into the sunset together. The End.
Last edited by TimK (2011-08-03 00:48:42)
Just out of curiosity, have there been many prequels that actually WORK? Temple of Doom had the advantage that there had been only one movie so there's not much continuity or character to screw up, but in most cases they create tons of problems where none existed before. Or they fill in character pieces you really didn't need. It doesn't help that they often come when the creator has run out of things to do with the existing characters/world, so they go back and do an origin story or tell stuff hinted at in the real books.
The Horiatio Horblower books are sort of OK, mostly as I read them "in order" as a kid. Coming back to them as an adult and reading them in publication order, not so much
Just out of curiosity, have there been many prequels that actually WORK? Temple of Doom had the advantage that there had been only one movie so there's not much continuity or character to screw up, but in most cases they create tons of problems where none existed before. Or they fill in character pieces you really didn't need. It doesn't help that they often come when the creator has run out of things to do with the existing characters/world, so they go back and do an origin story or tell stuff hinted at in the real books.
The Horiatio Horblower books are sort of OK, mostly as I read them "in order" as a kid. Coming back to them as an adult and reading them in publication order, not so much
As far as books go, the only truly successful prequel that comes to mind is "The Magician's Nephew" in the Chronicles of Narnia series. I believe it was the fifth or sixth book written in the series, but chronicles a boy's first sojourn in Narnia. That boy would eventually be the professor in "The Lion, the Witch, and the Wardrobe."
I think the overall prequel problem, regardless of genre, is like one of the panelists mentioned in this commentary. To us in the real world, the character is iconic, like Indiana Jones. In a prequel, he isn't supposed to be the great adventurer that we know him as in Raiders. I am pretty sure Dorkman pointed it out that the producers don't always take that in universe perspective and recognize how the character would been seen prior to becoming the cool guy in his universe. You almost have to be willing to make your hero less heroic, but not to the point of being a bad guy. I think this is one of those things that is easy to go to an extreme on.
Gentlemen, well done. Once of your best critical commentaries in a long time.
Thanks man.
You had me at the canned laughter.
Pretty much, yes
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